Friday, September 25, 2026

Neil Henderson obit

Bay City Rollers star Neil Henderson dies aged 73 after long-term illness

Neil Henderson's former bandmates have paid tribute to the guitarist following his death

 

He was not on the list.


Guitarist Neil Henderson has died aged 73.

The Bay City Rollers musician's death was announced by his ex-bandmates in a statement, confirming that he had been ill for some time following a stroke.

Neil's ex-bandmates in Middle of the Road said in a statement: "We are sorry to have to announce the death of Neil Henderson, our original lead guitarist, songwriter and friend.

"Neil had been ill for some time and was fighting to recover from a stroke a few years ago.

"We wish to send our sincere condolences to Heather and Shona, his two daughters, and all his family and friends.

"His memory will live on with all who had the pleasure of sharing the stage with him as will his music."

Neil played in the Scottish pop rock band from 1970 for two years, and is heard on their debut chart single Keep on Dancing. However, he left the band prior to them being catapulted to worldwide fame through Rollermania.

He saw success with another Scottish band, Middle of the Road, and was able to land a number one hit with Chirpy Chirpy Cheep Cheep.

When he joined the band in 1974, he wrote and co-wrote a number of songs including Everybody Loves A Winner and Rockin Soul.

Devastated fans have paid tribute to Henderson, with one commenting: "This is so sad. During the '73 Middle of the Road, West & East European tour, Neil was introduced as the fifth member of the Middle of the Road group. I was the groups tour driver & had some great chats with him."

While another wrote: "My deepest condolences to the family and the band. Rest in peace, Neal Rock the heavens up there together with my dad and so many others."

A third commented: "I'm so sad to see this. I remember him well even though it was a long time ago, we chatted a lot about the band and how much younger he was. It's strange and sad for me to see the demise of that lovely young guitarist. RIP Neil."

Wednesday, September 23, 2026

Dee Brock obit

Dee Brock, original director of the Dallas Cowboys Cheerleaders, dies at age 96

“We will forever honor her and her legacy,” the famed troupe said in announcing her death.

 She was not on the list.


Dee Brock, the original director of the Dallas Cowboys Cheerleaders who helped mold the prototype for NFL sideline entertainment, died Wednesday, the team said.

She was 96.

Former Cowboys cheerleader Kelli Finglass — now the troupe’s director — called Brock a “visionary who helped create an icon.”

“Dee’s leadership, imagination and unwavering commitment to excellence shaped far more than a team. She created a standard, a spirit and a symbol that have inspired generations and earned recognition around the world,” Finglass said in a statement.

“Her influence lives on in every performance, every dream pursued and every woman who has ever worn the uniform with pride. We are deeply grateful for her vision, her courage and the extraordinary legacy she leaves with the Dallas Cowboys Cheerleaders.”

Finglass added: “Rest peacefully, Dee. You will always be remembered and your legacy will continue to shine.”

When the squad was formed in 1961, Brock, according to the team’s history, “utilized high school students with traditional cheers to lead the crowd.”

The team added “dance elements” to its game-day routine in 1965, then in 1972 introduced its now-iconic uniforms — boots, short shorts and fringed, midriff-baring tops — which have remained virtually unchanged since.

Brock retired in 1975.

The team honored her in 2022 with a lifetime achievement award, presented as a rhinestone-adorned football.

“I hadn’t realized I had made such a good impression, and I’m so happy about that,” Brock told NBC affiliate KETK during the presentation ceremony at her home in Tyler.

Brock’s advocacy is credited with helping integrate the cheerleading squad.

“The kindness that she showed, the encouragement, the warmth to a 16-year-old high school girl, it’s amazing what encouraging words, what kindness can do,” said Eunice Cicero, a pioneering member of the 1965 squad. “Thanks to Dee, I had the pleasure of being one of the first African American cheerleaders for the Dallas Cowboys.”

Lawrence Tanter obit

Longtime Lakers public-address announcer Lawrence Tanter dies

 

He was not on the list.


Longtime Los Angeles Lakers public-address announcer Lawrence Tanter has died, the team announced Wednesday.

"We are deeply saddened to share the news of the passing of legendary Lakers public address announcer Lawrence Tanter," the team wrote in a statement shared on its social media accounts. "For 43 years, LT's voice served as the soundtrack to Lakers games at the arena. He will be remembered as a cherished member of the Lakers family."

In June, the 76-year-old Tanter retired from his courtside post where he had manned the microphone in L.A. since the "Showtime" days of the 1980s.

Tanter had suffered a stroke late in the regular season and missed the Lakers' last six home games, plus the playoffs.

Last month, shortly before entering into hospice care, Tanter texted ESPN.

"Quote me," he wrote, "'It's been a blessing.'"

Known by Lakers fans simply by his initials, LT, Tanter was the longest-tenured PA announcer in team history and was recognized for his style as much as for his longevity.

Despite being equipped with a booming baritone voice and an imposing 6-foot-7 frame, Tanter's presentation relied on restraint, using a silky-smooth delivery to share the Lakers' starting lineups, substitutions, fouls and score announcements with an aim to inform rather than distract the audience.

Tanter channeled his parallel career as a disc jockey at various jazz radio stations in L.A. when he reported to the arena, often wearing an eight-panel cap atop his head and sporting a well-manicured white goatee on his chin.

Always part of the tapestry but never stealing the spotlight, Tanter's signature call became announcing "The Laker girlllssss" when the dance team finished a routine and scampered off the court.

Tanter's role was particularly poignant during the Lakers' most recent championship season in 2019-20. When the Lakers played their first game after Kobe Bryant's death in January 2020, Tanter introduced all five Lakers starters with the same line: "6-6, 20th year out of Lower Merion High School, Kob-eeeeee Bryant!" Later that season, when the Lakers competed in the NBA bubble in Orlando, Florida, and eventually won the championship, Tanter recorded player introductions at a home studio in the Porter Ranch area of Los Angeles that were played before Lakers games at the ESPN Wide World of Sports Complex.

The Chicago native played forward for his high school basketball team and received a scholarship to attend the University of Dubuque in Iowa.

He went on to be a part of 10 Lakers championships and 16 Western Conference titles.

"Lawrence Tanter has been an integral part of the Lakers gameday experience for more than four decades, setting the tone for countless memorable moments with his professionalism, energy and signature booming voice," Lakers acting governor Jeanie Buss said in June when Tanter was shifting to an advisory role. "Since the 1980s, LT has narrated every chapter of Lakers basketball, connecting generations of fans, players, coaches and staff while becoming a trusted and unforgettable part of the Lakers experience. I am incredibly grateful for everything he has given to this franchise."

