David Burke, the First Watson of the Granada Era, Passes at 91
He was not on the list.
There are actors who play Dr. Watson, and there are actors who understand him. David Burke — who originated the role of John H. Watson opposite Jeremy Brett in Granada Television’s The Adventures of Sherlock Holmes — was one of the rarest of the latter. We have learned that he passed away in recent days, as confirmed by his family.
In the 13 episodes he gave us between 1984 and 1985, he did
not so much inhabit the good doctor as quietly rescue him from forty years of
cinematic condescension. For a generation of viewers raised on Nigel Bruce’s
harrumphing, hand-wringing Watson — lovable, certainly, but irredeemably the
butt of the joke and Boobus Britannicus in the flesh — Burke’s arrival was
nothing short of a corrective.
Here, at last, was the Watson Conan Doyle had actually
written: an Army surgeon who had seen Maiwand, a man of action who carried his
service revolver and knew how to use it, a physician of professional
competence, and — perhaps most importantly — an intelligent, observant, fully
grown human being whom Sherlock Holmes would actually have chosen as his
friend.
Producer Michael Cox, in his book A Study in Celluloid, set
out the brief plainly. Watson, in his eyes, was not the genius Holmes was, but
he was nevertheless “intelligent, brave, efficient, loyal and devoted” — a
worthy companion for the great detective, who would certainly not have
tolerated a fool at his side. The 77-page production bible known as the Baker
Street File, which Brett kept like scripture, demanded a fidelity to the Canon
that earlier productions had been too lazy or too commercial to attempt.
Burke had the equipment to meet that standard. Liverpool-born, RADA-trained, and a classical stage actor of long standing, he came to Baker Street with the same Shakespearean grounding Brett did. The chemistry was immediate. Both men shared a near-religious devotion to the Canon (Burke was known to carry his copy of the stories around the set and gently nudge cast and crew toward “the spirit of the thing”). Both shared a wicked, schoolboy sense of humor that became inside-joke folklore for those who worked with them.
What Burke brought, and what is so easy to undervalue, is texture. Watch his Watson during a Holmes deduction. He is not a man waiting to be amazed; he is a man thinking. The amazement, when it comes, is real because the thought process beneath it is real. His Watson interrupts Holmes when Holmes is wrong. His Watson rolls his eyes — affectionately, and just briefly enough to register — when Holmes is being insufferable. His Watson winces when the cocaine bottle appears. He is a doctor, and he never stops being one.
In “The Crooked Man,” Burke gets one of those exchanges that captures the entire dynamic of the partnership. Holmes asks if he remembers the story of King David and Uriah, suggesting Watson look it up in the first or second Book of Samuel:
“You’re quite right, Holmes. Second Book of Samuel, Chapter 11, verses 14-17. You appear to have looked it up yourself since we returned home from Aldershot.”
“How did you know?”
“You used this bill from our meal at Waterloo as a bookmark, did you not?”
“Ex-cellent, Watson.”
“Elementary, my dear Holmes.”
The line itself is fine. Burke’s reading of it — sly, dry,
gently triumphant — is what made it a small classic. That is a Watson who has
known Holmes long enough to recognize the bluff, and who is just self-amused
enough to call him on it.
One of the most-told Burke anecdotes among Sherlockians — confirmed in his own interviews — concerned “The Speckled Band.” Frustrated, as any actor would be, by the inherent thinness of the Watson role on the page, Burke once sat down and counted his lines in the script. The total came to forty-three words. That episode would be more than fifty minutes long.
What Burke and the production team did about that arithmetic problem is the secret history of the early Granada series. The scriptwriters, on Cox’s instructions, set about restoring to Watson the moments Conan Doyle had given him and that decades of adaptation had silently surrendered. And Burke, working scene by scene with Brett, added the rest in the only place it could be added: in the small, silent acting — a look, a hand on a sleeve, a reaction shot.
Watch the climax of “The Speckled Band.” When the speckled band reveals itself, Watson is at Holmes’s side with his pistol cocked, exactly where Conan Doyle puts him:
“It means that it is all over,” Holmes answered. “And perhaps, after all, it is for the best. Take your pistol, and we will enter Dr. Roylott’s room.”
Burke plays the moment not as a frightened bystander to be
rescued but as Holmes’s professional partner. The two men move into Roylott’s
room together. That is the Watson of the Canon, and Burke was the first Watson
on screen to insist on it.
