The 102-Year-Old Who Taught Greta Garbo to Waltz, Shep Houghton, has died
He was not on the list.
In Doctor Dolittle and the Secret Lake, there is a bewitching sequence in which Dolittle is granted audience with an ancient turtle who claims to have been a passenger on Noah’s Ark. Dolittle eagerly fills notebook after notebook with antediluvian gossip, but his critter associates are skeptical. “Meself, I don’t believe a word of the yarn,” mutters Cheapside the sparrow. As a child, I was in Cheapside’s camp. What turtle wouldn’t lie about having witnessed the flood that destroyed most of humanity? Similarly, what 99-year-old among us could resist the impulse to reshape his life into a Forrest Gumpian panorama that features most of the major figures of the 20th century?
The impulse to self-Gump is natural, I think. As your contemporaries fall away, one by one, they must seem to bequeath the era to you. Sure, you could take on the drab, thankless role of the debunker, but almost everyone chooses to mythologize. Being the last survivor of your generation is like heading off to college in your 90s — it’s the last opportunity for drastic reinvention. At 91, Fay Wray laughed, “Now I feel that whatever I say has to be accepted. No one can deny me anything. Anything!” In her 80s, Leni Riefenstahl liked to defend her fraudulent accounts of the Berlin Olympics by saying, “Ask anyone who was there” — knowing, of course, that there were very few such people left.
Shep Houghton, could shape his era if he wanted. As a Hollywood background player (a “non-talker,” as he put it), Houghton appeared in the margins of an extraordinary string of classics: Gold Diggers of 1935, The Wizard of Oz, Gone with the Wind, Shadow of a Doubt, The Big Sleep, Show Boat,and Spartacus. During a career that stretched from Josef von Sternberg silents to Streisand musicals, Houghton was propositioned by a Munchkin, blew off Lucille Ball, and taught Greta Garbo to waltz for the 1937 costume drama Conquest. “She’d never waltzed,” said Houghton, who at the time was in the skeleton dance crew of an MGM musical that had suspended production. “The studio hated to have you on salary and not work,” he said, “so I spent a couple of days with her, showing her how to make a pivot, putting her leg in back, and turning. She learned quite rapidly. She was kind of a standoffish person — but every time I saw her subsequently, she’d say, ‘Hi, Shep!’ I’d say, ‘Hi, Greta!’”
It all sounds like a darling hoax, devised to exploit our culture’s fetishization (from Zelig to The Butler) of the unknown witness, the all-seeing Nobody. But Houghton is exceedingly credible; in fact, during a three-hour conversation at his lakeside Washington home this March, his memories seemed so modest, authentic, and potato-sack plain that I sometimes became frustrated with him for not delivering more. Did he not know that he was history’s piggy bank, built solely to collect gossip about Ginger Rogers, built in order to be smashed open by a journalist 80 years hence?
As Houghton semi-apologetically told me, he spent most of his spare time on soundstages engrossed in Book-of-the-Month Club selections. “I just got bored with the same chatter,” he said. “[The other extras] used to call me the Professor, because I was always reading.” The most Gumpian thing about Shep Houghton was his ignorance that so many of his movies were headed for immortality. “They all ran together, into a big ball of string,” he said.
You usually only stayed on a show for three days, so I worked on a good dozen movies a month. Half the time you’d see a clipboard with a number, not the name of the picture — cause they hadn’t settled on a name yet. I’d learn from the crew whether a picture was good or bad. Electricians were my best critics, cause they watched the scenes from the day it was first rolling. If they said the picture was good, I’d go to the movie. If they said it was a turkey, I’d leave it alone.
So he skipped seeing Escape from the Planet of the Apes, and caught The Wizard of Oz.
Shep Houghton was born on June fourth, 1914, and his earliest memories are being forced to wear velvet knickers on his first day of school and being struck so hard by his father that he lost consciousness. “He hated me,” he said. “My father and I never got along.” More happily, he remembers the Portland kiddie matinees of his youth: Charlie Chaplin’s The Gold Rush, live performances by John Philip Sousa, and Fritz Lang’s Metropolis — the last of which “impressed me so much I went through it three times. I went in the morning, and got home in the dark.” When Houghton was 13 his family moved to Hollywood, to a little Spanish Colonial two blocks from Paramount Studios’ front gate. As Houghton writes in Cast of Thousands, a slender, unpublished memoir, one Saturday he noticed a two-reel comedy being filmed on his block and “became fascinated by a mock-up car, the phony type with a man under the hood to steer it.” While Houghton was gawking, a man emerged from the nearby Edwin Carewe studio and asked him, “Kid, you want to work for a while?”
He began doing extra work on Saturdays while still attending high school, playing a Russian in von Sternberg’s The Last Command (1928) and a serape-wearing Mexican in Ramona (1928). Houghton can remember shooting in glass-roofed sets, where orchestras played between takes and hand-cranked cameras could be heard “whirling, whirling, whirling” during takes. The transition to talkies pissed him off, he explains in Cast of Thousands,because “studios began filming at night to avoid city sounds. Still in school, I was left out.” (During this lull Houghton worked in a bingo parlor, where he gave Mickey Rooney’s mother her winnings in the form of cigarette cartons and kept an eye on Mickey, who spent the games napping on the ladies’ room couch. Show people in their late 90s love to brag about having seen baby Mickey Rooney; it is a sort of claim to prehistory.)
After graduating from Fairfax High in 1932, Houghton continued in background work; older extras shared little tips for surviving in Prohibition-era Hollywood, directing him to “an Italian restaurant outside of Paramount that would serve you red wine in a coffee cup.” Anthony Slide’s book-length history of the extra, Hollywood Unknowns, delineates the Joadlike plight of the thousands of extras who were unable to find regular work: men built a small shantytown near Universal, women were coerced into sleeping with assistant directors, and one mother drunkenly tried to raffle off her baby to Central Casting for $500. Houghton told me that he was an “outsider” himself until he bought a house using one of the earliest Federal Housing Administration loans. (The loan number was 154.) He clued in his Central Casting superiors, who “all went out and bought houses,” and continually gave Houghton “the greatest assignments” in return — starting with Cecil B. DeMille’s Cleopatra (1934), in which he dodged rubber-tipped arrows as a Roman soldier.
In 1940 the Hollywood Citizen News noted, “The caste system among extras is incredibly strict.” Apparel defined one’s position, and as a full-dress extra (or “stuffed dummy,” in industry slang), Houghton was almost always at the top. In accordance with 1934’s Motion Picture Code Provisions Governing Extras, he maintained his own tuxedo, boulevard clothes, and riding habits, and earned $15 a day. $10 extras were simply required to have “smart” business suits, bathing suits, and lounging pajamas; $7.50 extras needed only “ordinary street clothes”; and $5-a-day “vags” (short for vagabonds) were used for mob scenes. (Studios provided the wardrobe for period and military films, for which the daily rate was $7.50.) In order to book full-dress jobs, some male extras lived five or six to an apartment and pooled their garments; Houghton’s clothes were scattered among the houses of various family members, and he sometimes lost jobs because it took an hour of driving to put together a coherent tuxedo.