Jason Barquero, the PA announcer for the Lakers' G League affiliate, finished last season in Tanter's absence. The team has yet to name a successor for Tanter for the upcoming 2026-27 season.

Jackie Jackson obit

Reggae bass legend Jackie Jackson has died

 

He was not on the list.


Veteran Jamaican bass guitarist Clifton 'Jackie' Jackson, whose distinctive playing helped provide the heartbeat for some of the most enduring recordings in Jamaican popular music, died this morning after a lengthy hospitalisation.

He was 79.

Jackson, who was married to celebrated Jamaican songstress Karen Smith, was admitted to the Cornwall Regional Hospital in Montego Bay, St James, for close to two months.

He leaves behind four daughters.

His passing closes another chapter in Jamaica's extraordinary pioneering generation of musicians, men who worked largely outside the glare of the spotlight but whose musicianship helped turn ska, rocksteady and reggae into music heard around the world.

For more than half a century, Jackson's bass was synonymous with Toots and the Maytals, but his musical fingerprints extended far beyond the legendary group.

He played on recordings by some of Jamaica's biggest names, including Bob Marley and the Wailers, Alton Ellis, Ken Boothe, The Melodians and Desmond Dekker, while his international recording credits included American singer-songwriter Paul Simon.


Maureen Jones obit

Vale Maureen Jones, pioneering Australian pianist

Like many gifted musicians of her generation, Jones built her career in Europe, but she will be rememembered as a key figure in the early history of Musica Viva Australia. 

She was not on the list.


Australian pianist Maureen Jones, a key figure in the early history of Musica Viva Australia and an acclaimed chamber musician whose career took her from Sydney to Europe’s major concert stages, has died in Lugano, Switzerland, aged 99.

Musica Viva Australia CEO Anne Frankenberg described Jones as “fundamental to Musica Viva Australia’s history”, noting that she was invited to join the organisation’s original ensemble in her early twenties, before embarking on a distinguished European career.

“She returned several times to perform and to teach,” Frankenberg said. “Her incredible musicianship and natural glamour significantly built the audience for chamber music in this country.”

Jones was born in Sydney and spent her formative years on the city’s upper North Shore. At the age of 10 she was invited by Edgar Bainton, then director of the Sydney Conservatorium of Music, to study there with pianist Alexander Hmelnitsky. While still a student, she had her professional debut with the Sydney Symphony Orchestra, performing Beethoven’s Piano Concerto No. 1.

After graduating, Jones was invited by Richard Goldner to join the fledgling Musica Viva ensemble. Her musicianship, charisma and striking stage presence contributed to the establishment of the organisation and its audience for chamber music in Australia.

Like many gifted Australian musicians of her generation, Jones subsequently travelled to London to pursue her career. She soon found the city uncongenial, however, and moved to Switzerland, where she formed a close musical partnership with Australian violinist Brenton Langbein.

The pair formed a duo in 1952 and performed widely throughout Switzerland and Italy, including for the Società dei Concerti Trieste. Their collaborations extended to the acclaimed horn trio formed with fellow Australian Barry Tuckwell. The trio was the subject of a commission from the Edinburgh Festival to Australian composer Don Banks, whose 1962 Horn Trio became a cornerstone of the repertoire. Jones, Langbein and Tuckwell also recorded the work alongside Brahms’s Horn Trio.

Jones’s European life was further shaped by her marriages to two distinguished Italian musicians. Her first husband was pianist Dario De Rosa, of the celebrated Trio di Trieste, with whom she had a daughter, Nicoletta. She later married cellist Amadeo Baldovino, also of the Trio di Trieste.

Her career encompassed solo, chamber and orchestral performance. She appeared with the London Symphony Orchestra, Royal Philharmonic Orchestra, Tonhalle Orchestra Zürich and Berlin Philharmonic, and performed at the Edinburgh Festival and for the BBC, RAI and the Accademia Nazionale di Santa Cecilia. Her chamber music partners and collaborators included members of the Amadeus Quartet and the Quintetto Fauré di Roma, while her four-hand piano repertoire with De Rosa formed another important strand of her musical life.

Despite establishing her life and career in Europe, Jones maintained strong connections with Australia. She returned regularly as a performer, teacher and adjudicator, and remained closely associated with Musica Viva. One of her later major appearances for the organisation came in 1997, when she performed as part of its Schubertiade celebrations. At 69, Jones delivered a performance still remembered for its precision, authority and sheer presence – qualities that had marked her career from its earliest days.

In a 2017 interview with Miriam Cosic, published to mark her 90th birthday, Jones revealed that she was still performing and practising every day.

Remembered for her talent, musical authority, elegance and glamour, Jones’s death has been reported in Swiss and Italian media, where she was remembered as “the lady of the piano”.

Jigger Sirois obit

Jigger Sirois Dies At 91 

He was not on the list.


WILLIAMSBURG, Va. —  Leon Duray “Jigger” Sirois was part of Indianapolis 500 racing lore not because of a celebrated victory or a near-miss at grabbing winning honors at the famed speedway, but for simply not winning the pole position and, eventually, not making the race at all.

Battling a number of health issues in recent years, Sirois passed away Sept. 23 at the age of 91.

The year was 1969 and Sirois was a 34-year-old “rookie” at Indianapolis. Hailing from Hammond, Ind., at the time, Sirois was among over 80 entries for the annual May racing classic.

A native of Shelby, Ind., Sirois grew up in racing as his dad, Earl “Frenchy” Sirois, was a longtime crewman at Indy, serving on several race-winning teams when not tending to the family hardware store. Young Sirois was named after a somewhat famous racer of the 1920s – Leon Duray and the nickname “Jigger” came from a racing mechanic – “Jigger” Johnson.

With rain showers pretty much in area during the first day of qualifying, Sirois was the only driver to attempt a qualifying run late in the afternoon. Sirois completed three laps, but his fourth and final lap was waved off by his car owner as he felt Sirois’ laps were not fast enough to qualify for the race.

As it turned out, Sirois’ time would have been fast enough to make the race and grab the pole position. Additional qualifying attempts were fruitless with his last effort failing because of engine problems and Sirois did not make the rest that year or any other time during his career.

Sirois’ racing exploits started with stock cars on the dirt at Illiana Motor Speedway in Schererville, Ind. Stockers were not for Sirois, who would go the open-wheel route and end up racing midgets. Joining the ranks of the United Auto Racing Association which held most of its races at Joliet Memorial Stadium, Sirois was the association’s driving champion in 1961 as he wheeled Larry White’s yellow No. 82 midget to eight feature victories.