The most famous moment Burke never got to play is the one from “The Three Garridebs” that every Watson actor secretly wants — the moment when Killer Evans’s bullet grazes Watson’s leg, and Holmes’s mask cracks:
“You’re not hurt, Watson? For God’s sake, say that you are not hurt!”
It was worth a wound—it was worth many wounds—to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.
Granada did not adapt “The Three Garridebs” until the Hardwicke era, and the great revelation scene fell to the second Watson. But it is worth saying clearly: the reason the moment lands on screen at all — the reason any modern viewer can read those lines and believe that Holmes might genuinely fall apart at the prospect of losing his friend — is that the relationship had been built in 1984, by Brett and Burke, from the ground up.
They are the foundation. Hardwicke, with characteristic grace, knew this and said so.
The other moment Burke did not get to play — but for which he prepared all those Conan Doyle scenes that came before — is, of course, the post-Reichenbach reunion. Granada’s “The Final Problem” was Burke’s last episode.
He plays Watson exactly as Conan Doyle wrote him: a man whose “intimate relations” with Holmes have softened with marriage and practice, who is summoned back to the side of a paler, thinner friend in mortal danger, who agrees without hesitation to flee with him to the Continent, and who — in the cruelest deception in the Canon — is lured away from his friend’s side by a forged letter about a dying Englishwoman.
When Burke’s Watson runs back up that path and finds only the Alpine-stock and the silver cigarette case, the screen carries the weight of what Conan Doyle gave us on the page:
“It was the sight of that Alpine-stock which turned me cold and sick... I stood for a minute or two to collect myself, for I was dazed with the horror of the thing.”
That Brett’s Holmes had a Watson worth grieving over — and a
friendship worth a viewer’s grief — was Burke’s gift to the entire series that
followed
What happened next is, by now, part of Sherlockian folklore. Burke’s wife, the actress Anna Calder-Marshall, had been raising their young son Tom largely on her own while David was in Manchester filming. When the Royal Shakespeare Company offered to engage them both at Stratford, the choice — for Burke, with characteristic clarity about priorities — was not a difficult one. Family came first.
He admitted later, in a letter to Michael Cox quoted in A Study in Celluloid, that he had been frustrated with how little the role of Watson asked of him, however much the writers had tried to expand it. The forty-three words of “The Speckled Band” were not, in the end, a problem that could be entirely solved within the form. Stratford, by contrast, offered him Hector in Troilus and Cressida, V.V. Bessemenov in Gorky’s Philistines, and the chance to work alongside his wife. He took it.
But before he left, Burke did the Granada production — and Brett, and Sherlockians everywhere — one final and inestimable kindness. He recommended his friend Edward Hardwicke as his successor. As Brett later put it, with what one suspects was complete sincerity: “This miracle occurred.”
Hardwicke was so determined to honor what Burke had built that he reportedly worried about the height difference between himself and his predecessor, lest viewers feel the join. The torch passed cleanly, and Granada’s Watson — Burke’s Watson — survived the change.
Beyond Baker Street
“I cultivate a large number of friends” [WIST]
It is a small injustice that David Burke is known to the
wider world primarily for thirteen hours of television in 1984-85. He had a
career of remarkable range before, during, and after Baker Street.
He had, in fact, met Sherlock Holmes once before — in 1965,
when he played the villainous Sir George Burnwell in the BBC’s “The Beryl
Coronet,” opposite Douglas Wilmer’s Holmes. (One imagines him appreciating the
symmetry years later.)
In 1983 — just before joining Granada — Burke delivered a
study in cold, calculating menace as a young Joseph Stalin in the final two
episodes of Reilly, Ace of Spies, opposite Sam Neill. It is a chilling
performance: the authority that comes not from volume but from absolute
stillness, the sense of a mind perpetually filing and sorting.
His stage work, sustained over a half-century, took him
through the National Theatre, the Royal Lyceum Company, and the RSC, in
repertoire that included Othello, Hector in Troilus and Cressida, Kent in King
Lear, the Reverend John Hale in The Crucible, Claudius and the Ghost in Hamlet,
John of Gaunt in Richard II opposite Ralph Fiennes, Simonides in Pericles, and
a long National Theatre season including Closer, The Invention of Love, and
Oklahoma!.