When he showed up tuxedo-less — as in the 1937 screwball comedy Topper, where he played a nightclub waiter — Houghton’s status plummeted. “I got on the set, where all my friends were in tuxedoes, and they wouldn’t even talk to me,” he said. “They got very haughty — a waiter.” (Non-speaking waiters, as well as silent butlers, ministers, and gangsters, were paid only $10 a day.) “I was just standing there [during the take],” said Houghton, “because I hadn’t been told what to do. Constance Bennett said, ‘For chrissakes, the head waiter’s gotta saysomething!’” The first assistant director balked — giving dialogue to an extra meant that his salary shot to $25 — but Bennett won out. “When I came back [to the other extras], I was the king of the mob,” said Houghton. “I was an ac-tor.”
Most movie stars were too preoccupied to gab with background players, but Houghton said that Clark Gable “loved to talk about fishing and guns. He’d throw the goddamn script under the director’s seat, and come over and talk to us.” Houghton first worked with Gable on Cain and Mabel (1936), which costarred Marion Davies, who still toted around a personal orchestra to play mood music between camera setups. “As soon as they said cut, she’d say, ‘Orchestra!’” explained Houghton. “They’d play away, and she’d bring in a five-gallon tub of ice cream, and cookies. She was a very pleasant girl, but you would never dare talk to her. Hearst was too goddamned powerful; he had two bodyguards standing close by.”
Although Houghton played a soldier in Mary of Scotland (1936) and fired cannons in The Charge of the Light Brigade (1936), he preferred working in musicals. Partly this was because of the genuine danger involved in war pictures — on Light Brigade, three extras died in a single day due to horse-related accidents — but mostly it was “because I got so tired of diving in and getting a new job every day.” Musicals were steady work: they rehearsed for months, dancers were put on weekly salaries, and once you’d learned the steps it was harder to be replaced. Records of movie music were given to performers to take home and memorize in the weeks before shooting, so Houghton had the scoopish thrill of hearing new songs by Cole Porter, Harry Warren, and Harold Arlen months before they burrowed into the national consciousness.
Houghton became a fixture in Busby Berkeley’s kaleidoscopic dance routines; in “The Words Are in My Heart,” he was one of 56 dancers who hid in the shells of white grand pianos and propelled them, Flintstones-style, with his feet. “They had lines on the floor, and there were little places you could peek out and see,” Houghton said. In Berkeley’s dark, fascistic “Lullaby of Broadway” number, Houghton was one of 120 dancers who gave little Heil Hitlers and pushed the singer Wini Shaw off a balcony. John Waters once called it “the most aggressive tap-dancing I’ve ever seen in my life. It is an army — it’s like a cult, really, like Jim Jones or the Manson family. Zombie tappers.”
Though Houghton had never tapped before, he was tucked away in the “attics” of the soundstage and managed to get away with two-stepping the entire “Lullaby” routine. Today he is somewhat dismissive of Busby Berkeley. “He was really a better cameraman than he was a choreographer,” he said. “He was always way up in the ceiling; a lot of boom shots [on the camera crane]. I never saw him dance. When we worked for Berkeley, we did more formations.” Houghton danced in the first Astaire-Rogers movies, Flying Down to Rio (1933) and The Gay Divorcee (1934), and those too consisted of formation work. “What they were buying was appearance,” he said. “They weren’t buying my dancing feet.” Because of that, dance extras eventually “learned how to dance and not perspire. You’d turn very carefully and smoothly.”
Fred Astaire had no such luxury. “I always laughed at things like this: he wore woolen underwear underneath his suit, so he wouldn’t sweat through his suit,” Houghton said. “He sweated so much that his stand-in had to go in at lunchtime while Fred was having lunch, and launder it and dry it and get it to him so he could put it on for the afternoon.” Houghton never interacted with Astaire — “He didn’t talk to many people, wherever he went” — but he remained a personal hero, as the rare balletic dancer who could “still be masculine. That was the trick. They had a lot of dancers from New York that they’d get rid of before a picture was finished, because they just had too much flame in them.”
According to Houghton, an ensemble dancer’s homosexuality was accepted as long as he could perform strapping masculinity on screen. If anyone camped it up too much, the dance director would make a note of it, and “they just wouldn’t come back the next day.” (In 1943, Warner Bros. produced a film of This Is the Army, the jingoistic stage show that had featured a cast of 300 soldiers, and had functioned as a sort of clandestine mecca for homosexuals in the armed forces. “They had signed all the soldiers and moved the show out to Hollywood,” Houghton said, “but they were too limp-wristed for the dance director, LeRoy Prinz.” Houghton was one of several Hollywood dancers Prinz called to appear in the foregrounds of shots. “He said, ‘Get some guys with balls in the front; let the butterflies fly in the back.’”)
This is the sort of talk you’d expect from someone who predates women’s suffrage, the Scopes trial, and bubble gum. I was reminded of John Jeremiah Sullivan’s remark, in his essay on the 92-year-old writer Andrew Lytle, that battling Lytle’s “racism, chauvinism, anti-Semitism, class snobbery, and what I can only describe as medieval nostalgia, seemed as absurd as debating these things with a caveman. Shut up and ask him what the cave art means.” But Houghton is no caveman. Although he clings to the lingo of a casually bigoted era, he was always a social progressive. It struck him as “ridiculous” when censors demanded that the navels in “Lullaby of Broadway” be covered with little flesh-toned patches, or when Paramount called him to reshoot an entire airplane sequence because the lady pilot had been wearing slacks. “It tells you how corny they were in those days,” he said. Houghton’s social circles were fluid: he went out for fried chicken with the Mills Brothers and invited gay dancer friends to his house parties. “They came with their boyfriends, and would flounce around,” he said fondly. “This is my friend, they’d say — not This is my boyfriend. We didn’t make it our business, we didn’t insult them. Many of them were so clever.”
The one marginalized group for which Houghton reserves bile is the Munchkins. “The Munchkins were bastards, hard to get along with,” he said. “You’d come in and a little Munchkin girl about this high would flirt, and [her husband] would see her flirting with me, and he’d get so goddamn mad and want to fight. I’d say, ‘Relax, relax.’” Houghton also recalled an incident wherein a Munchkin “slipped and fell in the toilet. The next morning they put a toitie in there — a trainer for little girls and boys. He got so goddamn mad he smashed that thing on the set. I was back there dying laughing.” (In her indispensible The Making of The Wizard of Oz, Aljean Harmetz confirms the toilet anecdote, but argues that a handful of rotten, lecherous Munchkins ruined the reputations of the rest; most, she says, were well-mannered professionals.)
