John Carson obit

John Carson obituary

Stalwart film and television actor with a talent for playing snarling villains 

He was not on the list.

John Carson, who has died aged 89, was a busy actor whose velvet voice and distinguished looks could flit easily between cold villainy or testy eccentricity. This made him much in demand on screen in many popular television series and during his cinematic association with Hammer Films.

Having secured his big break (two shows a week for £40 per week) as Dr Donald Latimer in the popular hospital soap opera Emergency Ward 10 (1959), he was unable to use London Underground due to constant recognition by the public. In the final series of the long-running oil industry drama The Troubleshooters (1971), he played James Langley, the liberal deputy chairman of Mogul Oil who knocked heads with Geoffrey Keen’s scheming and hard-nosed autocrat Brian Stead.

His aptitude for snarling villains made him perfect casting as the evil squire in Hammer’s The Plague of the Zombies (1966) and he also appeared in Taste the Blood of Dracula (1970), and in Captain Kronos – Vampire Hunter (1974), achieving second billing for his turn as the tragic Dr Marcus (enduring an unsuccessful staking and hanging in order to prevent his metamorphosis into one of the undead).

Although he had a memorably saturnine face with deep blue eyes which could burn with malevolence or twinkle on demand, his voice was just as recognisable. Described by the Guardian as having “the languid opulence of a falling £10 note” it was put into good service on a number of television advertisements, notably when his seductive tones – which often found him mistaken for the similar sounding James Mason – accompanied John Barry’s score on the advertising campaign for Sunsilk shampoo.

Son of British parents, Elizabeth and Cyril Carson-Parker, he was born in Colombo, Ceylon (now Sri Lanka), where his father worked on tea and rubber plantations. Educated in Australia during the second world war, John went to Britain to do national service as an artillery officer in an anti-aircraft regiment in 1944-45. After a period as a pianist’s page turner at Covent Garden (where he got his first taste for the theatre), he studied law at Queen’s College, Oxford, and then left for New Zealand.

While there he performed in amateur theatre before working in professional radio drama, learning all facets of the business from acting to music selection. He then joined the theatre company the New Zealand Players before working his way back to the UK.

Having established himself with seasons at Sheffield in the late 1950s he then limited his stage work, though it included playing Will Roper in the original production of A Man For All Seasons at the Globe theatre in London (1960), with Paul Scofield as Sir Thomas More. One of his favourite roles was the well-meaning Freddie for Michael Blakemore in the premiere of Peter Nichols’s A Day in the Death of Joe Egg (Comedy theatre, 1967, transferring to Broadway in 1968).

He appeared in the film Quentin Durward in 1955 and then moved on to television fare, including Sword of Freedom (1957) and Ivanhoe (playing numerous guest roles in 1958 and 1959). After the fame Emergency Ward 10 gave him he enjoyed a healthy three decades on TV and was rarely out of work. His parts included Monks in a 13-episode Oliver Twist with Max Adrian as Fagin, 1962, Count von Stauffenberg, Hitler’s would-be assassin, in the Wednesday Play The July Plot (1964), Mr Dombey in Dombey and Son (1969), Mr Knightley in a six-part version of Emma (1972), Heatherstone in Children of the New Forest (1977) and two Dennis Potter plays, Paper Roses (1971) and Shmoedipus (1974). Between his appearances in The Avengers (1963-1965) and Poirot (1989-2005) he appeared as the guest lead in practically every popular drama on television.

In 1983 he moved to South Africa for family reasons. Not being well known there, he had to build a career again but was soon playing leading roles. With no sympathy for apartheid, he found his phone was bugged (his second wife, Luanshya Greer, was a writer whose historical novels explored themes of racial division) and he was under government surveillance – something he found especially pertinent when playing Thomas Becket in a 1992 stage production of Murder in the Cathedral, at St George’s Cathedral in Cape Town. He was very useful to visiting film and television productions, appearing in the TV mini-series Shaka Zulu (1986) and Rhodes (1996, with Martin Shaw).

His last major film roles were as a forgetful old actor in The Deal, with William H Macy, and in Neil Marshall’s Doomsday (both 2008). His return to Britain in 2007 saw more television appearances – Doctors (2011), Silent Witness (2012) and Midsomer Murders (2013) – but he eventually went back to South Africa.