His most celebrated stage role came in 1998, when he
originated the part of Niels Bohr in Michael Frayn’s Copenhagen at the
National’s Cottesloe Theatre — a part he played for nearly three years, and
which led to the genuinely delightful 2000 book he wrote with Frayn, Celia’s
Secret: An Investigation (published in the United States as The Copenhagen
Papers).
The book records a particular Burke quality fans of the
Granada series will recognize: an irrepressible streak of mischief. Burke and
his friends had fabricated a small parcel of “lost” wartime German documents
and sent them to Frayn in the middle of Copenhagen‘s run, just to see what
would happen. What followed — Frayn’s slow descent into uncertain belief and
back again — became the book.
He played William Morris in The Love School (1975); Pvt.
Mulvaney in The Indian Tales of Rudyard Kipling; roles in The Guardians,
Armchair Thriller, Random Quest, MI-5, Midsomer Murders, Dalziel and Pascoe,
The Inspector Lynley Mysteries (alongside his son Tom), and The Woman in Black
(2012). He recorded Naxos audiobooks of Shakespeare’s Venus and Adonis and The
Rape of Lucrece and of Beckett’s Waiting for Godot. He returned to Dr. Watson
once more, for the 1995 documentary Sherlock Holmes: The Great Detective, and
in 2007 presented a chapter of Elementary My Dear Viewer: The Shackles of
Sherlock Holmes.
He was the father of the splendid actor Tom Burke (The
Souvenir, Strike, Furiosa), whom David and Anna chose Stratford in order to
raise. By any measure, that gamble paid off.
A Gentleman to His Fans
“the best and the wisest man whom I have ever known” [FINA]
What has come through most powerfully in recent years, as
Burke has spoken publicly about his Granada days, is the simple decency of the
man. The Sherlockians of Evidentia Channel shared, in 2019, the gracious
hand-written letter Burke had sent them in response to a fan note — an answer
that ran across two pages, in his own hand, addressing their questions and
thanking them for their interest. “Times have changed,” they observed at the
time, and indeed they have; there are not many people of any kind, let alone
working actors, who answer fan letters by hand and at length in the 21st
century.
The crowning Sherlockian fan engagement of Burke’s later
life was undoubtedly his 2022 interview with Gus and Luke Holwerda of The
Jeremy Brett Sherlock Holmes Podcast, released as “David Burke: A Sherlockian
Conversation” (iTunes | YouTube) on September 20 of that year. Joined by Anna
Calder-Marshall, he spoke at length about playing Watson, his friendship with
Brett, and the decision to leave.
Listeners and commenters spoke of how thoughtful, gentle,
and self-effacing he was — surprised, even charmed, by the affection of a fan
community that had grown across forty years. (He was, by one listener’s
account, “nervous” about doing the conversation at all — imagine that, after
the career he had had.)
The Holwerdas later spent an entire follow-up episode
(iTunes | YouTube) reporting on the “magical day” they spent in person with
David and Anna in England. For those who have not yet listened, we recommend
both episodes warmly — they are exactly the sort of generous, careful
Sherlockian record-making that we hope will outlive all of us.
He also contributed the foreword to Maureen Whittaker’s
Jeremy Brett: Playing a Part (MX Publishing), Whittaker’s performance biography
of Brett — a final professional act of love for the man with whom he had shared
221B Baker Street.
David Burke was the Watson we had been waiting for without
knowing it. He showed us — for the first time in the modern era of screen
Sherlock Holmes — what Conan Doyle’s Doctor actually looked like when he was
played whole: intelligent, capable, tender, occasionally exasperated, deeply
loyal, deeply moral, deeply present. He laid down the foundation on which
Edward Hardwicke would build for nine more years and forty more episodes, and
on which every Watson actor since has been measured.
Jeremy Brett left us in 1995. Edward Hardwicke crossed the
Reichenbach in 2011. Michael Cox followed in 2014. The remembrance we wrote for
Hardwicke at the time ended with the hope that he might stand on the terrace
with his Holmes. Now that David Burke joins them, the terrace is full — and we
have, for the first time in many years, the complete Granada stars assembled,
just out of sight, perhaps talking quietly about their wonderful adventures on
and off set.
Until then, we have Burke’s 13 episodes, still in regular
rotation. We have his hand-written letters. We have his audiobooks and his
Frayn collaboration. We have his podcast conversation. We have a son of his
appearing in prestige dramas on television.
