Leonard Knight dies at 82; visionary artist of Salvation Mountain
So Leonard Knight, self-described "little hobo bird," pulled into a barren patch of desert in the Imperial Valley and decided that he had found the right spot to bring his message to the world: "God is Love."
He planned to spend a week or two. But then he was gripped
by the spirit.
For the next three decades the lean and sturdy New Englander
joyously painted a tall mound of adobe he called Salvation Mountain. He painted
pastoral scenes and biblical quotations, all supporting a universal theme.
"Love Jesus and keep it simple," he once said,
explaining his philosophy of life.
Knight died Monday at the Eldorado Care Center in El Cajon
where he had lived for more than two years after failing health forced him
reluctantly to leave his mountain. He was 82.
"He just decided it was his time: that he had done
everything he could in this world," said Dan Westfall, who formed a
nonprofit organization to preserve Knight's labor of love located east of the
Salton Sea near the community known as Slab City.
Until his health declined, Knight had lived in the back of
his truck, sharing his space with a variety of cats without names, undeterred
by the brutal desert heat or howling winds. He had no electricity, running
water or telephone.
The mountain is a sloping, terraced hill about three stories
tall and 100 feet long and crowned with a cross. The property is owned by the
state, but efforts to oust Knight ended long ago.
Much of the paint was donated by "snowbirds"
arriving in the area for the winter warmth. "God has a way of supplying my
needs," Knight said.
There were setbacks: A lightning strike destroyed the
original cross. A rainstorm washed the paint to the desert floor. Knight merely
redoubled his efforts, often working at night with a flashlight.
Knight was born Nov. 1, 1931, in Shelburne Falls, Vt. He
quit high school and enlisted in the Army and, after service in Korea, moved to Nebraska.
where he worked as a welder, handyman, guitar teacher, painter and
body-and-fender man.
He was visiting his sister in San Diego in the early 1980s
when he decided to find a location to express his pent-up religious devotion.
He arrived in Slab City with his truck, an old tractor and a hot-air balloon
that he had once hoped to use for a cross-country trip.
"We've just got to start loving God more, and these
things like wars wouldn't happen," he said. "God's love is the
strongest force. It can squash hate."
Although he never sought attention, numerous
news stories brought him a kind of international celebrity that he
cherished.
To his amazement, he became a favorite of folk art
aficionados. His brightly painted truck was dismantled and taken to a museum in
Baltimore for display. His picture and that of his truck and mountain graced
the cover of the book "Self-Made Worlds: Visionary Folk Art Environments."
Documentary films were made about Knight and his mountain.
The Folk Art Society of America declared that Salvation
Mountain must be saved. In the Congressional Record, U.S. Sen. Barbara Boxer
(D-Calif.) called the mountain "a national treasure … a sculpture for the ages
— profoundly strange and beautifully accessible."
Knight played himself in the 2007 movie "Into the
Wild," directed by Sean Penn, with a scene set at Salvation Mountain. The
movie brought more visitors — movie fans, religious pilgrims and the curious —
to the mountain.
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