Bud S. Smith, Editor of ‘Sorcerer,’ ‘The Exorcist’ and ‘Flashdance,’ Dies at 88
He was not on the list.
Bud S. Smith, an Oscar-nominated film editor who was a regular collaborator with William Friedkin and whose other credits include “Putney Swope,” “Flashdance” and “The Karate Kid,” died Sunday at his home in Studio City, Calif. due to respiratory failure after a prolonged illness. He was 88.
Smith’s death was confirmed by his wife, dialogue editor Lucy Coldsnow-Smith.
Over a career spanning five decades, Smith was a two-time
Academy Award nominee: in 1984 for Adrian Lyne’s romance fantasia “Flashdance,”
and in 1974 for William Friedkin’s horror classic “The Exorcist,” which Smith
shared a nomination for with Evan A. Lottman and Norman Gay. Smith won the
BAFTA award for best editing for “Flashdance” and received a career achievement
award from American Cinema Editors in 2008.
After beginning in television and working under David L. Wolper in the ’60s, Smith’s first feature editing credit came at the end of the decade with Robert Downey, Sr.’s seminal satire “Putney Swope.” Smith worked with Downey on several of his early experimental films.
Smith was the primary editor for the Iraq sequences that open “The Exorcist” — a job that began a regular collaborative partnership with director Friedkin. Smith edited his 1985 crime film “To Live and Die in L.A.,” along with its borderline hallucinatory car chase showstopper, as well as the director’s 1977 survival thriller “Sorcerer,” celebrated for its sustained tension in its depiction of four truckers transporting a load of explosives in South America.
Other notable editing credits include Friedkin’s “Cruising,” the Sam Raimi breakout “Darkman,” Robert Towne’s production woe-laden “Personal Best” and the horror sequel “Poltergeist II: The Other Side.” In the ’90s, Smith worked as a film doctor and consultant, most often on the slate at Universal Pictures under exec Casey Silver.
Smith was also an associate producer on “Sorcerer” and “The Karate Kid”; he was a co-producer on “To Live and Die in L.A.” and on the 1999 sci-fi thriller “Virus.” He directed the 1988 high school football comedy “Johnny Be Good,” starring Anthony Michael Hall and Robert Downey Jr., the son of Smith’s earliest artistic collaborator.
Born on Dec. 6, 1935 in Tulsa, Okla., Smith’s first credit in the industry came in 1965 for the TV film “The Bold Men.” He was diagnosed with throat cancer in 2012.
He is survived by his wife of 33 years, Lucy.
Year Film Film Editor Producer director Other Notes
1969 Putney Swope Yes
1970 Pound Yes
1972 Greaser's
Palace Yes
1973 Deadhead
Miles Yes with Danford B. Greene
The Exorcist Yes with Evan A. Lottman & Norman
Gay
Nominated - Academy Award for Best Film Editing
Sticks and Bones Yes Television film
1974 Rhinoceros Yes
1977 Sorcerer Yes Yes Also associate producer & second
unit director
with Robert K. Lambert
1978 The Brink's Job Yes
A Death in Canaan Yes
1980 Cruising Yes
Falling in Love Again Yes with Jacqueline Cambas & Doug
Jackson
1981 Zoot Suit Yes with Jacqueline Cambas
1982 Cat People Yes Yes Also second unit director
with Jacqueline Cambas
Personal Best Yes with Jacqueline Cambas, Doug
Jackson,
Jere Huggins, Ned Humphreys & Walt Mulconery
1983 Flashdance Yes with Walt Mulconery
BAFTA Award for Best Editing
Nominated - Academy Award for Best Film Editing
Deal of the Century Yes with Jere Huggins & Ned
Humphreys
1984 The Karate Kid Yes Yes Also associate producer
with Walt Mulconery & John G. Avildsen
1985 To Live and Die
in L.A. Yes Yes Yes Also
co-producer & second unit director
with M. Scott Smith
1986 Poltergeist
II: The Other Side Yes with Thom Noble & M. Scott Smith
C.A.T. Squad Yes Yes Television
film
Also co-producer & second unit director
1987 Some Kind of
Wonderful Yes with M. Scott Smith
1988 Johnny Be Good Yes
1989 Sing Yes with Jere Huggins & M. Scott Smith
Listen to Me Yes with Anne V. Coates
Gross Anatomy Yes with M. Scott Smith
1990 Darkman Yes with David Stiven
1992 Stop! Or My Mom
Will Shoot 2nd
unit
1999 Virus Co-producer 2nd
Unit
2000 The
Replacements Yes with Seth Flaum
Christina's House Yes As post-production advisor
2003 The Young Black
Stallion Yes with Terry Blythe
2004 Ladder 49 Yes with M. Scott Smith
2005 The Game of
Their Lives Yes with Ian Crafford, Lee Grubin,
Jeff Williams & M. Scott Smith
2006 Driftwood Yes Yes Also second unit director
2008 Lonely Street Co-producer
2009 G-Force Yes
The Mighty Macs Exexutive
2013 Alone yet Not Alone Executive
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