He is survived by Luanshya and their two children, Ben and Suzanna, and by four children, Richard, Chris, Katie and Harry, from a previous marriage, which ended in divorce.

 

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1986

 

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1985

 

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1984

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1983

 

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1983

 

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1983

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1982

1 episode

 

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7.8

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1982

4 episodes

 

King's Royal

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1982

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1981

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1981

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1980

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1980

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7.2

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1980

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1980

1 episode

 

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1979

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1979

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1979

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1978

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8.0

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1978

1 episode

 

The Famous Five (1978)

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7.4

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1978

2 episodes

 

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1978

1 episode

 

1990 (1977)

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7.6

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1978

1 episode

 

The Children of the New Forest

7.8

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1977

5 episodes

 

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8.6

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1977

1 episode

 

Centre Play (1973)

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7.5

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1977

1 episode

 

Murder Most English: A Flaxborough Chronicle (1977)

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1977

2 episodes

 

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1977

1 episode

 

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1977

1 episode

 

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1977

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1976

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1976

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1976

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1976

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1976

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1975

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1975

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1975

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1970–1974

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1974

 

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7.4

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1974

1 episode

 

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6.6

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1973–1974

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1973

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6.7

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1972

6 episodes

 

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1972

1 episode

 

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6.3

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1971–1972

2 episodes

 

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7.5

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1972

1 episode

 

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7.3

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Ted Kihl

Tom Sinclair

1966–1972

15 episodes

 

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1971

 

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7.6

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1967–1971

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8.0

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1971

1 episode

 

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7.5

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1971

1 episode

 

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1971

1 episode

 

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1971

1 episode

 

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TV Series

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1970

1 episode

 

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TV Series

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1970

1 episode

 

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TV Series

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1970

1 episode

 

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6.4

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1970

 

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6.3

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1970

 

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8.5

TV Series

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1970

1 episode

 

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7.5

TV Mini Series

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1969

13 episodes

 

Detective (1964)

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8.4

TV Series

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2 episodes

 

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7.2

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1969

1 episode

 

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1968

 

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1968

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1968

1 episode

 

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1967

1 episode

 

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8.3

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1967

1 episode

 

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1967

1 episode

 

No Hiding Place (1959)

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7.7

TV Series

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1967

1 episode

 

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TV Series

Robert Sheridan

1967

6 episodes

 

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7.5

TV Series

Godfrey Quillen

Theron Netlord

Ramon Venino ...

1962–1967

4 episodes

 

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7.2

TV Series

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1966

1 episode

 

Adam Adamant Lives! (1966)

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7.0

TV Series

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1966

1 episode

 

Alfred Burke in Public Eye (1965)

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8.5

TV Series

Steve Burrell

Robert Spanier

1965–1966

2 episodes

 

Steve Forrest in The Baron (1966)

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7.2

TV Series

Harry Revell

1966

2 episodes

 

Bradford Dillman and Peter Graves in Court Martial (1965)

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7.7

TV Series

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1966

1 episode

 

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9.5

TV Series

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1966

1 episode

 

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6.6

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1 episode

 

The Plague of the Zombies (1966)

The Plague of the Zombies

6.6

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1966

 

Maurice Denham, Patricia Haines, and John Saxon in Blood Beast from Outer Space (1965)

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5.5

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1965

 

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1965

 

Alfred Lynch in Hereward the Wake (1965)

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9.0

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William of Normandy

1965

9 episodes

 

The Avengers (1961)

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8.3

TV Series

Fitch

Marten Halvarssen

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1963–1965

3 episodes

 

Diane Cilento in Blackmail (1965)

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7.9

TV Series

Major Gollage

1965

1 episode

 

Nigel Patrick in Zero One (1962)

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8.6

TV Series

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1965

1 episode

 

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1965

1 episode

 

Gary Raymond in About Religion (1956)

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TV Series

Tim

1965

1 episode

 

Act of Murder (1964)

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6.9

Tim Ford

1964

 

Smokescreen (1964)

Smokescreen

6.8

Trevor Bayliss

1964

 

Patrick Allen in Crane (1963)

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8.2

TV Series

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1964

1 episode

 

The Wednesday Play (1964)

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7.6

TV Series

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1964

1 episode

 

The Old Wives' Tale

TV Series

Samuel Povey

1964

4 episodes

 

The Edgar Wallace Mystery Theatre (1959)

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7.7

TV Series

Tim Ford

Paul Lanson

Insp. Jackson ...