Later, Sirois took on the best in the midget ranks of the United States Auto Club. He was badly injured in a midget crash at Springfield, Illinois, in 1962 and underwent six months of rehab.

He won one USAC midget feature in his career but his best effort in USAC was probably his run at Illinois’ DuQuoin State Fairgrounds in a USAC Silver Crown car on September 4, 1972 when he led the opening four laps one the one-mile dirt in the only turbine-powered entry in the race. A.J. Foyt passed him with rain causing the race to be called after 52 laps with Foyt getting the win and Sirois finishing third.

Sirois, who called Williamsburg, Va., home for many years, is survived by his wife, Juanita.

Richard S. Reisberg obit

Richard S. Reisberg Dies: TV Executive At Viacom, MGM/UA & Lionsgate Was 86

 

He was not on the list.


Richard S. Reisberg, who held senior roles at Viacom Productions, UA TV, MGM/UA TV Productions and Lionsgate TV, died September 23. He was 85.

His family confirmed the news to Deadline but did not provide a cause of death.

After earning his law degree, Reisberg worked early on in business affairs at ABC, CBS and NBC and then Viacom International, where he rose to become Senior Vice President. In 1972, he was made President of Viacom Productions.

After Viacom, Reisberg held a string of senior roles: President of United Artists Television, President of MGM/UA Television Productions and President and Chief Operating Officer of Reeves Entertainment. His final industry position was President of Lionsgate Television.

He later became a mediator at JAMS and taught mediation at Pepperdine School of Law in Malibu.

Reisberg is survived by his wife of almost 56 years, Judy; his daughters, Jennifer Benson and Stephanie Silvera; his son-in-law, Justin Silvera; and his grandchildren, Oliver and Tyler Benson and Ella and Layla Silvera. His son-inlaw, David Benson, predeceased him.

Donations in his memory may be made to Alzheimer’s Los Angeles.

Bob Pettit - # 364

Bob Pettit, imposing Hawks great and first NBA MVP, dies at 93

The NBA champion and 11-time All-Star was inducted into the Naismith Memorial Basketball Hall of Fame in 1971. 

He was number 364 on the list.


NEW ORLEANS (AP) — Bob Pettit, an imposing scorer and rebounder for the St. Louis Hawks and winner of the NBA’s first Most Valuable Player in 1956, has died. He was 93.

Pettit’s alma mater, LSU, announced Thursday that he died a day earlier. The university did not provide a cause of death.

The NBA issued the following statement:

“The NBA family mourns the passing of Naismith Hall of Famer Bob Pettit, a two-time NBA MVP and a member of all four NBA Anniversary Teams. He raised the bar for excellence as the league’s first MVP, first 20,000-point scorer and first four-time All-Star Game MVP. His iconic 50-point performance in Game 6 of the 1958 NBA Finals clinched the championship for the St. Louis Hawks. Beyond those accomplishments, Bob helped transform the power forward position.

“Our thoughts are with Bob’s family and friends and the entire Hawks organization.”

Pettit was an All-American at LSU before going on to the NBA, where he was an All-Star for each of his 11 seasons, all with the Hawks. He led them to the 1958 championship over the mighty Boston Celtics, the Hawks’ lone title.

He was also the NBA MVP in 1959 and was the MVP of the All-Star Game four times, an achievement matched only by Los Angeles Lakers great Kobe Bryant.

Pettit was a force at a time when the NBA featured the likes of Wilt Chamberlain, Bill Russell, Oscar Robertson and Elgin Baylor. But it was also before a time when the NBA was widely seen on television, and Pettit – playing in a smaller market – was denied a larger audience.

At 6-foot-9 and 205 pounds and with a deeply receding hairline, Pettit was a physical presence at power forward, before such a position became part of basketball’s vocabulary. He rarely missed a game. He also played center and was one of the first big men who did not play solely with his back to the basket.

Pettit was the Rookie of the Year in 1955, the last year the Hawks played in Milwaukee before moving to St. Louis.

He captured the MVP the next season, leading the league in scoring at 25.7 points a game. He also was the NBA’s scoring leader in 1959 at 29.2 points.

He retired after the 1964-65 season with career averages of 26.4 points and 16.2 rebounds. At that time, he was the NBA’s career leader in points (20,880) and second in rebounds (12,849).

He was inducted into the Naismith Memorial Basketball Hall of Fame in 1971.

“Lean, graceful, and always well-conditioned, Bob Pettit’s physical build made him one of the first big men to play facing the basket,” reads Pettit’s biographical profile at the Hall of Fame. “But Pettit’s resolve set him apart from his peers; he simply would not be outworked.”

Robert Lee Pettit Jr. was born on Dec. 12, 1932, in Baton Rouge, Louisiana. His father worked in law enforcement and served as East Baton Rouge Parish Sheriff. Pettit was a late bloomer in basketball, not making the Baton Rouge High School varsity until his junior season.

As a senior, he led Baton Rouge to a state championship and wound up with more than a dozen college offers. He chose to stay home and starred at LSU as a sophomore, an era when players could not join the varsity until then.

He led the Southeastern Conference in scoring all three of his seasons, with averages of 25.5 points as a sophomore, 24.9 as a junior and 31.4 as a senior.

Pettit is one of only three LSU players – Pete Maravich and Shaquille O’Neal the others – to earn a place in the Hall of Fame. Bronze statues of Pettit and O’Neal stand outside LSU’s home arena, the Pete Maravich Assembly Center. His No. 50 is retired by LSU, his No. 9 by the Atlanta Hawks.

Pettit’s misfortune was that most of his career coincided with a run of Celtics championships that remains one of the most dominant runs in American pro sports history.

Pettit was two victories short of being a three-time NBA champion. Pettit’s Hawks advanced to The Finals four times, all against Boston, twice losing in seven games.

The first meeting, won by Boston in 1957, came down to double overtime of Game 7. The second ended with a championship for the Hawks, interrupting Boston’s run of nine titles in 10 seasons. The Hawks also dropped NBA Finals matchups with the Celtics in 1960 (in seven games) and 1961 (in five).

Pettit retired to his native Baton Rouge after leaving basketball and worked in banking and financial consulting. He was a regular at LSU and New Orleans Pelicans games in recent years.