Houghton only worked on Oz for 10 days, while production on another film was held up. “I’d be an Emerald City townsperson one day and Soldier of the West another day,” he said. “The body was there, and they’d just change uniforms. They didn’t want to get me too established in anything, because I had to go back to this other set.” That “other set” may have been Gone With the Wind, for which Houghton filmed at least two scenes: he waltzed in the charity bazaar where Rhett bids on a widowed Scarlett, and was one of the rowdy Southerners who hightailed it out of the Twelve Oaks barbecue when war was declared.
Houghton’s own feelings on war were more complicated — “To be a good soldier, you’ve got to be completely brainless,” he told me — so it came as a relief when he received a paternity deferment from World War II. (He had married in 1935, and his daughter, Terrie, was born in 1939.) For the duration of the war, Houghton marched on Burbank soundstages: in This Is the Army, Objective, Burma!, and Ernst Lubitsch’s To Be or Not to Be. For Lubitsch, Houghton played one of the Nazis escorting Jack Benny through occupied Warsaw; the scene was shot on the Goldwyn backlot, which had been covered with “cornflakes that were bleached” to simulate snow. One afternoon the tiny Goldwyn commissary was full, so Houghton and a handful of other extras went out for lunch on Hollywood Boulevard in their Nazi uniforms. “Soon a police car arrived and escorted us back to the studio as an ounce of prevention,” Houghton writes in Cast of Thousands. “The very next day Goldwyn began having our lunches catered.” After a few similar incidents, studios ordered that any actor in uniform “remove their jacket and carry it over their arm when outside the studio. This was done for the entire four-year period of the war.”
Actors also had to check in their guns with the prop department when production broke for lunch. “They were very conscious about that stuff,” said Houghton, recalling that Ronald Reagan once forgot to retrieve his gun after lunch and blamed the property man, whom he tried to have fired. “When he’s got to check in a hundred guys with guns, he’s gonna worry about one little jackass like Ronald Reagan, who was just a player?” asked an incredulous Houghton. “He never got anywhere. I think his monkey picture was the biggest thing he ever made.”
I considered pointing out that he’d become the leader of the free world, but it seemed irrelevant. The near-comic absence of historical context in Houghton’s anecdotes is what makes them so precious. Reagan was just a “little jackass” in the 1940s, and Garbo was merely “standoffish” in 1937, so that’s how Houghton leaves them — his encounters with stars haven’t ballooned into My Week with Marilyn–style myth. He was terse, for example, on the subject of Lucille Ball, who “was after my baby-white body” in the early 1930s, when they posed for a cruise ad. “I burst off and took her girlfriend,” he said. “She scared the hell out of me, with all that red hair and makeup. I was only 21. She was four, five years older — and tough. I was used to little quiet high school girls.” Later, Houghton briefly dated Judy Garland’s sister Virginia Gumm (“She’d have barbecues at her home,” he said, “but Judy never came down”) and flirted with Ava Gardner. In 1951, when the MGM backlot became fogbound during the filming of Show Boat, production halted and the cast spent a few hours around a piano, singing songs from the score. Houghton danced with Gardner, he said, “and we made a date for that night, but she got a cold from being out in the cold weather” and cancelled. “She was a gorgeous creature,” he added. “I read her book, and MGM was a bastard to her.”
The studios were bastards to everyone then. Houghton remembered Louis B. Mayer bursting onto one set, “almost crying,” asking a horde of extras to work till 10 p.m. without overtime. “He said, ‘I’ll put you on the preferred list; you’ll work on the best sets we have.’ Never did a thing for the extras.” In late 1942, Houghton spent a grueling eight hours doing a “staged waltz scene” in Alfred Hitchcock’s Shadow of a Doubt. (The footage, set to the “Merry Widow Waltz,” recurs throughout the film as a canary-like harbinger of doom.) The dance director rehearsed them for six hours, then Hitchcock “came over from shooting the actual picture,” and they filmed for an additional two hours under his supervision. “Nobody had eaten except Hitchcock,” who enjoyed “a fine steak dinner,” Houghton writes in Cast of Thousands. “The very next day the State Labor Board stepped in. Hitchcock’s studio was fined $10,000 and a newly modified code ordered that all industry workers be either released or fed every five and a half hours of work.”
“Unions did a lot for people in the business,” Houghton told me. When extras left the Screen Actors Guild to form their own union in 1945, he said, “I was vice president.” (The SAG-AFTRA historian Valerie Yaros confirmed in an email that Houghton joined the Screen Extras Guild on April 4, 1946, but said that their SEG records did not list him as a board member or officer. Houghton had misremembered, it seems.) Extra work remained scarce — according to Anthony Slide, 90 percent of SEG members were unemployed in January 1948 — but Houghton continued to appear in choice projects.He was a sulky roulette player in The Big Sleep (1946), a topless drummer in a headscarf and Genie cuffs in Night and Day (1946), and a French soldier in Joan of Arc (1948). The Fred Astaire–Judy Garland musical Easter Parade was one of many films in which Houghton played a nightclub patron. “They wanted you to laugh and talk and never say a word,” he said. “At the end of the day, they’d make a track of [the extras talking], so they could put it in as loud or as soft as they wanted.”
In the 1950s Houghton branched into television (he appeared in episodes of I Love Lucy, Dragnet, and The Adventures of Ozzie & Harriet), while still finding time to do crowd work in The Red Badge of Courage (1951), Julius Caesar (1953), and Jailhouse Rock (1957). “He was a strange guy,” Houghton said of Elvis Presley.
In our group we were all conscious of politics, and conscious of studio business, so we got pretty glib when the camera wasn’t rolling. And he came over like a little kid, and stood in the group, looking at us, as we were talking. He didn’t say a word. Then he got on that stage, and they turned the music on, and he was — to me — great.
