Duke Fakir obit

Four Tops' Duke Fakir, group cofounder and keeper of legacy, dies at 88 in Detroit

 

He was not on the list.

Duke Fakir, the stylish and genteel singer who nurtured the Four Tops’ legacy for seven decades, died at his home in Detroit Monday morning from heart failure. He was 88.

Fakir, a lifelong Detroit resident, was the last surviving member of the beloved Motown act, preceded in death by his teen friends and groupmates Lawrence Payton, Obie Benson and Levi Stubbs.

"Our hearts are heavy as we mourn the loss of a trailblazer, icon and music legend who, through his 70-year music career, touched the lives of so many as he continued to tour until the end of 2023, and officially retired this year," the Fakir family said in a statement provided to the Detroit Free Press. "As the last living founding member of the iconic Four Tops music group, we find solace in Duke’s legacy living on through his music for generations to come."

With the Four Tops, Fakir was a voice on a vast litany of hits through the decades, including some of the defining songs of the 1960s, including the Top 10 successes “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” “Bernadette,” “Standing in the Shadows of Love” and the group’s 1966 magnum opus “Reach Out I’ll Be There.” Fakir and the group continued to pump out hits into the ’80s, including the chart-topping R&B song “When She Was My Girl.”

Following the deaths of his group mates — a topic that years later could still bring him to tears — Fakir kept the Four Tops name alive, enlisting new members and regularly taking the group’s polished, high-energy stage show on the road.

He was a regular sight around Detroit through the years, a charismatic, sharp-dressed figure at public events, ribbon-cuttings and television commercials. In recent years, he was one of the last surviving core Motown stars still living in the city.

Fakir looked the part of a star but was gracious and down to earth, happy to chat with fans and sign autographs in his day-do-day dealings at grocery stores, banks and the like.

Born Abdul Kareem Fakir, he grew up in a religious family and was enchanted by music early in life, ultimately growing into a tenor in his teens. Tall and lean, Fakir was also a talented athlete who played football and basketball at Pershing High School.

In 2021, reflecting on his life and career, he told the Detroit Free Press of a pivotal moment in church when he was about 8. The young Fakir had run off the choir stand after nervously choking up during a solo performance, when “a lady in white” approached with a premonition:

“I was wiping tears when this lady walked by. She stopped and turned: ‘Son, you sing, don’t you?’ I said, ‘I try to, ma’am.’ She said, ‘Whooo, son, look at all those angels around you. I can see the world is going to love your music. You’ll be singing with four guys. You’ll be so popular, so good and so blessed.”

The unnamed woman had a final message for him, he said: “Always remember, keep love in your heart.”

Fakir would indeed go on to form that quartet in 1953 amid Detroit’s flourishing street-corner doowop scene. An impromptu performance at a neighborhood party had brought it all together.

“We told Levi: ‘You sing lead. We all know how to do backgrounds.’ We started singing background, which was led by Lawrence, singing little parts. It came off as we’d been rehearsing and singing together for a long time. It was ingenious, almost,” Fakir recalled. “Levi looked back, and got into the song really heavy, smiling, singing his heart out. We were doo-wopping our butts off.”

Fakir knew they were on to something good.

“I had sung in a lot of little groups around town,” he said decades later. “But this was something special.

Originally known as the Four Aims, the group became the Four Tops several years later, establishing a presence in the city’s nightclubs but failing to find success during a series of deals with labels including Chess and Columbia.

“We all agreed as long as we stay together, we’d be as good or better than any group that had ever been,” Fakir said. “We weren’t cocky, but we were confident. And little by little, we climbed that ladder.”

Fakir and the Tops initially resisted overtures from Motown Records chief Berry Gordy, uncertain whether a Black-owned label could make an impact in the white-dominated music industry. But the group happened to be on hand when the company’s first Motortown Revue played the Apollo Theater in New York, and they realized the hometown label was on to something.

The Four Tops signed with the Motown in 1966 and within a year landed their first hit: “Baby I Need Your Loving.”

“We were seasoned pros by the time we got there,” Fakir said.

Life from there became a whirlwind, as Fakir and company took on a frantic schedule of recording, touring and television appearances. They mingled with the likes of the Beatles (Fakir would famously tell a story of getting high with Paul McCartney) and were prime-time stars on “The Ed Sullivan Show,” where Fakir was a distinctive figure onscreen.

The Tops left Motown for the ABC/Dunhill label in 1972, with smashes coming in the form of “Keeper of the Castle,” “Ain’t No Woman (Like the One I’ve Got),” “Catfish” and more. Following a run with Casablanca Records, the group returned to Motown in the ’80s and enjoyed a new career boost amid the dawn of baby-boomer nostalgia and films such as “The Big Chill,” along with a memorable performance alongside the Temptations on 1983’s “Motown 25” TV special.

Among his final projects was a still-unrealized stage musical based on the Four Tops story, which has been in the works since 2021.

He was intent that the show premiere in the place where it all started.

“Everything I’ve done — my music, my life, my family — comes from Detroit,” he said. “Detroit deserves it. They’ve given me so much. I would feel like a fool premiering it anywhere other than home. This is where it belongs.”

In Motown lore, including concerts and that ’83 anniversary special, the Four Tops and Temptations were often portrayed as rivals. In reality, the groups were tight. 

“I love Duke. He was able to survive, able to keep his guys together, even with the changes he's had to go through. He's a special kind of person,” the Temptations’ Otis Williams told the Free Press in 2021. “I call him Mr. Detroit. The brother can dress. I'm a fashion maven, and I've always admired how he put clothes together. That's Detroit.”

The Four Tops eased out of recording following the death of Payton in 1997, but remained regulars onstage, and Fakir continued to be part of the touring group through the end of last year. He officially retired this year.

In recent years, as he began work on a memoir that would be published in 2022, Fakir became reflective about a “magical” life that started when “four young gentlemen were put together out of the clear blue sky.”

“There’s a driving force that indicates why all that happened, and how it happened. And it’s colorful. And it’s all about love – something we all need to see again these days,” Fakir said. “It’s love of music, love of people working together, love of looking out in audiences, seeing those smiling faces.”

Fakir is survived by his wife, Piper Fakir; daughter Farah Fakir Cook; son Nazim Bashir Fakir; son Abdul Kareem Fakir Jr.; son Myke Fakir; son Malik Robinson; 13 grandchildren; and nine greatgrandchildren.