After high school, Pettit had scholarship offers from 14 universities and accepted a scholarship to play at nearby Louisiana State University (LSU). He was a three-time All-Southeastern Conference selection and a two-time All-American as a member of the LSU men's basketball team. (Freshmen were not allowed to play varsity basketball at the time.) During those three years, Pettit averaged 27.8 points per game. He was also a member of the Zeta Zeta chapter of Delta Kappa Epsilon at LSU.

Pettit made his varsity debut at LSU in 1952. He led the SEC in scoring for his first of three consecutive seasons, averaging 25.5 points per game. He ranked third in the nation in scoring and also averaged 13.1 rebounds per game, helping his team to a 17–7 win–loss record for a second-place finish in the league, and was selected to the All-SEC team.

During his junior year, Pettit helped the Tigers sail through a 23-game regular-season schedule with only one loss (to Tulsa). A clean sweep of SEC opponents became LSU's second SEC Title (their first came in 1935) and the school's first NCAA Final Four. He averaged 24.9 points and 13.9 rebounds per game for the 1953 season. He was honored with selections to both the All-SEC and All-American teams.

Pettit averaged 31.4 points and 17.3 rebounds per game during his senior year and once again led LSU to an SEC Championship and garnered All-SEC and All-American honors. He set a then-SEC scoring record of 60 points against Louisiana College in his second game, and also the SEC record for scoring average, with both records later being broken by Pete Maravich. Pettit also was the second player in major-college basketball history to average more than 30 points a game.

In 1954, the Milwaukee Hawks selected Pettit second in the first round of the NBA draft after the Baltimore Bullets' selection of Frank Selvy. Pettit was initially reluctant to sign with the team before his third cousin, fellow NBA player Frank Brian, convinced him to do so. With $100 in the bank, he signed a contract with Hawks owner Ben Kerner for $11,000 – an all-time high for an NBA rookie then. Pettit's awkward ballhandling and a lack of strength to battle NBA bruisers weighing 200 pounds that early in his career, had Hawks coach Red Holzman move him from center, his position at LSU, to forward in his first training camp. "In college I played the standing pivot", he said in an April 1957 SPORT magazine interview. "My back was to the basket. In the pros, I'm always outside. Everything I do is facing the basket now. That was my chief difficulty in adjusting, the fact that I had never played forward before." Though many were skeptical about Pettit making the transition from college to the rough-and-tumble NBA, in 1955 he won the NBA Rookie of the Year Award after averaging 20.4 points and 13.8 rebounds per game. He became the second rookie to win all-NBA honors but the team finished last in the Western Division. After the season, the Hawks moved to St. Louis.

Pettit helped the Hawks improve during their first year in St. Louis in their winning of 33 games during 1955–56. In his second season, Pettit adjusted his game so that he would get to the free-throw line for easy points for his team and foul trouble for his opponents. Being a phenomenal offensive rebounder and an instinctive scorer, he told basketball historian Terry Pluto that "Offensive rebounds were worth eight to 12 points a night to me. Then I'd get another eight to 10 at the free-throw line. All I had to do was make a few jump shots and I was on my way to a good night."[8] Pettit won his first scoring title with a 25.7 average, and led the league in rebounding (1164 for a 16.2 average). He was also named MVP of the 1956 NBA All-Star Game after scoring 20 points with 24 rebounds and 7 assists; he would win subsequent MVP All-Star Game honors in 1958, 1959, and 1962. He also won his first of two NBA regular season MVP awards (the other was in 1959).

Retooling before the 1956–57 season, the Hawks acquired Ed Macauley and rookie Cliff Hagan from the Boston Celtics for the draft rights to Bill Russell. The team added guard Slater Martin in an early-season deal with the New York Knicks while Alex Hannum arrived a few weeks later after being released by the Fort Wayne Pistons. Hannum became the team's third coach that season by taking over as player-coach with 31 games left on the schedule. Though they posted a 34–38 record in 1956–57, a series of tie-breaking playoff games against the Pistons and a three-game sweep of the Minneapolis Lakers had them in the NBA Finals. In Game 1 of the 1957 NBA Finals at the Boston Garden, Pettit scored 37 points as the Hawks shocked the Bill Russell-led Boston Celtics in double overtime. Pettit won his team the third game in the series with a late basket in St. Louis. His two free throws with six seconds left in Game 7 forced overtime, but Pettit's 39 points and 19 rebounds in 56 minutes weren't enough to win a double-overtime game. Pettit averaged 29.8 points and 16.8 rebounds per game during their 1957 playoff run.

A franchise-record 41 wins and a division crown allowed the Hawks to get back at the Celtics in the 1958 NBA Finals. Pettit led the Hawks to an NBA Championship with a then-playoff record 50 points in the Hawks' 110–109 series-clinching victory in game 6. Pettit's 50 points stood alone as the most in a Finals close-out victory until it was matched by Giannis Antetokounmpo in 2021. Both teams would later meet in the 1960 and 1961 Finals, with Boston winning each time. For the season, Pettit scored 24.6 ppg and pulled down 17.4 rpg, and earned All-Star Game MVP honors with a performance that included 28 points and 26 rebounds. St. Louis finished at the top of the |Westetn Division in each of the next three seasons. Pettit's league-leading scoring average of 29.2 points per game in the 1958–59 season was an NBA record at the time, and he was named the Sporting News NBA MVP.

In the 1960–61 season, Pettit averaged 27.9 points per game[9] and pulled down 20.3 rebounds per game, making him one of only five players to ever break the 20 rpg barrier. He, along with Wilt Chamberlain and Jerry Lucas, are the only three people who averaged more than twenty points and twenty rebounds in an NBA season. On February 18, 1961, Pettit scored a career-high 57 points and grabbed 28 rebounds in a 141–138 win over the Detroit Pistons.

 

Personal information

Born    December 12, 1932

Baton Rouge, Louisiana, U.S.

Died    September 23, 2026 (aged 93)

Metairie, Louisiana, U.S.