Born George Shephard Houghton on June 4, 1914, in Salt Lake City, Utah, Shep is the youngest of two sons born to George Henry Houghton and Mabell Viola Shephard. Far from being born into show business, his father was an insurance company representative who moved his family to Hollywood for business reasons in 1927. As luck would have it, they rented a house on Bronson Avenue just two blocks from Paramount Studio's iron front gate, and not far from the Edwin Carreau studio. Picked off the street by an assistant producer, Shep's first work in the movie industry was in 1927 as a Mexican youngster in Carreau's production of Ramona, released in 1928. As a thirteen-year old he also worked in Emil Janning's The Last Command, and continued to work for director Josef von Sternberg in several subsequent pictures. He found movie work to his liking, and out of high school he worked through Central Casting for Mascot Productions, Universal Studios, Paramount Pictures, Fox Film Corporation, and Warner Brother's, where he became a favorite in the Busby Berkeley musicals as a dancer and chorus singer. In 1935 he married Jane Rosily Kellog, his high school sweetheart. Together they had one child, Terrie Lynn, born on September 22, 1939. They were divorced in October, 1945. In 1946 he married Geraldine Farnum, daughter of featured actor Franklin Farnum. They had also one child, Peter William, born August 19, 1947. He and Gerry were divorced in 1948.
Shep was a talent in television from its earliest days. He acted in many recurring roles, beginning with the Jack Benny Program in 1950. That show, and Shep's work in it, lasted until 1965. He worked on many programs through their entire runs, with the notable exception of the original Star Trek of 1966, in which he appeared in only the first three episodes. In addition to these productions, he worked on the I Love Lucy show from 1951 to 1957, and Wagon Train, Perry Mason, The Lucy-Desi Comedy Hour, Mr. Lucky, The Untouchables, and The Twilight Zone, all in the 1950s.
The 1960s brought him steady work in My Three Sons, The Andy Griffith Show, The Dick Van Dyke Show, The Loretta Young Show, both The Lucille Ball Show and the renewed Lucy-Desi Comedy Hour, Hogan's Heroes, Mannix, and Marcus Welby. In the 1970s he worked on The Mary Tyler Moore Show. Shep was a charter member of both SAG and SEG, and continued to work in both movies and television until his retirement in 1976. He and Mel Carter Houghton were married in 1975, and continue to live happily ever after. She lets him play golf very nearly every day.
Actor (314 credits)
1976 Silent Movie
Audience Member (uncredited)
1975-1976 Police Woman (TV Series)
Restaurant Patron / Maitre d' / Casino Patron
- Mother Love (1976) ... Restaurant Patron (uncredited)
- Generation of Evil (1976) ... Maitre d' (uncredited)
- The Company (1975) ... Casino Patron (uncredited)
1973-1976 Kojak (TV Series)
Detective / Doorman / Party Guest / ...
- Justice Deferred (1976) ... Doorman (uncredited)
- Marker to a Dead Bookie (1974) ... Detective (uncredited)
- Conspiracy of Fear (1973) ... Party Guest (uncredited)
- Requiem for a Cop (1973) ... Detective (uncredited)
- Knockover (1973) ... Hotel Guest (uncredited)
1976 Ellery Queen (TV Series)
Juror
- The Adventure of the Wary Witness (1976) ... Juror (uncredited)
1975 The Hindenburg
Radio Operator: Hand Close-ups (uncredited)
1974-1975 The Mary Tyler Moore Show (TV Series)
Mourner / Student
- Chuckles Bites the Dust (1975) ... Mourner (uncredited)
- Two Wrongs Don't Make a Writer (1974) ... Student (uncredited)
1973-1975 Columbo (TV Series)
Party Guest / Auction Guest / Chess Match Observer
- A Case of Immunity (1975) ... Party Guest (uncredited)
- Any Old Port in a Storm (1973) ... Auction Guest (uncredited)
- The Most Dangerous Match (1973) ... Chess Match Observer (uncredited)
1975 The Day of the Locust
Ball Guest (uncredited)
1974 The Godfather: Part II
Senate Hearing Spectator (uncredited)
1974 Three the Hard Way
Party Guest (uncredited)
1974 Barnaby Jones (TV Series)
Restaurant Patron
- Foul Play (1974) ... Restaurant Patron (uncredited)
1974 Hawkins (TV Series)
Juror
- Candidate for Murder (1974) ... Juror (uncredited)
1974 Banacek (TV Series)
Exhibit Guest
- The Vanishing Chalice (1974) ... Exhibit Guest (uncredited)
1973 Shaft (TV Series)
Bartender
- Hit-Run (1973) ... Bartender (uncredited)
1971-1973 Medical Center (TV Series)
Fashion Show Guest / Commuter at Airport
- Woman for Hire (1973) ... Fashion Show Guest (uncredited)
- Suspected (1971) ... Commuter at Airport (uncredited)
1973 Search (TV Series)
Party Guest
- Suffer My Child (1973) ... Party Guest (uncredited)
1973 Save the Tiger
Show Spectator (uncredited)
1971-1973 The Doris Day Show (TV Series)
Restaurant Patron
- A Small Cure for Big Alimony (1973) ... Restaurant Patron (uncredited)
- The Wings of an Angel (1971) ... Restaurant Patron (uncredited)
1972 The Woman I Love (TV Movie)
Party Guest (uncredited)
1963-1972 Bonanza (TV Series)
Townsman / District Attorney / Wedding Guest
- A Visit to Upright (1972) ... Townsman (uncredited)
- A Girl Named George (1968) ... District Attorney (uncredited)
- Justice Deferred (1967) ... Townsman (uncredited)
- The Colonel (1963) ... Wedding Guest (uncredited)
1972 The Brady Bunch (TV Series)
Courtroom Spectator
- The Fender Benders (1972) ... Courtroom Spectator (uncredited)
1972 What's Up, Doc?
Musicologist (uncredited)
1969-1972 Mod Squad (TV Series)
Ceremony Guest / Plane Passenger / Reporter
- Big George (1972) ... Ceremony Guest (uncredited)
- Is That Justice? No, It's the Law (1971) ... Plane Passenger (uncredited)
- Keep the Faith, Baby (1969) ... Reporter (uncredited)
1963-1972 Gunsmoke (TV Series)
Townsman
- Blind Man's Buff (1972) ... Townsman (uncredited)
- Tara (1972) ... Townsman (uncredited)
- Daddy Went Away (1963) ... Townsman (uncredited)
1972 Ironside (TV Series)
Board Member
- Achilles' Heel (1972) ... Board Member (uncredited)
1964-1972 My Three Sons (TV Series)
Club Patron / Wedding Guest / Restaurant Patron / ...
