Colleen McCullough, author of ‘The Thorn Birds,’ dies at 77
She was not on the list.
Colleen McCullough, the Australian author of the
best-selling novel “The Thorn Birds,” an epic story of illicit love in the
outback that became one of the most successful television miniseries ever, died
Jan. 29 at a hospital on Norfolk Island in the South Pacific. She was 77.
The cause was renal failure, said her agent, Michael V.
Carlisle.
Published by Harper and Row in 1977, “The Thorn Birds” was a
multi-generational saga that traced a sheep-farming family from 1915 to 1969
and that featured a heroine, Meggie Cleary, who falls desperately and
impossibly in love with a Catholic priest, Ralph de Bricassart. It has sold
30 million copies around the world.
At the time of its publication, the novel was compared to
Margaret Mitchell’s “Gone with the Wind” — more recently, People magazine
called it the “ ‘Fifty Shades of Grey’ of its time” — and sparked breathless
excitement among its many female readers, as well as among publishing
executives.
Months before the novel’s official release, Avon Books paid
$1.9 million — a record at the time — for paperback rights.
The book’s 500-plus
pages became the 10-hour TV version that appeared on ABC in 1983, featuring
Richard Chamberlain as Father Ralph, Rachel Ward as Meggie and Christopher
Plummer as the archbishop. With tens of millions of viewers, “The Thorn Birds”
joined such programs as “Roots” and “The Winds of War” in the front rank of
miniseries juggernauts.
The whole affair, book and TV show, might never have been if
Ms. McCullough had not been allergic to soap.
After what she described as a miserable childhood, she
aspired to a career in medicine but was forced to discard that ambition when
she developed an intolerance to antiseptic scrub. In the 1960s, her interest in
neurophysiology took her to Yale University as a researcher.
Financial worries, along with her grief over a failed
relationship, propelled her to start writing there. “I have found that writing
is the only thing I can do that obviates that kind of misery,” she once told an
interviewer, according to the reference guide Current Biography.
Her first book, called “Tim,” was published in 1974 and
became the 1979 movie starring actor Mel Gibson in the title role, a man
modeled on one of Ms. McCullough’s patients who embarked on a romance with an
older woman despite his developmental disabilities.
Ms. McCullough said that she wrote an early draft of “The
Thorn Birds,” her second book, in six weeks while holding down her position at
Yale. The title, she said, came from a Celtic legend about a bird that impales
itself on a thorn tree “and in its dying agony sings out beautifully.”
“I was midway through writing my book, when I realized this
is what my characters were doing,” she told an interviewer in 1977. “You know
there are people like that. Their tragedies are self-induced. They bring it all
on themselves and are terribly heroic about it.”
In the nearly 40 years since the book was released, few if
any critics have cited it as a masterpiece of high literature. Paul Gray, a
reviewer for Time magazine, described its “perfervid prose,” replete with
exclamations. “What a father you’d have made, Father!” was one of them.
To other critics, fault-finding seemed beside the point.
“To expect ‘The Thorn Birds’ to be a Great Book would be
unfair,” Alice K. Turner, best known as the fiction editor at Playboy magazine,
wrote in the New York Times. “There are things wrong with it, stock characters,
plot contrivances and so forth. But to dismiss it would also be wrong. . . . It
offers the best heartthrob since Rhett Butler, plenty of exotic color, plenty
of Tolstoyan unhappiness and a good deal of connivance and action. ”
The feminist writer Germaine Greer called it “the best bad
book I had ever read.”
The miniseries collected a raft of Emmy and Golden Globe
awards and a massive number of fans, although Ms. McCullough was not among
them. She called the TV version “instant vomit.”
Nothing if not industrious, Ms. McCullough said that she
sometimes wrote as many as 20,000 words in a workday, which could last as long
as 18 hours. She produced more than 20 books, including a seven-volume series
of historical fiction called “Masters of Rome” and a series of crime stories
centered on the fictional detective Carmine Delmonico.
Her book “An Indecent Obsession” (1981) was set in a mental
ward of an island military hospital. Some readers found “The Ladies of
Missalonghi” (1987) alarmingly similar to “The Blue Castle” by L.M. Montgomery,
the author of “Anne of Green Gables,” but Ms. McCullough insisted that the
ideas were her own.
Her book “The Independence of Miss Mary Bennet” (2008) was a
sequel to Jane Austen’s “Pride and Prejudice.” “Bittersweet,” Ms. McCullough’s
final novel, was released in 2014.
Colleen Margaretta McCullough was born June 1, 1937, in
Wellington, in New South Wales. The family moved frequently to find work for
her father.
“Get out and get a job as a mangle hand in a laundry,” she
recalled her father telling her. “That’s all you’re good for — you’ll never get
a husband, you’re too big and fat and ugly.”
After university studies in Sydney, she worked in London
before landing at Yale, where she stayed for a decade in the 1960s and ’70s.
Ms. McCullough infused her fiction with some of her own
experiences, including the loss of her brother, who rescued two women from
drowning and then died in what Ms. McCullough suspected was a suicide. Dane, a
character in “The Thorn Birds,” dies under similar circumstances. Besides her
fiction, Ms. McCullough wrote a memoir, “Life Without the Boring Bits.”
Survivors include her husband of three decades, Ric
Robinson; two stepchildren; and two grandchildren.
Ms. McCullough said that she amassed a library that included
several thousand books on ancient Rome.
“Like Caesar, I think it’s an eternal sleep,” she told an
Australian interviewer, referring to death. “I don’t think there’s anything to
be scared of.”
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