Listed height   6 ft 9 in (2.06 m)

Listed weight  205 lb (93 kg)

Career information

High school     Baton Rouge

(Baton Rouge, Louisiana)

College            LSU (1951–1954)

NBA draft        1954: 1st round, 2nd overall pick

Drafted by       Milwaukee Hawks

Playing career 1954–1965

Position           Power forward / center

Number           9

Career history

1954–1965      Milwaukee / St. Louis Hawks

Career highlights

NBA champion (1958)

2× NBA Most Valuable Player (1956, 1959)

11× NBA All-Star (1955–1965)

4× NBA All-Star Game MVP (1956, 1958, 1959[a], 1962)

10× All-NBA First Team (1955–1964)

All-NBA Second Team (1965)

NBA Rookie of the Year (1955)

2× NBA scoring champion (1956, 1959)

NBA rebounding leader (1956)

NBA anniversary team (25th, 35th, 50th, 75th)

No. 9 retired by Atlanta Hawks

Consensus first-team All-American (1954)

Consensus second-team All-American (1953)

No. 50 retired by LSU Tigers

Career NBA statistics

Points[1]          20,880 (26.4 ppg)

Rebounds        12,849 (16.2 rpg)

Assists 2,369 (3.0 apg)


Tuesday, September 22, 2026

James Becket obit

James Becket, Filmmaker, Journalist and Human Rights Lawyer, Dies at 89

 He was not on the list.


James Becket, the American filmmaker, journalist and human rights lawyer whose career took him from documenting torture under Greece’s military dictatorship to making films about refugees, health and the environment, has died. He was 89. Becket died on Sept. 22, 2026.

Born in New York City on Oct. 5, 1936, Becket studied at Williams College before graduating from Harvard Law School in 1962. He also studied at the University of Chile as a Fulbright Scholar and at the Graduate Institute of International Studies in Geneva.

His career rarely stayed in one lane. During the 1960s, Becket worked as a foreign correspondent across Europe, Latin America and Africa, contributing to publications including The New Republic, The Nation, The New York Times and The Christian Science Monitor. He also wrote about land reform, economic development and international human rights law.

His human rights work became especially significant after Greece’s military junta seized power in 1967. Becket and his Greek wife, Maria, became active in the movement opposing the dictatorship. Amnesty International sent Becket and British barrister Anthony Marreco to Athens to investigate allegations of human rights abuses, producing a report based on firsthand testimony about the regime’s use of torture. Becket later wrote ‘Barbarism in Greece’, appeared on television to discuss the regime and helped organize the escapes of torture victims who travelled to Strasbourg to testify before the European Commission of Human Rights. The Greek regime declared him persona non grata.

From 1974 until 1981, Becket served as the United Nations High Commissioner for Refugees’ Director of Public Information. As a spokesperson and filmmaker for the organization, he covered major refugee crises involving Vietnamese boat people, Cambodians fleeing genocide and people escaping wars and apartheid in Africa.

Film eventually became the central thread connecting many of Becket’s interests. His early political film ‘Que Hacer?’ was made in Chile during Salvador Allende’s rise and screened at film festivals including Cannes. After moving to Los Angeles in 1981, Becket wrote, directed and produced films internationally, drawing on the political and humanitarian experiences that had shaped his earlier career.

He also worked in American television, directing after-school specials and writing episodes of ‘Miami Vice’ and ‘Crime Story’. His feature-film credits included ‘Ulterior Motives’, ‘Natural Causes’, ‘The Best Revenge’, ‘Plato’s Run’, ‘Southern Cross’ and ‘Junior Pilot’. Across his career, he wrote 30 screenplays, 10 of which were produced.

In 1999, Becket created Becket Films and increasingly turned his attention toward documentaries about health and ecology. He made films about childhood epilepsy, inspired in part by his daughter’s experience with the condition, and stroke recovery. He also documented a series of environmental symposia bringing religious leaders and scientists together aboard ships travelling through ecologically threatened regions including the Amazon, Arctic and Adriatic. His later projects included 2014’s ‘Sons of Africa’ and 2020’s ‘The Seeds of Vandana Shiva’.

Becket leaves behind a body of work that crossed journalism, law, diplomacy and filmmaking while repeatedly returning to the same subjects: human rights, people displaced by conflict, political power and the environment. Whether he was reporting from abroad, documenting abuses in Greece or putting those concerns on film, his career was built around using storytelling to bring difficult issues before a wider audience.

 

Filmography

Feature films

Que Hacer? (1972) Co-filmmaker, Lobo Films (Directors’ Fortnight, Cannes Film Festival, Critics’ Award, Mannheim).

Ulterior Motives (1991), Writer/Director, (Thomas Ian Griffith, Ken Howard, Mary Page Keller), Den Pictures,

Natural Causes (1994), Director, (Linda Purl, Will Patton, Ali MacGraw), (Pacific Rim .Best Foreign Film, Houston Film Festival)

The Best Revenge (1995) Writer/Director, (Carlos Riccelli, Robert Pine), Becket Films. (Winner Best Feature, Breckenridge Film Festival)

Plato's Run (1996), Writer/Director, (Roy Scheider, Gary Busey), NuImage Films.

Southern Cross (1999), Writer/Director/Producer, (Malcolm McDowell, Esai Morales, Michael Ironside), Bon Films.

Junior Pilot (2006), Writer/Director, (Mark Dacascos, Eric Roberts, Larry Miller), Green Communications.

Television

Je Suis un Refugie (1979) Writer/Director, UNHCR, First Prize Cork Film Festival

Sanctuary,(1982) Writer/Director, PBS, Cindy Awards, Best in Festival awards

Crime Story (1988) Writer, Going Home 27 February 1988

Miami Vice (1988) Writer, Heart of Night 31 August 1988

Big Boys Don't Cry (1992) Director, CBS Schoolbreak Special, Churchill Films, Humanitas Award

Fast Forward (1994) Director, ABC Afterschool Special, Wild Films, Humanitas Award

Guns in School (1993) Director, PSA, George Foster Peabody Award.

Screenplays

Becket wrote 30 screenplays of which ten have been produced.

 

Documentaries

The Aegean: The Apocalypse, (1995) Producer/Director, RSE.

The Adriatic: A Sea at Risk, A Unity of Purpose (1998), Producer/Director, RSE.

El Misterio del Capital de los Indigenas Amazonicas, (2002), ILD,

The Baltic: A Sea in Peril, (2003) Producer/Director, RSE.

The Amazon: The End of Infinity (2004), Producer/Director, RSE.

Childhood Epilepsy ‘What you need to know’. (2005)

Diagnosis Epilepsy: Now what? (2006) Winner 2007 Telly Award

The Arctic: The Consequences of Human Folly, (2006), Producer/Director, RSE.

The Green Patriarch, (2008) Producer/Director, RSE, 2008

Stroke Recovery: Taking Back Our Lives, (2010) Producer/Director, Becket Films.