- Buttons and Beaux (1972) ... Club Patron (uncredited)
- Wedding Bells (1967) ... Wedding Guest (uncredited)
- Forget Me Not (1966) ... Restaurant Patron (uncredited)
- Stag at Bay (1966) ... Party Guest (uncredited)
- Caribbean Cruise (1964) ... Passenger (uncredited)
1972 Alias Smith and Jones (TV Series)
Casino Patron
- The Men That Corrupted Hadleyburg (1972) ... Casino Patron (uncredited)
1972 The Smith Family (TV Series)
Detective
- Where There's Smoke (1972) ... Detective (uncredited)
1971 Mongo's Back in Town (TV Movie)
Photographer (uncredited)
1971 What's the Matter with Helen?
Deacon (uncredited)
1971 Escape from the Planet of the Apes
Bystander (uncredited)
1971 Here's Lucy (TV Series)
Courtroom Spectator
- Lucy and the Raffle (1971) ... Courtroom Spectator (uncredited)
1971 The Bold Ones: The Senator (TV Series)
Man in Senate Meeting Room
- Some Day, They'll Elect a President (1971) ... Man in Senate Meeting Room (uncredited)
1970 Alex in Wonderland
Theatre Patron (uncredited)
1970 The Old Man Who Cried Wolf (TV Movie)
Party Guest (uncredited)
1969-1970 Mayberry R.F.D. (TV Series)
Townsman / Ball Attendee / Club Member
- Aloha, Goober (1970) ... Townsman (uncredited)
- Sister Cities (1969) ... Ball Attendee (uncredited)
- New Couple in Town (1969) ... Club Member (uncredited)
1966-1970 Mission: Impossible (TV Series)
Soldier / Stan / Party Guest / ...
- The Crane (1970) ... Soldier (uncredited)
- Phantoms (1970) ... Stan (uncredited)
- Nicole (1969) ... Party Guest (uncredited)
- The System (1969) ... Casino Patron (uncredited)
- Fakeout (1966) ... Restaurant Patron (uncredited)
1970 McCloud (TV Series)
Detective
- Portrait of a Dead Girl (1970) ... Detective (uncredited)
1970 That Girl (TV Series)
Audience Member
- Tenpercent of Nothing Is Nothing (1970) ... Audience Member (uncredited)
1969 The Computer Wore Tennis Shoes
Casino Patron (uncredited)
1969 Topaz
Restaurant Patron (uncredited)
1969 Hello, Dolly!
Dancer / Singer (uncredited)
1969 Change of Habit
Pedestrian (uncredited)
1969 The Love God?
Wedding Guest (uncredited)
1968-1969 Mannix (TV Series)
Pilot / Courtroom Spectator
- A Pittance of Faith (1969) ... Pilot (uncredited)
- Fear I to Fall (1968) ... Courtroom Spectator (uncredited)
1966-1969 Get Smart (TV Series)
Theatre Patron / Official / Hotel Guest / ...
- Hurray for Hollywood (1969) ... Theatre Patron (uncredited)
- Run, Robot, Run (1968) ... Official (uncredited)
- A Man Called Smart: Part 1 (1967) ... Hotel Guest (uncredited)
- Smart the Assassin (1966) ... Club Patron (uncredited)
1968 The Horse in the Gray Flannel Suit
Show Spectator (uncredited)
1968 It Takes a Thief (TV Series)
Gambler / Guest / Museum Patron
- The Galloping Skin Game (1968) ... Gambler (uncredited)
- A Sour Note (1968) ... Guest (uncredited)
- Locked in the Cradle of the Keep (1968) ... Museum Patron (uncredited)
1968 Hellfighters
Restaurant Patron (uncredited)
1968 Dragnet 1967 (TV Series)
Reporter
- Public Affairs: DR-12 (1968) ... Reporter (uncredited)
1968 The Boston Strangler
Detective (uncredited)
1968 The Big Valley (TV Series)
Townsman
- The Challenge (1968) ... Townsman (uncredited)
1968 Star Trek: The Original Series (TV Series)
Cameraman
- Bread and Circuses (1968) ... Cameraman (uncredited)
1963-1968 The Virginian (TV Series)
Barfly / Bartender / Juror / ...
- The Decision (1968) ... Barfly (uncredited)
- Chaff in the Wind (1966) ... Barfly (uncredited)
- Day of the Scorpion (1965) ... Bartender (uncredited)
- Two Men Named Laredo (1965) ... Juror (uncredited)
- The Golden Door (1963) ... Attorney (uncredited)
1966-1968 Batman (TV Series)
Restaurant Patron / Dr. Denton / Bank Customer / ...
- I'll Be a Mummy's Uncle (1968) ... Dr. Denton (uncredited)
- Black Widow Strikes Again (1967) ... Bank Customer (uncredited)
- The Bird's Last Jest (1966) ... Restaurant Patron (uncredited)
- The Penguin's Nest (1966) ... Restaurant Patron (uncredited)
- When the Rat's Away the Mice Will Play (1966) ... Police Officer (uncredited)
1966-1967 The Wild Wild West (TV Series)
Soldier / Party Guest
- The Night of the Arrow (1967) ... Soldier (uncredited)
- The Night of the Grand Emir (1966) ... Party Guest (uncredited)
1967 The Monkees (TV Series)
Casino Patron
- Monkees on the Wheel (1967) ... Casino Patron (uncredited)
1967 Cimarron Strip (TV Series)
Bank Customer
- The Legend of Jud Starr (1967) ... Bank Customer (uncredited)
1967 The Invaders (TV Series)
Mission Control Officer / Executive
- Condition: Red (1967) ... Mission Control Officer (uncredited)
- Beachhead (1967) ... Executive (uncredited)
1963-1967 The Fugitive (TV Series)
Detective / Interne / Reporter
- The Judgment: Part I (1967) ... Detective (uncredited)
- Nobody Loses All the Time (1966) ... Interne (uncredited)
- Decision in the Ring (1963) ... Reporter (uncredited)
1967 The Reluctant Astronaut
Engineer (uncredited)
1967 Thoroughly Modern Millie
Party Guest (uncredited)
1966 Laredo (TV Series)
Party Guest
- A Prince of a Ranger (1966) ... Party Guest (uncredited)
1966 I Spy (TV Series)
Detective
- Lisa (1966) ... Detective (uncredited)
1962-1966 The Lucy Show (TV Series)
Party Guest / Chemistry Student
- Lucy and Carol in Palm Springs (1966) ... Party Guest (uncredited)
- Lucy and Viv Take Up Chemistry (1963) ... Chemistry Student (uncredited)
- Chris's New Year's Eve Party (1962) ... Party Guest (uncredited)
1966 Not with My Wife, You Don't!
Pilot (uncredited)
1964-1966 The Man from U.N.C.L.E. (TV Series)
Conference Guest / Thrush Agent / Mr. Donaldson
- The Thor Affair (1966) ... Conference Guest (uncredited)
- The Ultimate Computer Affair (1965) ... Thrush Agent (uncredited)
- The Vulcan Affair (1964) ... Mr. Donaldson (uncredited)
1966 Way... Way Out
Ceremony Guest (uncredited)
1960-1966 Perry Mason (TV Series)
Courtroom Spectator / Attorney / Clerk / ...