And we have, above all, the doctor he gave back to us — a
Watson who is no longer the joke, who is once again the friend.
We tip our deerstalkers, raise a glass of brandy from the
tantalus, and offer our heartfelt thanks.
“Excellent!” I cried.
“Elementary,” said he.
he son of Irish parents (his father was a ship’s steward),
RADA-trained English character actor David Burke began acting professionally on
stage the year of his graduation (1960), his prolific career eventually
encompassing seasons at the Bristol Old Vic, the Royal Lyceum Company, the
Royal Shakespeare Company and the National Theatre. His most notable
appearances have included the dissolute Anatol Kuragin in War and Peace,
Mephistopheles in Doctor Faustus, Hector in Troilus and Cressida, Reverend John
Hale in The Crucible, John of Gaunt in Richard II and the Nobel prize-winning
Danish physicist Niels Bohr in Michael Frayn’s play Copenhagen (arguably,
Burke's most definitive interpretation and a role he originated). It premiered
in 1998 at the National Theatre in London to critical acclaim and ran to 300
performances.
Burke began acting on screen in 1963, often cast as men of a
certain gravitas: upstanding military officers, coppers or mid-level nobility.
However, his first foray into the works of Arthur Conan Doyle was as the
raffish thief George Burnwell in The Adventure of the Beryl Coronet, an episode
of the BBC series Sherlock Holmes (1964). Burke's was a familiar face in many
of the classic detective shows of the era, including Riviera Police (1965),
Softly Softly (1966), The Baron (1966), Dixon of Dock Green (1955), Z Cars
(1962) and Barlow at Large (1971). In fact, it was in the role of Doctor John
Watson (co-starring opposite Jeremy Brett), in Granada’s The Adventures of
Sherlock Holmes (1984), for which the actor became ultimately best known. His
portrayal of the character as an intelligent, competent and empathetic
collaborator (rather than as bumbling comic relief) was closer to Conan Doyle’s
original concept of Watson than previous screen incarnations had been. Due to
theatrical commitments, Burke left after two seasons, handing the part over to
Edward Hardwicke for The Return of Sherlock Holmes (1986).
After a three-year hiatus, Burke, now white-haired and
bearded, reappeared on screen as a television guest actor, notably in episodes
of Poirot (1989), The Bill (1984), The Inspector Lynley Mysteries (2001),
Dalziel and Pascoe (1996) (also featuring Burke’s wife Anna Calder-Marshall),
The Musketeers (2014) (starring his son Tom Burke as Athos) and Midsomer
Murders (1997). He retired from acting in 2018.
Actor
Only the Lonely
6.6
Short
George
2018
Annette Badland, Neil Dudgeon, and Nick Hendrix in Midsomer
Murders (1997)
Midsomer Murders
7.9
TV Series
Fred MessengerJohn FarrowHedge
2005–2016
2 episodes
The Young Messiah (2016)
The Young Messiah
5.7
The Blind Rabbi
2016
Rafe Spall in Harry Price: Ghost Hunter (2015)
Harry Price: Ghost Hunter
6.7
TV Movie
Leonard Thornton
2015
Tom Burke, Santiago Cabrera, Luca Pasqualino, and Howard
Charles in The Musketeers (2014)
The Musketeers
7.8
TV Series
Father Duval
2014
1 episode
Daniel Radcliffe in The Woman in Black (2012)
The Woman in Black
6.4
PC Collins
2012
Love & Distrust (2010)
Love & Distrust
3.5
Video
FreddieSegment 1 - The Summer House (Obsession and
Suspicion)
2010
The Summer House (2009)
The Summer House
5.0
Short
Freddie
2009
Holby City (1999)
Holby City
5.8
TV Series
Bernie Moore
2007
1 episode
A Ghost Story for Christmas (2005)
A Ghost Story for Christmas
6.9
TV Series
PattenGunton, Hotel Landlord
2005–2006
2 episodes
Samuel West in Random Quest (2006)
Random Quest
6.3
TV Movie
Dr. Harsham
2006
Peter Firth and Nicola Walker in MI-5 (2002)
MI-5
8.3
TV Series
Fiona's Father
2005
1 episode
The Trial of the King Killers (2005)