The Mississippi: At The Tipping Point (2011) Producer/Director, RSE, 2011

Sons of Africa,(2014) Producer/Director, Journeyman Pictures. Winner Best Doc, Seattle Independent Film Festival, Borrego Springs Festival

The Seeds of Vandana Shiva (2020), Producer/Director with Camilla Denton, Becket Films

Books

(1969) Barbarism in Greece Walker and Company LCCN 7310918 7-310918(also translated and published in Swedish, Italian, Greek, and Turkish)

(1973) (with Elise Smith) First Amnesty International Report on Torture, Duckworth's,

(1998) Inca Gold Bantam ISBN 978-1-933390-20-8

(1992) Murder on the Tour de France Bantam ISBN 0-553-29443-1

Selected articles

(14 May 1962) "Report from a Troubled Colony” The New Republic

(16 May 1964) "Autogestion: Algeria's Socialist Experiment" The Economic Weekly,

(23 May 1964) “Algeria's War Orphans” Christian Science Monitor

(19 July 1966) “Suez, dix ans apres, Les consequences de la nationalisation" Journal de Genève

(29 December 1967) “Chile's Mini-Revolution” Commonweal

(27 May 1968) “Torture in Democracy's Homeland” Christianity and Crisis

(March 1968) “The Real Latin America (photographic essay)” Renewal

( March, 1968) “How I Became National Champion: Letter from Bolivia” Skiing

(6 January 1969) “Greek Junta on Trial” The Nation

April 1970 pp 44–49) “Inquisition Greek style” Ramparts Magazine

(4 August 1972) "Torture as an Institution" New York Times

(March 1978) "The Subjective Camera as Leading Character" American Cinematographer


George N. Gillett Jr. obit

 

Gillett, Canadiens owner from 2001-09, dies at 87

American businessman ‘immersed himself in the Montreal community’

He was not on the list.


MONTREAL -- George N. Gillett Jr. did much more than own the Montreal Canadiens from 2001-09, his final season monumentally kicking off celebrations for the centennial of the storied franchise that predates the NHL.

The energetic, glass forever half-full American businessman owned basketball’s famed Harlem Globetrotters when they actually lost a game in 1971, and he relished telling that story as much as he did any about his greatest moments in sports and business.

The Canadiens announced Wednesday on social media that Gillett Jr. had died at age 87.

“On behalf of the entire Canadiens organization, I would like to extend my deepest condolences to George’s family,” Canadiens owner, president and CEO Geoff Molson said in a statement. “George immersed himself in the Montreal community and was appreciated by everyone in the organization. We sincerely appreciate his contributions to the Montreal Canadiens during his time as owner.”

NHL Commissioner Gary Bettman, said in a statement, “George Gillett’s passion for the Montreal Canadiens and commitment to the city of Montreal were demonstrated throughout his tenure as owner of the storied franchise from 2001 to 2009. He guided the Canadiens through a significant chapter in their history that included preparations for their Centennial Celebration, which honored the franchise’s rich legacy and seminal place in our game.

“George was a friend whose company I always enjoyed, whose counsel was wise, and whose energy was contagious. His contributions to the hockey world left an enduring mark, and his legacy will continue to be felt throughout the game for years to come. The National Hockey League sends its heartfelt condolences to his family and many friends.”

Born Oct. 22, 1938, in Racine, Wisconsin, Gillett Jr. became owner of the Canadiens and Molson (now Bell) Centre on Jan. 31, 2001. Founder of Brook Creek Management Corp., a portfolio management firm, he would own the NHL’s most successful franchise during several huge moments in team history, including captain Saku Koivu’s return after beating cancer on April 9, 2002, the renaming of the team’s arena to Bell Centre on Sept. 1, 2002, and the start of preparations for the team’s centennial season in 2009-10.

Gillett Jr. owned the Canadiens until June 20, 2009 when he sold the team, its arena and its Groupe Spectacles Gillett concert/entertainment arm to current owner Geoff Molson and a consortium of investors.

I would get to know Gillett Jr. well during his tenure holding the Canadiens’ reins, spending time with him at the arena during games, in conversation in the team’s executive suites, even flying with him from Montreal to Toronto on his business jet to a 2008 sports awards luncheon when he learned that my commercial flight the morning after covering a Canadiens game would cut my arrival too close.

He’d officially arrived in Montreal on Jan. 31, 2001, from his base in Vail, Colorado, handing Molson Inc. $275 million Canadian for 80.1 per cent of the Canadiens and full ownership of their arena. By his own estimate, the Canadiens were roughly his 150th acquisition, the purchase coming more than a half-century after he’d worked his first job in 1948 – picking weeds in a Racine onion patch for his great-uncle Wally.

Within days, Gillett Jr. was strafed by some in the Montreal media for his 1992 bankruptcy, from which he had fully recovered. Worse, he was compared to an American entrepreneur who had destroyed the Montreal Alouettes CFL football franchise in the early 1980s, then coarsely laughed off that failure.

One of the loudest beefs about Gillett Jr.’s acquisition of the Canadiens was that it was an American who now owned this provincial treasure. It mattered not that no Quebec individual or corporation – not one – chose to bid.

“My reaction was not to get angry (about the early criticism) but ask that we be judged on our record (with the Canadiens), not the past,” Gillett Jr. said on our flight to Toronto for the awards ceremony. “I made a mistake years ago. I can only live with that so long.

“At some point, you have to look at what I’ve done more recently. To the benefit of Quebec and particularly Montreal, they have turned the page and allowed my family’s actions to speak louder than words.”

Gillett Jr. playfully seized his chance at the October 2008 Sports Media Canada luncheon, at which he was named the group’s executive of the year.

“I don’t know how many of you remember the wonderful articles that some of your compatriots wrote about me when I first got to Montreal,” he told the media audience with a grin. “So I feel a real kinship to your organization.”

The packed ballroom roared in laughter.

Fear and loathing had long given way to respect, even affection for a man with a self-deprecating sense of humor who had proven not to be Godzilla with a U.S. passport. It turns out that Gillett Jr. had not, in fact, invaded Montreal to stomp the Canadiens flat or use the club’s long thread of history as dental floss.

The team would have a record of 254-198-52 with 18 ties during Gillett Jr.’s ownership, the 18 ties coming before the draw was eliminated with the shootout following the lost season of 2004-05. Montreal went to the Stanley Cup Playoffs five times in his 6 1/2 seasons, losing three Eastern Conference Semifinal series and two Quarterfinal rounds.

As much as the Canadiens were a business to him and his family, you always sensed that the Canadiens were also an emotional investment.

The team’s 100th season was a gold mine, jerseys from the team’s past, myriad souvenirs and promotions and special nights filling his coffers. But the owner always detoured well out of his way to make alumni feel they still were a special part of the organization, and there was nothing he enjoyed more than being one of the boys.