1962–1964

4 episodes

 

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6.0

TV Series

R. Daneel Olivaw

1964

1 episode

 

The Protectors (1964)

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7.7

TV Series

Smokey Grey

1964

1 episode

 

Earl Cameron, Lee Grant, and Fred Sadoff in The Respectful Prostitute (1964)

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8.3

TV Series

Tempter

Knight

1964

1 episode

 

Keith Barron and William Mervyn in It's Dark Outside (1964)

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7.9

TV Series

Anthony Brand

1964

8 episodes

 

The Set Up (1963)

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6.6

Insp. Jackson

1963

 

Accidental Death (1963)

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6.1

Paul Lanson

1963

 

Master Spy (1963)

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5.8

Richard Colman

1963

 

Rupert Davies in Maigret (1959)

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7.9

TV Series

Richard Gendreaux

Liotard

1962–1963

2 episodes

 

John Gregson in First Night (1963)

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8.5

TV Series

Paul Drury

1963

1 episode

 

Maupassant (1963)

Maupassant

TV Series

Comte de Sallure

1963

1 episode

 

Michael Quinn and Donald Wolfit in Ghost Squad (1961)

Ghost Squad

7.2

TV Series

Franz Hartmann

Arny Long

1961–1963

2 episodes

 

Suspense

7.1

TV Series

Hugh Mindell

Joseph Blake

Harry Stinton

1962–1963

3 episodes

 

Locker Sixty Nine (1962)

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5.7

Miguel Terila

1962

 

Drama 61-67 (1961)

Drama 61-67

7.3

TV Series

Robert Perrott

1962

1 episode

 

The Bacchae

TV Series

Pentheus

1962

2 episodes

 

Craig Stevens in Man of the World (1962)

Man of the World

7.7

TV Series

Said

1962

1 episode

 

Bob Dylan, David Warner, Ursula Howells, Reg Lye, and Maureen Pryor in The Madhouse on Castle Street (1963)

BBC Sunday-Night Play

8.8

TV Series

Count Orloff

Marshall Armitt

Sam Holford ...

1960–1962

4 episodes

 

Out of This World (1962)

Out of This World

7.9

TV Series

Roger Carter

1962

1 episode

 

Guns of Darkness (1962)

Guns of Darkness

6.1

First Officer

1962

 

Max Adrian and Bruce Prochnik in Oliver Twist (1962)

Oliver Twist

7.5

TV Mini Series

Monks

1962

9 episodes

 

The Cheaters (1960)

The Cheaters

8.2

TV Series

Robert

Bill Demerest

1961–1962

2 episodes

 

Louis Hayward in The Pursuers (1961)

The Pursuers

8.3

TV Series

Joe

1961

1 episode

 

You Can't Win

TV Series

Robert Stobart

1961

1 episode

 

Debt to a Spy

TV Movie

Lieutenant Paul Clermont

1961

 

The Secret of the Nubian Tomb

TV Series

Sheikh Ahmed

1961

2 episodes

 

Seven Keys (1961)

Seven Keys

6.8

Norman

1961

 

The Mask of the Clown

TV Series

Ranjit Singh

1961

 

Richard Greene in The Adventures of Robin Hood (1955)

The Adventures of Robin Hood

7.6

TV Series

Sir Geoffrey Claire

Sir Nigel Fitzhulme

1959–1960

2 episodes

 

Identity Unknown

5.7

Ray (uncredited)

1960

 

Formula for Danger

TV Series

Landauer

1960

3 episodes

 

Saturday Playhouse (1958)

Saturday Playhouse

TV Series

Hubert Drew

1960

1 episode

 

Portrait of Man

TV Movie

Man

1960

 

BBC Sunday-Night Theatre (1950)

BBC Sunday-Night Theatre

7.8

TV Series

Harold

1959

1 episode

 

Armchair Theatre (1956)

Armchair Theatre

7.6

TV Series

Aengus MacOgue

Tom Brook

Borghem

1958–1959

3 episodes

 