The Trial of the King Killers
8.2
Hugh Peters
2005
Colin Buchanan and Warren Clarke in Dalziel and Pascoe
(1996)
Dalziel and Pascoe
7.5
TV Series
Paul Boddison
2005
2 episodes
Peter Capaldi and Ray Quinn in The Afternoon Play (2003)
The Afternoon Play
7.4
TV Series
Judge
2005
1 episode
The Rivals (2004)
The Rivals
7.8
Video
Sir Anthony Absolute
2004
Secret History (1991)
Secret History
6.7
TV Series
Arthur Markham MP
2004
1 episode
Nathaniel Parker and Sharon Small in The Inspector Lynley
Mysteries (2001)
The Inspector Lynley Mysteries
7.4
TV Series
DSI Webberley
2004
2 episodes
Doctors (2000)
Doctors
4.5
TV Series
Martin Shepley
2003
1 episode
Eva Birthistle, Trevor Eve, Wil Johnson, and Sue Johnston in
Waking the Dead (2000)
Waking the Dead
7.9
TV Series
Philip Bryant
2002
2 episodes
Juliet Aubrey and James Wilby in Bertie and Elizabeth (2002)
Bertie and Elizabeth
7.1
TV Movie
Lord Reith
2002
Casualty (1986)
Casualty
6.1
TV Series
Ron FisherJames
1993–2002
2 episodes
Animated Tales of the World (2000)
Animated Tales of the World
7.8
TV Series
Goat-Kneed Commander (voice)
2002
1 episode
Colin Blumenau, Nula Conwell, Peter Ellis, Trudie Goodwin,
Jon Iles, Gary Olsen, Eric Richard, John Salthouse, Tony Scannell, Jeff
Stewart, and Mark Wingett in The Bill (1984)
The Bill
6.7
TV Series
Ch.Supt.GoldingChief Supt. Golding
1998
2 episodes
Performance (1991)
Performance
6.4
TV Series
Kent
1998
1 episode
Testament: The Bible in Animation (1996)
Testament: The Bible in Animation
7.3
TV Series
God (voice)
1996
1 episode
Helena Bonham Carter, Toby Stephens, and Imogen Stubbs in
Twelfth Night (1996)
Twelfth Night
7.1
Party GuestDancer (uncredited)
1996
Biography (1987)
Biography
7.7
TV Series
Dr. Watson
1995
1 episode
David Suchet in Poirot (1989)
Poirot
8.6
TV Series
Sir Arthur Stanley
1995
1 episode
Space Precinct (1994)
Space Precinct
6.4
TV Series
Vachel
1994
1 episode
Shakespeare: The Animated Tales (1992)
Shakespeare: The Animated Tales
7.9
TV Series
Narrator (voice)
1994
1 episode
Alan Rickman and Amanda Ooms in Mesmer (1994)
Mesmer
5.8
Doctor
1994
Stella Gonet and Louise Lombard in The House of Eliott
(1991)
The House of Eliott
8.1
TV Series
Sir John Crowborough
1994
2 episodes
Edward Woodward in In Suspicious Circumstances (1991)
In Suspicious Circumstances
7.8
TV Series
James Maybrick (segment: Poisoned Whispers}
1994
1 episode
David Troughton in Tales of Sherwood Forest (1989)
Tales of Sherwood Forest
6.2
TV Series
David Walser
1989
2 episodes
Dreams, Secrets, Beautiful Lies (1988)
Dreams, Secrets, Beautiful Lies
TV Movie
Edward
1988
Screen Two (1984)
Screen Two
6.7
TV Series
Gareth
1988
1 episode
Jeremy Brett in The Adventures of Sherlock Holmes (1984)
The Adventures of Sherlock Holmes
8.7
TV Series
Dr. John Watson
1984–1985
13 episodes
Alan Cumming in Masterpiece Mystery (1980)
Masterpiece Mystery
8.9
TV Series
Dr. Watson
1985
6 episodes
Joy to the World: A Celebration of Christmas (1984)
Joy to the World: A Celebration of Christmas
TV Short
Dr. John H. Watson
1984
Spyship (1983)
Spyship
7.8
TV Mini Series
Rokoff
1983
5 episodes
Reilly: Ace of Spies (1983)
Reilly: Ace of Spies
8.2
TV Mini Series
Stalin
1983
2 episodes
Wendy Craig in Nanny (1981)
Nanny
7.4
TV Series
Sam Tavener
1982–1983
5 episodes
Ron Cook in Richard III (1983)
Richard III
8.2
TV Movie
Sir William Catesby
1983
The Campaign
TV Movie
Tony McLayne
1983
The Second Part of Henry the Sixth (1983)
The Second Part of Henry the Sixth
7.6
TV Movie
Duke of GloucesterDick the Butcher
1983
Brenda Blethyn in The First Part of Henry the Sixth (1983)
The First Part of Henry the Sixth
7.3
TV Movie
Duke of Gloucester
1983
The Man Who Saw Tomorrow (1981)
The Man Who Saw Tomorrow
6.0
The Friar
1981
The Winter's Tale (1981)
The Winter's Tale
7.2
TV Movie
Camillo
1981
Christopher Benjamin and John Normington in Spy! (1980)
Spy!