With the Canadiens on the brink of elimination to the Carolina Hurricanes in Game 6 of their 2002 Eastern Conference Semifinal, Montreal forward Doug Gilmour stepped into the second-period penalty box to serve a minor and misconduct and slammed the door so violently that the glass exploded in a blizzard. It took ice crews some time to clean it up, shoveling the mess into wheelbarrows as Gilmour sat stone-faced in the sin bin.

Later, Gilmour saw the chance to prank the man who signed his paycheck, taking about five pounds of broken glass to a team dinner and filling Gillett Jr.’s suit jacket pockets with it when the latter wasn’t looking. The owner nearly threw his shoulder out when he tried to swing the jacket over an arm.

Gillett Jr. truly cherished the Canadiens community. The engraved bricks in a plaza outside the arena made him a bundle, but he took greater pride in seeing fans study the statues that honour four icons – Howie Morenz, Maurice “Rocket” Richard, Jean Beliveau and Guy Lafleur.

He would return to Montreal in December 2014 upon Beliveau’s death, the team’s greatest captain laying in state on the arena floor for public visitation. Having grown close to Beliveau and taken much counsel from the legend on team matters large and small, Gillett Jr. wept inconsolably in private conversation after he’d done a lengthy interview for the media at large.

The Canadiens would become just one holding in his sports portfolio. During a six-month period in 2007, Gillett Jr. bought a 50-per-cent share of the Liverpool soccer club with fellow American businessman Tom Hicks, and a controlling interest in a multicar NASCAR operation.

I sat with Gillett Jr. in a Molson Centre conference room in 2003, two years into his ownership, for a wide-ranging conversation that he often punctuated with jabs at himself.

“The best thing about owning the Canadiens is being a part of the history and feeling that history – the relationship with the fans, the passion of this (Quebec) province,” he said that day.

“The worst thing? Not being able to have any direct effect on the result. In business, if you lose an order, you call on the customer and get it fixed. In production, you repair the equipment. In this business, it's an indirect kind of relationship and it's very difficult to get an immediate response or reaction to any action that you take. That's difficult for someone used to a very direct relationship with their businesses.”

Our talk that day would shift to his decade-long ownership of the Globetrotters, whose 100-99 overtime loss to the New Jersey Reds in March 1971 in Martin, Tennessee, ended the Globies’ 2,495-game winning streak.

“No matter where they were, or the time of day or night, we had a rule: The team manager would call me after the game to tell me about the crowd, injuries and the weather, because of travel,” Gillett Jr. began.

“When we were in the East or Midwest, the call would come by 11 p.m. or midnight. I was waiting for the call that night and it didn't come, so I went to bed. At 2 a.m. the phone rang, and it was a grown man who was sobbing: ‘I'm sorry, I'm sorry, I'm sorry. ... we beat you tonight.’ It was Red Klotz, the player-coach of our opponent, who had played for the old Baltimore Bullets in the NBA. He was a specialist in the two-hand set shot.”

By now, Gillett Jr. seemed ready to dribble a basketball around his conference room.

“I said: "Red, what happened!?’ ” he continued. “He said, ‘George, you won't believe it. You guys had a one-point lead with a few seconds left and I put myself in to make sure no one would do anything dumb and you’d win. But somebody threw me the ball. I was almost at midcourt and I just reacted. I let fly a two-hand set shot. Swish. We beat you by one.

“Red later said that ‘fans looked at us that night like we had just killed Santa Claus,’ but I think the Globetrotters won their next 8,829 straight. I can still hear Red sobbing. I told him: ‘Red, that's fabulous.’ And then we had a press conference – and we got much, much more publicity out of the loss than any of our wins.”

In Gillett Jr.’s view, this wasn’t a loss. It was a public-relations bonanza that had wonderfully fallen out of the sky, his wheels of opportunity in high gear at 2 o’clock in the morning.

His career continued in the 1960s in marketing and management consulting, initially with McKinsey & Co. A sports fanatic since childhood, by 1966, he was business manager and partner of the Miami Dolphins. In 1966, he purchased a 20% interest in the Miami Dolphins NFL franchise for $1 million. He sold this interest in 1968 for $3 million, and used some of the proceeds to purchase the nearly defunct Harlem Globetrotters and later started Globetrotters Communications, a nationally syndicated radio group. He reinvigorated the Globetrotters by an intense marketing effort that included a popular cartoon series.

In 1978, Gillett bought Packerland Packing Co. With the successful venture of Packerland, Gillett then diversified into radio and television with the start of Gillett Communications Company. At its peak, Gillett Communications owned network affiliates, the majority of which were CBS, in many of the country's major television markets.

In 1979, he launched Gillett Communications by buying three small television stations. Three years later he bought WSM-TV in Nashville, renamed WSMV. In 1984, Gillett acquired Appleton-based Post Corporation's eight television stations, 22 newspapers and associated plants; the non-broadcast assets were sold to Thomson Corporation and other buyers. In 1986, he bought out the two A.S. Abell stations as part of a spin-off resulting from the acquisition of A.S. Abell by Times Mirror Company.

n 1985, Gillett acquired Vail Associates' Vail and Beaver Creek ski resorts. He would often ride chairlifts and greet guests, and launched a massive installation of high-speed detachable chairlifts. Gillett also supported major alpine ski events at a time when most ski areas in America declined to host international races, starting with the 1989 World Alpine Ski Championships, and through his support hosted the 1999 World Alpine Ski Championships.

Gillett acquired majority control of the television assets of Storer Communications in April 1987 from merchant banker Kohlberg Kravis Roberts, and represented a valuation of nearly 15 times cash flow for the group. KKR maintained 45-percent minority ownership. To meet regulatory approval, Gillett's existing station group was spun off to Busse Broadcasting, a company formed by Gillett employees. Gillett's purchase was financed by junk bonds through KKR raised prior to Black Monday, which quickly placed Gillett in a 10:1 debt-to-profit ratio. Rumors began circulating of Gillett selling off one or several of his stations, while Gillett was reportedly interested in buying the Seattle Seahawks. One of the Storer stations, WJW-TV, was frequently the subject of sale rumors due to their ratings strength and stability.