Emergency-Ward 10 (1957)

Emergency-Ward 10

6.4

TV Series

Donald Latimer

1959

24 episodes

 

Van Johnson and Vera Miles in Web of Evidence (1959)

Web of Evidence

6.3

Jack Hancock (uncredited)

1959

 

William Tell (1958)

William Tell

7.2

TV Series

Fritz

1959

1 episode

 

Frankie Vaughan in The Lady Is a Square (1959)

The Lady Is a Square

5.8

Reporter (uncredited)

1959

 

Ivanhoe (1958)

Ivanhoe

7.1

TV Series

Sir Robert

Sir Roderick

Sir Morten ...

1958–1959

5 episodes

 

Television Playwright

8.8

TV Series

Lieutenant Vossiloff

1959

1 episode

 

Tim Turner in The Invisible Man (1958)

The Invisible Man

7.0

TV Series

Port Official (uncredited)

1958

1 episode

 

Intent to Kill (1958)

Intent to Kill

6.7

Hospital Receptionist

1958

 

Sword of Freedom (1957)

Sword of Freedom

7.8

TV Series

Filippo

Cipriano

1957–1958

2 episodes

 

A Picture of Autumn

TV Movie

Frank Denham

1957

 

Ramsbottom Rides Again (1956)

Ramsbottom Rides Again

5.0

(uncredited)

1956

 

Robert Taylor in Quentin Durward (1955)

Quentin Durward

6.3

Duke of Orléans

1955

 

Kent Taylor in Boston Blackie (1951)

Boston Blackie

7.6

TV Series

Eric Keating

1952

1 episode

Eddie Harsch obit

Former Black Crowes Keyboardist Eddie Harsch Dies at 59

Former Black Crowes keyboard player Eddie Harsch died on Friday morning (Nov. 4) at age 59. No information was available about the cause of death for the musician, who joined the Black Crowes in 1991…

He was not on the list.

Former Black Crowes keyboard player Eddie Harsch died Friday morning (Nov. 4) at age 59. No information was available about the cause of death for the musician, who joined the Black Crowes in 1991 before the release of their sole No. 1 album, 1992’s Southern Harmony and Musical Companion. He also appeared on 1994’s Amorica, 1996’s Three Snakes and One Charm, 1999’s By Your Side and 2001’s Lions. A tribute to Harsch was posted on the Facebook page for the Magpie Salute, the band formed by former Crowes guitarist Rich Robinson that featured the keyboardist.

“It is with the saddest of hearts that we bid farewell to our dear friend Eddie Harsch,” Robinson wrote. “Eddie was a brilliant musician, with a beautiful heart. We should remember Eddie for his music, his great sense of humor, and his positive outlook on life. We ask that everyone please respect the privacy of Eddie’s family at this time. Let’s honor him by celebrating his musical contributions to the world, and by sending positive thoughts and prayers to him and his family. Our hearts will forever remain with our musical brother.”

Harsch played with the Black Crowes from 1991 until just before their breakup in 2002. The versatile musician, who was born May 27, 1957, in Toronto, Ontario, was back behind the keys from 2005-06 during the band’s brief reunion. He also performed with the jam band Bulldog during the Crowes’ hiatus, as well as garage rock band the Detroit Cobras.

Kay Starr obit

Kay Starr obituary

Versatile US jazz and pop singer best known for her 1950s hit Wheel of Fortune

 

 She was not on the list.

In the pre-rock’n’roll era, popular vocalists often flirted with jazz. Many grew up surrounded by the music of the big bands and felt at home with jazz phrasing. Some, like Kay Starr, who has died aged 94, performed and recorded with jazz musicians before finding wider success with pop songs and novelties.

Starr’s early recordings have the kind of bluesy warmth and distinctive swing sense that suggest she might have emulated the likes of Peggy Lee or Ella Fitzgerald had she chosen to stay closer to jazz. One trade paper of the time called her a “deep-voiced brunette thrush”. Instead, she became a jukebox favourite, first with Bonaparte’s Retreat in 1950 and then with Wheel of Fortune two years later, a major hit that became her “signature” song.