- The Case of the Dead Ringer (1966) ... Attorney (uncredited)
- The Case of the Capering Camera (1964) ... Clerk (uncredited)
- The Case of the Velvet Claws (1963) ... Roadhouse Patron (uncredited)
- The Case of the Prankish Professor (1963) ... Stenographer (uncredited)
- The Case of the Stand-In Sister (1962) ... Senator Leaving Sub-Committee Hearing (uncredited)
Show all 10 episodes
1966 Death Valley Days (TV Series)
Fight Spectator
- The Fight San Francisco Never Forgot (1966) ... Fight Spectator (uncredited)
1966 Our Man Flint
Restaurant Patron (uncredited)
1965 Do Not Disturb
Hotel Guest (uncredited)
1965 Inside Daisy Clover
Intern (uncredited)
1958-1965 The Adventures of Ozzie and Harriet (TV Series)
Party Guest / Maynard / Charlie / ...
- Secret Passage (1965) ... Party Guest (uncredited)
- Backyard Pet Show (1962) ... Maynard
- Dancing Lessons (1961) ... Charlie
- Uninvited Guests (1960) ... Party Guest (uncredited)
- The Bachelor (1958) ... Wedding Guest (uncredited)
1965/I Harlow
Announcer (uncredited)
1959-1965 Wagon Train (TV Series)
Townsman / Party Guest
- The Silver Lady (1965) ... Townsman (uncredited)
- The Steele Family Story (1959) ... Party Guest (uncredited)
1964-1965 The Rogues (TV Series)
Party Guest / Hotel Guest / Police Office
- The Diamond-Studded Pie (1965) ... Hotel Guest (uncredited)
- Gambit by the Golden Gate (1965) ... Party Guest (uncredited)
- Hugger-Mugger, by the Sea (1964) ... Party Guest (uncredited)
- Take Me in Paris (1964) ... Police Office (uncredited)
1964 Espionage Target: You (Short)
Agent (uncredited)
1964 Valentine's Day (TV Series)
Man Smoking Cigarette
- The Seasick Sailor (1964) ... Man Smoking Cigarette (uncredited)
1964 Kitten with a Whip
Minor Role (uncredited)
1964 Youngblood Hawke
Restaurant Patron (uncredited)
1964 Send Me No Flowers
Sam Scheffing (uncredited)
1964 Kisses for My President
Crew Member (uncredited)
1964 The Best Man
Reporter (uncredited)
1964 A Tiger Walks
Reporter (uncredited)
1964 Burke's Law (TV Series)
Party Guest / Detective / Police Officer
- Who Killed Avery Lord? (1964) ... Detective (uncredited)
- Who Killed Carrie Cornell? (1964) ... Party Guest (uncredited)
- Who Killed April? (1964) ... Police Officer (uncredited)
- Who Killed Snooky Martinelli? (1964) ... Party Guest (uncredited)
1964 Kraft Suspense Theatre (TV Series)
Courtroom Spectator
- My Enemy, This Town (1964) ... Courtroom Spectator (uncredited)
1962-1964 The Andy Griffith Show (TV Series)
Townsman / Treasury Agent / Townsman at Social
- My Fair Ernest T. Bass (1964) ... Townsman (uncredited)
- A Black Day for Mayberry (1963) ... Treasury Agent (uncredited)
- The Jinx (1962) ... Townsman at Social (uncredited)
1964 Man's Favorite Sport?
Fisherman (uncredited)
1963 Captain Newman, M.D.
Officer at Christmas Party (uncredited)
1963 Palm Springs Weekend
Maitre d' (uncredited)
1963 The Thrill of It All
Party Guest (uncredited)
1963 Dr. Kildare (TV Series)
Bar Patron
- Tightrope Into Nowhere (1963) ... Bar Patron (uncredited)
1963 The Ugly American
Reporter (uncredited)
1959-1963 The Untouchables (TV Series)
Club Patron / Waiter / Gambling House Patron / ...
- The Butcher's Boy (1963) ... Waiter (uncredited)
- Blues for a Gone Goose (1963) ... Gambling House Patron (uncredited)
- Downfall (1962) ... Club Patron (uncredited)
- Man in the Middle (1962) ... Casino Patron (uncredited)
- The Nick Acropolis Story (1961) ... Accountant (uncredited)
Show all 10 episodes
1963 The Courtship of Eddie's Father
Nightclub Patron (uncredited)
1963 Critic's Choice
Audience Member (uncredited)
1963 Sam Benedict (TV Series)
Restaurant Patron
- Run Softly, Oh Softly (1963) ... Restaurant Patron (uncredited)
1962 Billy Rose's Jumbo
Elephant Rider (uncredited)
1961-1962 The Dick Van Dyke Show (TV Series)
Club Patron / Theatre Patron / Party Guest
- The Secret Life of Buddy and Sally (1962) ... Club Patron (uncredited)
- Forty-Four Tickets (1961) ... Theatre Patron (uncredited)
- To Tell or Not to Tell (1961) ... Party Guest (uncredited)
1962 The Magical World of Disney (TV Series)
Party Guest
- Sammy, the Way-Out Seal: Part 1 (1962) ... Party Guest (uncredited)
1962 Going My Way (TV Series)
Clerk
- The Father (1962) ... Clerk (uncredited)
1962 Stoney Burke (TV Series)
Committee Member
- Child of Luxury (1962) ... Committee Member (uncredited)
1962 The Spiral Road
Club Patron (uncredited)
1962 The Joey Bishop Show (TV Series)
Party Guest / Club Patron
- Once a Bachelor (1962) ... Party Guest (uncredited)
- Double Exposure (1962) ... Club Patron (uncredited)
1962 Target: The Corruptors! (TV Series)
Attorney
- The Malignant Hearts (1962) ... Attorney (uncredited)
1962 Maverick (TV Series)
Casino Patron
- The Maverick Report (1962) ... Casino Patron (uncredited)
1961 Lover Come Back
Nightclub Patron (uncredited)
1961 Judgment at Nuremberg
Courtroom Spectator (uncredited)
1961 Flower Drum Song
Club Patron (uncredited)
1961 Back Street
Man at Airport (uncredited)
1961 King of the Roaring 20's: The Story of Arnold Rothstein
Restaurant Patron (uncredited)
1960-1961 Thriller (TV Series)
Club Patron / Nightclub Patron / Audience Member
- Yours Truly, Jack the Ripper (1961) ... Club Patron (uncredited)
- Papa Benjamin (1961) ... Nightclub Patron (uncredited)
- The Prediction (1960) ... Audience Member (uncredited)
1960 The Great Impostor
Board Member (uncredited)
1960 The Donna Reed Show (TV Series)
Reunion Guest
- Donna Goes to a Reunion (1960) ... Reunion Guest (uncredited)
1960 The Deputy (TV Series)
Gunman
- Passage to New Orleans (1960) ... Gunman (uncredited)
1960 Spartacus
Slave (uncredited)
1960 Alfred Hitchcock Presents (TV Series)
Restaurant Patron
- The Doubtful Doctor (1960) ... Restaurant Patron (uncredited)
1960 The Crowded Sky
Clerk (uncredited)
1960 Inherit the Wind
Townsman (uncredited)
1959-1960 Johnny Staccato (TV Series)
Club Patron / Passenger
- Swinging Long Hair (1960) ... Club Patron (uncredited)
- Collector's Item (1959) ... Club Patron (uncredited)
- Fly Baby, Fly (1959) ... Passenger (uncredited)
1960 Seven Thieves
Casino Patron (uncredited)
1960 Mr. Lucky (TV Series)
Party Guest / Casino Patron
- The Tax Man (1960) ... Party Guest (uncredited)
- The Sour Milk Fund (1960) ... Casino Patron (uncredited)
1960 Bat Masterson (TV Series)
Stockbroker
- Flume to the Mother Lode (1960) ... Stockbroker (uncredited)
1959 Bourbon Street Beat (TV Series)
Reporter
- Invitation to a Murder (1959) ... Reporter (uncredited)
1959 The Jack Benny Program (TV Series)
Club Patron
- The Jimmy Stewart Show (1959) ... Club Patron (uncredited)
1959 Riverboat (TV Series)
Barfly
- A Race to Cincinnati (1959) ... Barfly (uncredited)
1958-1959 Mike Hammer (TV Series)
Detective / Cafe Patron
- Bride and Doom (1959) ... Detective (uncredited)
- Play Belles' Toll (1958) ... Cafe Patron (uncredited)
1957-1959 The Californians (TV Series)
Vigilante / Club Patron / Townsman / ...
