Gospel legend Andrae Crouch dead at 72
He was not on the list.
Andrae Crouch, often described as the “father of modern
gospel music,” died Thursday in Los Angeles after suffering a heart attack last
week, according to news reports. Crouch has been hospitalized in recent years
for a variety of health issues, including diabetes and cancer.
“Today my twin brother, womb-mate and best friend went home
to be with the Lord,” his twin sister, Sandra Couch, said in statement via the
Los Angeles Times. “Please keep me, my family and our church family in your
prayers. I tried to keep him here but God loved him best.”
Crouch won seven Grammy awards during his career and is
credited with blending traditional black gospel music with R&B, pop and
Christian music. Crouch led choirs that appeared on massive pop hits such as
Michael Jackson’s “Man in the Mirror” and Madonna’s “Like A Prayer.” He
received an Academy Award nomination for his compositions for “The Color
Purple,” and his music can be heard in “The Lion King” musical, too.
His achievements were all the more remarkable his dyslexia
made it impossible for him to read music. The notes would look upside down, he
said. “I memorized everything through sight, the shape of the word,” Crouch
told The Associated Press in 2011. “Some things that I write, you’ll see a page
with cartoon pictures or a drawing of a car — like a Ford — or a flag. I still
do it on an occasion when a word is strange to me. So when I finish a song, I
thank God for bringing me through,” he continued. “You have to press on and
know your calling. That’s what I’ve been doing for all my life. I just went
forward.”
Writing for Christianity Today, Robert Darden, former gospel
editor of Billboard, elaborated on what made Crouch such a prolific force:
Crouch was an innovator, a path-finder, a precursor in an
industry noted for its conservative, often derivative approach to popular
music. He combined gospel and rock, flavored it with jazz and calypso as the
mood struck him and the song called for it, and is even one of the founders of
what is now called “praise and worship” music. He took risks with his art and
was very, very funky when he wanted to be.
“His music, simple and direct, many times has the soothing
melodies of a pop song rather than a hymn,” Washington Post critic Hollie West
wrote of the young Crouch in 1977.
“It also can be fervent and raucous in the style of current
disco music. His music is generations and cultural styles apart-from
traditional gospel. Crouch is a personality – not a musical stylist,” West
wrote of Crouch, saying the singer provided “a neutral blend of pop, rock and
gospel. Even his reassuring lyrics convey a bland mixture of love, salvation
and the second coming.”
West noted that Crouch tailored his performances differently
for black and white audiences. “I phrase things a little bit differently,”
Crouch explained. “I may even sing Jesus differently. For blacks I put a little
more emphasis on the first syllable. With my people I want to scream and get
down.”
Crouch and his twin sister were pastors of the New Christ
Memorial Church in San Fernando, Calif. Their parents founded Christ Memorial
Church in Pacoima, a Los Angeles suburb. Crouch and Sandra took over after
losing both parents and a brother within months of each other in 1994. They
renamed their parents’ church after Crouch made his sister a co-pastor at a
time when it was verboten to ordain women in the Church of God in Christ.
Crouch started his music career before he was in his teens.
He told Decision, the magazine of the Billy Graham Evangelistic Association,
that his mother bought him a cardboard keyboard when he was 11, and he taught
himself to play piano by accompanying the choir at a church where his father
used to preach — all improvisation. He composed “The Blood Will Never Lose Its
Power,” or simply “The Blood,” when he was just 14. It’s now considered a
standard. In 1965, he formed Andraé Crouch and the Disciples.
Martin Luther King Jr. once said the most segregated hour in
Christian America was 11 a.m. Sunday morning. Crouch’s talent transcended that.
His songs could be found in the hymn books of white and black churches alike.
Paul Simon recorded “Jesus is the Answer,” a Crouch composition, on his album
“Paul Simon in Concert: Live Rhymin’.” Elvis recorded “I’ve Got Confidence,”
also by Crouch, for his 1972 gospel album. Like Mahalia Jackson and James
Cleveland, Crouch was honored with a star on the Hollywood Walk of Fame.
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