TV Series
Sergei
1980
1 episode
Play for Today (1970)
Play for Today
7.8
TV Series
Cardinal VolponiMichael ReganMick Connor
1971–1979
3 episodes
Don Henderson, Diane Keen, Peter Sallis, and Don Warrington
in Crown Court (1972)
Crown Court
7.4
TV Series
Peter GavinRalph GibbsDr. Anthony Boyde
1975–1979
12 episodes
BBC2 Play of the Week (1977)
BBC2 Play of the Week
6.9
TV Series
Len
1978
1 episode
Armchair Thriller (1978)
Armchair Thriller
7.3
TV Series
Tom Amyas M.P.Tom Amyas, MP
1978
3 episodes
Esther Waters (1977)
Esther Waters
7.2
TV Series
Fred Parsons
1977
2 episodes
Centre Play (1973)
Centre Play
6.7
TV Series
Tweed
1976
1 episode
Jan Francis in Rooms (1974)
Rooms
7.5
TV Series
Alan Alanson
1975
2 episodes
Ben Kingsley, Kenneth Colley, and Peter Egan in The Love
School (1975)
The Love School
6.6
TV Series
William Morris
1975
3 episodes
Stratford Johns in Barlow at Large (1971)
Barlow at Large
6.6
TV Series
Bill Walker
1973
1 episode
Bob Hoskins, David Daker, and Martin Shaw in Villains (1972)
Villains
8.0
TV Series
Eric
1972
1 episode
Brigit Forsyth and Paul Moriarty in Holly (1972)
Holly
TV Series
Tom Prentiss
1972
6 episodes
Cyril Luckham in The Guardians (1971)
The Guardians
7.9
TV Series
Dr. Frank BenedictDr. Benedict
1971
8 episodes
Crime of Passion (1970)
Crime of Passion
7.6
TV Series
Andre
1971
1 episode
Paul Eddington, Colin Gordon, and Barrie Ingham in Hine
(1971)
Hine
7.8
TV Series
George Dyson MP
1971
1 episode
Sean Connery, Michael Caine, Paul Scofield, and Anna
Calder-Marshall in ITV Saturday Night Theatre (1969)
ITV Saturday Night Theatre
5.9
TV Series
Dan
1971
1 episode
The Woodlanders
7.5
TV Series
Giles Winterborne
1970
4 episodes
Peter Barkworth, Robert Hardy, Cyd Hayman, and Alfred Lynch
in Manhunt (1970)
Manhunt
7.3
TV Series
Beauchamps
1970
1 episode
The Wednesday Play (1964)
The Wednesday Play
7.4
TV Series
Len
1969
1 episode
Z Cars (1962)
Z Cars
7.1
TV Series
Ernie FranksDannyboyJohnny Oulton
1963–1969
5 episodes
Alexandra Bastedo, Stuart Damon, and William Gaunt in The
Champions (1968)
The Champions
7.5
TV Series
Roger Carson
1968
1 episode
Dr. Finlay's Casebook (1962)
Dr. Finlay's Casebook
7.7
TV Series
Dr. Rawlings
1968
1 episode
Jack Warner in Dixon of Dock Green (1955)
Dixon of Dock Green
6.9
TV Series
Wally MortonMedwayBrian Wicks
1965–1968
3 episodes
John Thaw in Inheritance (1967)
Inheritance
7.9
TV Series
Henry MorcerHenry Morcar
1967
5 episodes
ITV Play of the Week (1955)
ITV Play of the Week
6.7
TV Series
Major DigbyKen Wickes
1963–1967
2 episodes
The Fellows (1967)
The Fellows
6.4
TV Series
Det. Sgt. Wayland
1967
1 episode
Conflict
TV Series
Dr. John FaustusSam Gerridge
1966–1967
2 episodes
William Lucas and Neil McCallum in Vendetta (1966)
Vendetta
7.5
TV Series
Beppo
1966
1 episode
Steve Forrest and Sue Lloyd in The Baron (1966)