Katherine Starks was born in the small town of Dougherty, Oklahoma, of Native American stock: her father, Harry, was an Iroquois and her mother, Annie, part Choctaw, Cherokee and Irish. The family moved to Dallas when Starr was three, where her father found work installing sprinklers in buildings while her mother raised chickens. An aunt noticed the nine-year-old’s pleasure in singing around the house and encouraged her to enter a talent contest at the local radio station. Starr won a prize for singing and operating a yo-yo simultaneously, and continued to win contests, so much so that the radio station WRR, Dallas, gave her a 15-minute programme of her own, paying her three dollars a show.

This process continued when the family moved to Memphis, where she landed her own Starr Time segment on WREC and appeared on the station’s popular Saturday Night Jamboree. It was at this time that she changed her name to Kay Starr, supposedly because fans consistently misspelled her name in their letters.

Starr’s first foray into the wider world of show business came in 1937, when the jazz violinist Joe Venuti arrived in Memphis to play a season at the Peabody hotel. Needing a female singer, he hired the youngster for the three-week season, and she toured with his band for the next two years during her summer holidays, her mother acting as chaperone. She praised Venuti for “teaching me to sing with authority”. It was Venuti who recommended Starr to the Bob Crosby band when they needed a female vocalist for their radio show. Starr travelled to New York, but lasted only two weeks because the show’s sponsor thought her “too earthy”. She was then engaged by bandleader Glenn Miller for another short stint at the legendary Glen Island Casino, making her first recordings with Miller for the Bluebird label.

Returning to Memphis, Starr completed high school and then moved to California to resume her association with Venuti. After two years the draft had stripped the Venuti outfit of its players and Starr moved on to work with Wingy Manone, the testy one-armed jazz trumpeter from New Orleans (with whom she later recorded).

She was enticed away to join the nationally prominent Charlie Barnet swing band, replacing Lena Horne. Starr’s recording of Share Croppin’ Blues with Barnet pleased the critics before a severe bout of pneumonia laid her low and she lost her voice completely. After her vocal nodes were frozen for three months, Starr recovered to find that her voice was deeper and huskier, and altogether more distinctive.

Now set up as a solo performer, and building on her success with Barnet, Starr appeared in all the best Los Angeles clubs to great acclaim. She also made her celebrated recordings with the Capitol International Jazzmen (including Coleman Hawkins, Benny Carter and Nat King Cole) in 1945, adding others for smaller labels with Venuti, Carter and the veteran jazz drummer Ben Pollack.

Contracted to Capitol from 1947, Starr concentrated on popular material, looking for Top 30 chart success, first striking lucky with Bonaparte’s Retreat, an old Oklahoma fiddle tune that sold just short of a million copies. She sang at Harry Truman’s presidential inauguration, flying straight from her engagement at the Casbah in Los Angeles. In 1952, Wheel of Fortune went gold and earned her a fortune. With this, Starr was made, recording prolifically as a “utility singer”, handling jazz and country, pop songs and spirituals.

When she moved to RCA-Victor in 1955 for a guarantee of $250,000 a year, Starr scored again with Rock and Roll Waltz, the first song to have “rock and roll” in the name, although Starr laughed at this claim, saying: “It sure wasn’t rock.”

Back with Capitol in 1959, she recorded a number of notable albums, including the jazz-influenced Movin’ as well as the more conventional Just Plain Country. Despite her flexibility and popularity, Starr was dropped by Capitol in 1966, but continued to tour the US and Europe, playing Las Vegas and recording an album with Count Basie in 1968 before visiting London in 1983 with a small group.

She had largely faded from view when an appreciative profile penned by the Village Voice critic Gary Giddins in 1985 brought her back into the spotlight. He especially liked her “brassy fusion of urban swing and country twang” and placed her among the “very small pantheon of great working jazz singers”.

Despite such praise, Starr failed to secure a new recording contract, but continued to perform with other singers of her era in nostalgic hit-song revues and to sing for corporate functions. She was much admired by her peers – including Dinah Washington, whom she resembled – for what Giddins described as her “zest and savvy blues-coloured phrasing”. In later years, she devoted herself to Native American affairs.

She was married six times, and is survived by her daughter, Katherine.

 

Bob Cranshaw obit

Bassist Bob Cranshaw Dies at 83

Recorded on many Blue Note classics, worked steadily with Sonny Rollins for over five decades 

He was not on the list.