- The Bell Tolls (1959) ... Vigilante (uncredited)
- The Man Who Owned San Francisco (1958) ... Club Patron (uncredited)
- The Salted Gold Mine (1958) ... Club Patron (uncredited)
- Dishonor for Matt Wayne (1958) ... Townsman (uncredited)
- The Duel (1958) ... Amos Barkley (uncredited)
Show all 7 episodes
1958-1959 Yancy Derringer (TV Series)
Club Patron
- A State of Crisis (1959) ... Club Patron (uncredited)
- The Fair Freebooter (1959) ... Club Patron (uncredited)
- Marble Fingers (1958) ... Club Patron (uncredited)
1959 Playhouse 90 (TV Series)
Courtroom Spectator
- Judgment at Nuremberg (1959) ... Courtroom Spectator (uncredited)
1959 Al Capone
Policeman (uncredited)
1959 Some Like It Hot
Speakeasy Patron (uncredited)
1959 Imitation of Life
Bit Part (uncredited)
1959 I Mobster
Syndicate Member (uncredited)
1958 The Lost Missile
Reporter (uncredited)
1958 The Last Hurrah
Man at Campaign HQ (uncredited)
1958 Steve Canyon (TV Series)
Pilot
- Operation Towline (1958) ... Pilot (uncredited)
1958 State Trooper (TV Series)
Hotel Guest
- Kitchen Kill (1958) ... Hotel Guest (uncredited)
1958 Alcoa Theatre (TV Series)
Actor in Production
- Most Likely to Succeed (1958) ... Actor in Production (uncredited)
1957 Don't Go Near the Water
Party Guest (uncredited)
1956-1957 Dragnet (TV Series)
- The Big License Plates (1957)
- The Big Cat (1956)
1957 Jailhouse Rock
Nightclub Patron (uncredited)
1957 My Man Godfrey
Party Guest (uncredited)
1957 The Devil's Hairpin
Restaurant Patron (uncredited)
1957 Will Success Spoil Rock Hunter?
Policeman (uncredited)
1957 Man on Fire
Party Guest (uncredited)
1957 The Monster That Challenged the World
Helicopter Crewman (uncredited)
1957 The Garment Jungle
Union Member (uncredited)
1957 Designing Woman
Dinner Guest (uncredited)
1957 Man Afraid
Bit Role (uncredited)
1957 Ten Thousand Bedrooms
Party Guest (uncredited)
1957 The Wings of Eagles
Party Guest (uncredited)
1956 Hot Shots
Party Guest (uncredited)
1956 The Rack
Judge (uncredited)
1956 Death of a Scoundrel
Party Guest (uncredited)
1956 Around the World in 80 Days
Specialty Dancer (uncredited)
1956 Four Star Playhouse (TV Series)
Reporter
- The Stand-In (1956) ... Reporter (uncredited)
1956 High Society
Party Guest (uncredited)
1956 Crashing Las Vegas
Audience Member (uncredited)
1956 The Swan
Ball Attendee (uncredited)
1955 I Died a Thousand Times
Hotel Guest (uncredited)
1955 Sincerely Yours
Nightclub Patron (uncredited)
1955 Trial
Clerk (uncredited)
1955 It's Always Fair Weather
Technician (uncredited)
1955 So You Want a Model Railroad (Short)
Customer (uncredited)
1955 Not as a Stranger
Medical Student (uncredited)
1955 Ain't Misbehavin'
Party Guest (uncredited)
1955 So You Want to Be on a Jury (Short)
Office Worker (uncredited)
1955 Cult of the Cobra
Party Guest (uncredited)
1955 Jupiter's Darling
Soldier (uncredited)
1954 Phffft
Nightclub Patron (uncredited)
1954 Public Defender (TV Series)
Policeman / Actor
- Crashout (1954) ... Policeman (uncredited)
- Lisa (1954) ... Actor (uncredited)
1954 The George Burns and Gracie Allen Show (TV Series)
Wedding Guest
- Gracie Gives Wedding in Payment of a Favor (1954) ... Wedding Guest (uncredited)
1954 Woman's World
Restaurant Patron (uncredited)
1954 Brigadoon
New York Club Patron (uncredited)
1954 Playgirl
Nightclub Patron (uncredited)
1953 Forever Female
Diner at Sardi's (uncredited)
1953 Easy to Love
Nightclub Patron (uncredited)
1953 The Robe
Soldier (uncredited)
1953 Latin Lovers
Engagement Party Guest (uncredited)
1953 Francis Covers the Big Town
Courtroom Spectator (uncredited)
1953 Julius Caesar
Soldier (uncredited)
1953 The Sun Shines Bright
Party Guest at Ball (uncredited)
1953 The Clown
Convention Dinner Guest (uncredited)
1953 So You Want to Be a Musician (Short)
Ticket Clerk (uncredited)
1952 April in Paris
Theatre Patron (uncredited)