The Baron
7.1
TV Series
Whetlor
1966
1 episode
Peter Adamson, Jean Alexander, Johnny Briggs, Margot Bryant,
and Doris Speed in Coronation Street (1960)
Coronation Street
5.6
TV Series
Jack BenjaminSchoolmaster
1963–1966
5 episodes
Softly Softly (1966)
Softly Softly
7.0
TV Series
Swaine
1966
1 episode
John Thaw in Redcap (1964)
Redcap
7.9
TV Series
Corporal BondPrivate Burroughs
1965–1966
2 episodes
John Barrie and William Gaunt in Sergeant Cork (1963)
Sergeant Cork
7.6
TV Series
Arthur StephensJoe Tyler
1963–1966
2 episodes
Michael Aldridge and Richard Vernon in The Man in Room 17
(1965)
The Man in Room 17
7.3
TV Series
Lieut. Quatrano
1966
1 episode
David Burke and Gerald Harper in A Game of Murder (1966)
A Game of Murder
7.8
TV Series
Det. Insp. Ed Royce
1966
6 episodes
A Poor Gentleman
TV Series
Tropatchov
1965
2 episodes
Riviera Police (1965)
Riviera Police
7.4
TV Series
Jack Dysart
1965
1 episode
Sherlock Holmes (1964)
Sherlock Holmes
7.5
TV Series
Sir George Burnwell
1965
1 episode
The Indian Tales of Rudyard Kipling (1963)
The Indian Tales of Rudyard Kipling
7.0
TV Series
Private Terence Mulvaney
1964
6 episodes
Rattle of a Simple Man (1964)
Rattle of a Simple Man
6.7
Jack (uncredited)
1964
Detective (1964)
Detective
6.9
TV Series
David Loring
1964
1 episode
Saturday Night Out (1964)
Saturday Night Out
6.3
Manager
1964
The Villains
TV Series
Tommy
1964
1 episode
Friday Night
TV Series
Bill Palethorpe
1963
1 episode
The Avengers (1961)
The Avengers
8.3
TV Series
John James Wrightson
1963
1 episode
The Sentimental Agent (1963)
The Sentimental Agent
7.0
TV Series
Civic Guard
1963
1 episode
Maupassant (1963)
Maupassant
6.3
TV Series
Enice
1963
1 episode
No Hiding Place (1959)
No Hiding Place
7.5
TV Series
Archie Martin
1963
1 episode
24-Hour Call
TV Series
Ron Smith
1963
1 episode
Emily Bruni, David Burke, Mimi Kuzyk, Shelagh McLeod, Zoran
Veljkovic, Emanuele Giraldo, Rupert Bryan, Virginia Kilbertus, and Joanna
O'Malley in The Return
The Return
Short
John
Self
The Jeremy Brett Sherlock Holmes Podcast (2019)
The Jeremy Brett Sherlock Holmes Podcast
9.6
Podcast Series
Self - Guest
2022
1 episode
The Shackles of Sherlock
8.0
TV Movie
Self - Presenter
2007
The 11 O'Clock Show (1998)
The 11 O'Clock Show
7.2
TV Series
Self
1999
1 episode
Heart of the Matter (1979)
Heart of the Matter
TV Series
Self
1999
1 episode
Purple Triangles (1991)
Purple Triangles
8.2
Short
Self - Readings (voice)
1991
Archive Footage
La galerie France 5 (2012)
La galerie France 5
7.3
TV Series
Self - Dr. John Watson (archive footage)
2018
1 episode
The Great Detectives (1999)
The Great Detectives
6.6
TV Series
Self - Dr. Watson (archive footage)
1999
1 episode
The Stamp of Greatness
TV Series
Dr. Watson (archive footage)
1986
1 episode

No comments:
Post a Comment