Bassist Bob Cranshaw, a consummate and influential sideman best known for his long-running association with saxophone great Sonny Rollins, died yesterday at his home in New York City, following a lengthy battle with bone cancer. He was 83.

Cranshaw was born Melbourne Robert Cranshaw in Evanston, Ill., on Dec. 3, 1932. Prior to taking up bass and tuba as a high-schooler, he trained on piano and drums. Cranshaw was a founding member of drummer Walter Perkins’ MJT+3 in 1957. He moved to New York at the start of the following decade and joined up with Rollins in 1962. Cranshaw moved in and out of Rollins’ touring and recording bands-mostly remaining in-over the following half-century, up until Rollins stopped touring a few years ago. He appears on many of the Saxophone Colossus’ essential albums, beginning with 1962’s “comeback” LP, The Bridge, and continuing through Rollins’ albums for RCA Victor, Milestone and into the Road Shows series, which many critics believe to be among the most important live recordings in jazz history.

During the 1960s, Cranshaw played on many classic Blue Note albums, including some of the most important LPs in the label’s history. Among Cranshaw’s credits are Dexter Gordon’s Gettin’ Around, Grant Green’s Idle Moments, Joe Henderson’s Inner Urge, Bobby Hutcherson’s Happenings, Jackie McLean’s Right Now, Grachan Moncur III’s Evolution, Lee Morgan’s The Sidewinder, a handful of albums by both Duke Pearson and Stanley Turrentine, Hank Mobley’s A Caddy for Daddy and Horace Silver’s The Cape Verdean Blues, among others. Cranshaw also made the studio rounds elsewhere, recording for labels including Riverside, on albums led by Nat Adderley, Barry Harris and Milt Jackson, among others; Prestige, on sessions helmed by Harris, Jaki Byard, Sonny Criss, Eric Kloss, James Moody and Gene Ammons; Impulse!, on records credited to Oliver Nelson, McCoy Tyner, Shirley Scott and Kai Winding; Verve, with albums like Wes Montgomery’s Movin’ Wes and Bumpin’; and Atlantic, including dates for Yusef Lateef, Nat Adderley, Mose Allison and Joe Zawinul.

Cranshaw was also heavily involved in television, having worked on Saturday Night Live during its 1970s heyday and Sesame Street, in addition to innumerable TV and film scores. He also acted as musical director for various talk shows, including those hosted by Merv Griffin and Dick Cavett.

In the ’70s Cranshaw took up the electric bass, a necessary move caused by a car accident, and one that garnered him criticism. Still, though the shift was noticeable tonally, Cranshaw maintained his approach. “I play the electric just like I play the string bass,” he told JT writer Chip Stern in 2001. “I mean, there’s a certain characteristic to the electric, but I play it like an upright, because I’m not really a funk player-I’m still a jazz bassist.” The electric bass, Cranshaw explained, has a strong, loud signal, and players like Rollins enjoyed really hearing the bass in the mix.

In recent decades Cranshaw was active as an advocate for musicians’ rights, working on behalf of the New York City musicians’ union, Local 802. He is survived by his wife of 39 years, five children and many grandchildren.

Jud Kinberg obit

Producer Jud Kinberg, Father of Simon Kinberg, Dies at 91

 

He was not on the list.

Jud Kinberg, father of Simon Kinberg and a producer of “Lust for Life” and “The Collector,” died on Nov. 2 at his home in New York City, according to a rep for his son. He was 91.

Kinberg was a Brooklyn native who attended the University of North Carolina. He served with the U.S Army in World War II and was awarded a Purple Heart and a Silver Star.

Kinberg began working in Hollywood under John Houseman, collaborating with him on films for MGM including “Julius Caesar,” starring Marlon Brando; “Executive Suite,” starring William Holden; “Her Twelve Men,” with Greer Garson and Robert Ryan; Vincente Minnelli’s “The Cobweb,” with Richard Widmark and Lauren Bacall; and “Lust for Life,” starring Kirk Douglas as Vincent Van Gogh.

Kinberg also produced the British psychological thriller “The Collector,” directed by William Wyler, and “The Magus,” starring Michael Caine.