In 2000, Gillett joined forces with Pat Bowlen and John Elway in a failed attempt to buy the Denver Nuggets of the NBA, Colorado Avalanche of the NHL, and Pepsi Center. On January 2, 2001, Gillett bought an 80% interest in the Montreal Canadiens and their home arena, Molson Centre, for US$185 million. Prior to the purchase, Gillett had shown interest in the Florida Panthers, New York Islanders, Ottawa Senators, and the Phoenix Coyotes. Gillett's bid initially raised fears that he might move the NHL's oldest franchise to the United States. However, after no other viable offers surfaced from Canadian interests, Molson agreed to Gillett's offer. Molson, however, maintained the right of first refusal should Gillett ever sell the team.

On March 27, 2008, Joey Saputo, chairman of USL First Division team Montreal Impact, confirmed talks with Gillett and Major League Soccer for a Montreal franchise. While a bid for a franchise was launched with Saputo and Gillett co-heading the venture, as a result of finances, however, the team would rescind the bid later that year on November 22.

Don Cooper obit

Don Cooper, long-time White Sox pitching coach and World Series champion, dies at 70

 

He was not on the list.


Don Cooper, the long-time Chicago White Sox pitching coach who mentored ace hurlers on the Southside for nearly two decades, died on Tuesday.

His family announced his passing on social media, and the White Sox announced his passing on their official social media accounts.

Cooper was 70 years old.

The backstory:

Cooper was with the White Sox for 33 years before the two sides parted ways in 2020 after the team parted with then-manager Rick Renteria.

He spent 18 seasons as the White Sox pitching coach.

"I would be remiss as the general manager, this organization would be remiss and White Sox fans would be remiss if we didn't take a moment to appreciate the contribution that Don Cooper has made to this organization over the last three decades," former White Sox general manager Rick Hahn said in 2020 when the White Sox parted ways with Cooper.

When Cooper left the White Sox in 2020, he was the longest-tenured pitching coach in Major League Baseball. The White Sox named him the team's pitching coach on July 22, 2002, and Cooper worked with four different managers on the Southside during his tenure.

The list of star pitchers he mentored in the big leagues is long, too.

Cooper presided over Mark Buehrle, Jon Garland, Chris Sale and Lucas Giolito's growth with the White Sox. Cooper's staff in the 2005 American League Championship Series had four starters – Buehrle, Garland, Freddy Garcia and Jose Contreras – pitch complete games against the Angels, helping lead the way to a World Series title in 2005.

Cooper also helped develop Philip Humber, who tossed a perfect game for the White Sox in 2012.

What they're saying:

"The White Sox send our condolences to the family, friends and fans of Don Cooper, who has passed away at 70."

Don Cooper spent 33 seasons as a coach in the White Sox organization from 1988-2020, including 18 full seasons as the major-league pitching coach.

Cooper served as the pitching coach for the 2005 World Series champion club, which became the first team since the 1928 Yankees to toss four consecutive complete games in a single postseason. Forever in our thoughts," the White Sox wrote in a statement on social media.

Cooper worked in the White Sox organization starting in 1988, when he served as a minor league pitching coach for the Single-A South Bend Silver Hawks. He also served as pitching coach for the Single-A Advanced Sarasota White Sox from 1989 through 1991 and the Double-A Birmingham Barons in 1992. He became the White Sox minor league pitching coordinator from 1993 through 2002, aside from serving as pitching coach for the Triple-A Nashville Sounds in 1995 and 1996.

 

Born: January 15, 1956

New York City, U.S.

Died: September 22, 2026 (aged 70)

Brentwood, Tennessee, U.S.

Batted: Right

Threw: Right

MLB debut

April 9, 1981, for the Minnesota Twins

Last MLB appearance

June 2, 1985, for the New York Yankees

MLB statistics

Win–loss record          1–6

Earned run average     5.27

Strikeouts        47

Stats at Baseball Reference Edit this at Wikidata

Teams

As player

Minnesota Twins (1981–1982)

Toronto Blue Jays (1983)

New York Yankees (1985)

As manager

 

Chicago White Sox (2011)

As coach

 

Chicago White Sox (2002–2020)

Career highlights and awards

World Series champion (2005)


Ezekiel “Zeke” Moore obit

 Ezekiel “Zeke” Moore Has Died

He was not on the list.


Ezekiel “Zeke” Moore, former Houston Oilers cornerback and longtime Houston community figure, died on September 22, 2026, at the age of 82. Born in Tuskegee, Alabama, on December 2, 1943, Moore’s life was defined by athletic excellence, leadership, and service to others.

Moore’s athletic journey began at Booker T. Washington High School and Tuskegee Laboratory High School, where he distinguished himself in football, basketball, baseball, and track. He earned All-State and All-District honors in basketball and captained both his football and basketball teams during his senior year .

He continued his education and athletic career at Lincoln University in Jefferson City, Missouri, excelling as a halfback, defensive back, and return specialist. In 1964, he led the team in scoring and delivered standout performances, including a 101‑yard interception return and multiple long touchdown returns . By 1966, he was a team co‑captain and one of the program’s most dynamic players and had six interceptions in nine games that season..

Moore was drafted by the Houston Oilers in the fifth round of the 1967 NFL/AFL Draft and went on to spend his entire 11‑year professional career with the franchise. He became known for his speed, instinct, and reliability, returning kicks as a rookie before emerging as a starting cornerback. His career highlights included a Pro Bowl selection in 1970 and an AFL All‑Star honor in 1969 . Over 145 games, he recorded 24 interceptions, returning two for touchdowns, and remained a cornerstone of the Oilers’ defense throughout the 1970s.

After retiring from football, Moore continued to serve his community. He spent five years as a Houston Texans ambassador and later became president of the Townwood Homeowners Association in Houston. He also served as a Texas Registered Peace Officer, reflecting his lifelong commitment to leadership and public service .

Moore’s legacy endures through his contributions to sports and community life. He was inducted into the Lincoln University Athletics Hall of Fame in 2011 and was selected by fans for the Houston Oilers’ 30th Anniversary Dream Team in 1989 .

Condolences to his family and friends and may he Rest in Peace.

 

Zeke Moore

No. 22

Position           Cornerback

Personal information

Born    December 2, 1943 (age 82)

Tuskegee, Alabama, U.S.

Listed height   6 ft 3 in (1.91 m)

Listed weight  198 lb (90 kg)

Career information

High school     Booker T. Washington (Tuskegee)

College            Lincoln (MO)

NFL draft        1967: 5th round, 127th overall pick

Career history

Houston Oilers (1967-1977)

Awards and highlights

Pro Bowl (1970)

AFL All-Star (1969)

Career NFL/AFL statistics

Interceptions    24

Fumble recoveries       8

Touchdowns    4