Kinberg also worked for ABC, Embassy, Michael Grade Productions, and Universal as a television executive and received an Emmy nomination for outstanding drama series for producing NBC’s “Quincy M.E.,” starring Jack Klugman. Kinberg wrote and produced the TV movie “To Catch a Killer.”

Kinberg also taught film and television at California State University, Northridge, and the University of Southern California.

His son Simon Kinberg is a producer of the “X-Men” franchise, “Deadpool,” and “The Martian.” Jud Kinberg is also survived by his wife, Monica, sons Steven and Robert and grandsons Toby and Oliver.

Producer

Brian Dennehy in To Catch a Killer (1992)

To Catch a Killer

7.3

TV Mini Series

executive producer

1992

2 episodes

 

A Stoning in Fulham County (1988)

A Stoning in Fulham County

5.9

TV Movie

producer (produced by)

1988

 

Kane & Abel (1985)

Kane & Abel

7.8

TV Mini Series

executive producer

1985

2 episodes

 

Jack Klugman in Quincy, M.E. (1976)

Quincy, M.E.

7.3

TV Series

executive producer

1977

9 episodes

 

Story of a Love Story (1973)

Story of a Love Story

5.4

producer

1973

 

The Magus (1968)

The Magus

5.6

producer

1968

 

Anthony Quinn, Faye Dunaway, George Maharis, Michael Parks, and Robert Walker Jr. in The Happening (1967)

The Happening

5.1

producer

1967

 

Terence Stamp and Samantha Eggar in The Collector (1965)

The Collector

7.5

producer

1965

 

Janette Scott in Siege of the Saxons (1963)

Siege of the Saxons

4.8

producer

1963

 

Reach for Glory (1962)

Reach for Glory

7.2

producer

1962

 

The Four Just Men (1959)

The Four Just Men

7.1

TV Series

producer

1959–1960

20 episodes

 

The Seven Lively Arts (1957)

The Seven Lively Arts

6.1

TV Series

producer

1957–1958

2 episodes

 

Van Gogh: Darkness Into Light

6.4

Short

producer

1956

 

Lust for Life (1956)

Lust for Life

7.3

associate producer

1956

 

Stewart Granger in Moonfleet (1955)

Moonfleet

6.6

associate producer

1955

 

Lauren Bacall, Charles Boyer, Lillian Gish, Richard Widmark, and Gloria Grahame in The Cobweb (1955)

The Cobweb

6.3

associate producer

1955

 

Greer Garson, Lee Aaker, Tim Considine, Dale Hartleben, Donald MacDonald, Robert Ryan, Stuffy Singer, David Stollery, Barry Sullivan, and Peter J. Votrian in Her Twelve Men (1954)

Her Twelve Men

6.3

associate producer

1954

 

Executive Suite (1954)

Executive Suite

7.4

associate producer

1954

 

Marlon Brando, John Gielgud, Deborah Kerr, James Mason, Greer Garson, Louis Calhern, and Edmond O'Brien in Julius Caesar (1953)

Julius Caesar

7.2

associate producer (uncredited)

1953

 

Writer

In the Best Interest of the Children (1992)

In the Best Interest of the Children

6.9

TV Movie

teleplay

1992

 

Brian Dennehy in To Catch a Killer (1992)

To Catch a Killer

7.3

TV Mini Series

written by

1992

2 episodes

 

A Stoning in Fulham County (1988)

A Stoning in Fulham County

5.9

TV Movie

teleplay

1988

 

Sylvia Kristel in The Million Dollar Face (1981)

The Million Dollar Face

4.7

TV Movie

teleplay

1981

 

Oliver Reed, Richard Widmark, and Gayle Hunnicutt in The Sell-Out (1976)

The Sell-Out

4.8

screenplay (as Judson Kinberg)

1976

 

Vampire Circus (1972)

Vampire Circus

6.3

screenplay by (as Judson Kinberg)

1972

 

Jenny Agutter, Derek Fowlds, and Sylvia Syms in East of Sudan (1964)

East of Sudan

5.0

screenplay

1964

 

Janette Scott in Siege of the Saxons (1963)

Siege of the Saxons

4.8

written by

1963

 

Reach for Glory (1962)

Reach for Glory

7.2

writer

1962

 

Production Manager

Generation (1985)

Generation

5.2

TV Movie

executive production manager

1985