1952 Invasion, U.S.A.
Military Attache (uncredited)
1952 Something for the Birds
Senate Hearing Spectator (uncredited)
1952 Androcles and the Lion
Gladiator (uncredited)
1952 Aaron Slick from Punkin Crick
College Inn Patron (uncredited)
1952 The Belle of New York
Police Officer (uncredited)
1951 My Favorite Spy
Club Patron (uncredited)
1951 Starlift
Soldier (uncredited)
1951 The Stooge
Club Patron (uncredited)
1951 The Red Badge of Courage
Union Soldier (uncredited)
1951 The Strip
Club Patron (uncredited)
1951 Darling, How Could You!
Ship Passenger (uncredited)
1951 Show Boat
Specialty Dancer (uncredited)
1951 He Ran All the Way
Pedestrian (uncredited)
1951 The Last Outpost
Party Guest (uncredited)
1951 Lullaby of Broadway
Theatre Patron (uncredited)
1950 Duchess of Idaho
Dance Contestant (uncredited)
1950 Annie Get Your Gun
Party Guest (uncredited)
1950 Lucky Losers
Investor (uncredited)
1950 Please Believe Me
Waiter (uncredited)
1950 The Daughter of Rosie O'Grady
Audience Member (uncredited)
1950 Buccaneer's Girl
Barfly (uncredited)
1950 Copper Canyon
Specialty Dancer (uncredited)
1949 Easy Living
Party Guest (uncredited)
1949 Mighty Joe Young
Nightclub Patron (uncredited)
1949 The Lady Gambles
Casino Patron (uncredited)
1949 My Dream Is Yours
Party Guest (uncredited)
1949 Tulsa
Party Guest (uncredited)
1949 Outpost in Morocco
Nightclub Patron (uncredited)
1949 Bad Boy
Hotel Guest (uncredited)
1949 Tarzan's Magic Fountain
Villager (uncredited)
1948 Enchantment
Party Guest (uncredited)
1948 Joan of Arc
French Soldier (uncredited)
1948 Luxury Liner
Ship Passenger (uncredited)
1948 Moonrise
Townsman (uncredited)
1948 The Golden Eye
Dude Ranch Guest (uncredited)
1948 The Walls of Jericho
Party Guest (uncredited)
1948 Tap Roots
Orderly (uncredited)
1948 Easter Parade
Restaurant Patron (uncredited)
1948 Lulu Belle
Club Patron (uncredited)
1948 So You Want to Be a Gambler (Short)
Bar Patron (uncredited)
1947 Gentleman's Agreement
Nightclub Patron (uncredited)
1947 Lured
Club Patron (uncredited)
1947 The Perils of Pauline
Song-and-Dance Man (uncredited)
1946 The Time, the Place and the Girl
Bamboo Club Patron (uncredited)
1946 The Big Sleep
Casino Patron (uncredited)
1946 Black Angel
Specialty Dancer (uncredited)
1946 Night and Day
Dancer / Singer (uncredited)
1945 Mildred Pierce
Party Guest (uncredited)
1945 Rhapsody in Blue
Chorus Boy / Blue Monday Dancer (uncredited)
1945 Objective, Burma!
Paratrooper (uncredited)
1944 Hollywood Canteen
Doorman (uncredited)
1944 The Conspirators
Casino Patron (uncredited)
1944 Shine on Harvest Moon
Specialty Dancer (uncredited)
1944 Lady in the Dark
Specialty Dancer (uncredited)
1943 This Is the Army
Soldier (uncredited)
1943 Yanks Ahoy
Soldier (uncredited)
1943 The Leopard Man
Nightclub Patron (uncredited)
1943 Shadow of a Doubt
Ballroom Dancer (uncredited)
1942 The McGuerins from Brooklyn
Paradise Springs Guest (uncredited)
1942 For Me and My Gal
Dancer / Soldier (uncredited)
1942 Orchestra Wives
Nightclub Patron (uncredited)
1942 Secret Enemies
Grover Classman (uncredited)
1942 About Face (Short)
Soldier (uncredited)
1942 To Be or Not to Be
German Soldier (uncredited)
1942 Ride 'Em Cowboy
Rodeo Spectator (uncredited)
1941 Railroadin' (Short)
Train Passenger (uncredited)
1941 Louisiana Purchase
Singer / Dancer (uncredited)
1941 Look Who's Laughing
Party Guest (uncredited)
1941 The Gay Falcon
Party Guest (uncredited)
1941 Father Takes a Wife
Party Guest (uncredited)
1941 Moon Over Miami
Nightclub Patron (uncredited)
1941 Time Out for Rhythm
Club Patron (uncredited)
1941 In the Navy
Officer Dancer (uncredited)
1941 Ziegfeld Girl
Chorus Boy (uncredited)
1941 The Great Lie
Club Patron (uncredited)
1941 Nice Girl?
Celebration Guest (uncredited)
1941 Back Street
Ship's Officer (uncredited)
1940 Little Nellie Kelly
Party Guest (uncredited)
1940 Third Finger, Left Hand
Lunch Counter Patron (uncredited)
1940 Too Many Girls
Chorus Boy (uncredited)
1940 Boom Town
Saloon Brawler (uncredited)
1940 The Return of Frank James
Courtroom Spectator (uncredited)
1940 Road to Singapore
Party Guest (uncredited)
1940 Broadway Melody of 1940
Specialty Dancer (uncredited)
1939 Gone with the Wind
Southern Dandy (uncredited)
1939 The Roaring Twenties
Nightclub Patron (uncredited)
1939 The Housekeeper's Daughter
Pedestrian (uncredited)
1939 At the Circus
Circus Patron (uncredited)
1939 The Wizard of Oz
Ozmite / Winkie Guard (uncredited)
1939 Naughty But Nice
Nightclub Patron (uncredited)
1938 The Dawn Patrol
Young Recruit (uncredited)
1938 If I Were King
Burgundian Knight (uncredited)
1938 Mr. Chump
Inn Patron (uncredited)
1938 The Crowd Roars
Boxing Spectator (uncredited)
1938 The Girl of the Golden West
Dancer (uncredited)
1938 The Big Broadcast of 1938
Bar Patron (uncredited)
1938 The Goldwyn Follies
Party Guest (uncredited)
1937 Rosalie
Dancer (uncredited)
1937 Conquest
Palace Guard (uncredited)
1937 Broadway Melody of 1938
Dancer (uncredited)
1937 Topper
Waiter (uncredited)
1936 Born to Dance
Dancer (uncredited)
1936 The Charge of the Light Brigade
Soldier (uncredited)
1936 Libeled Lady
Club Patron (uncredited)
1936 Cain and Mabel
Dancer (uncredited)
1936 Mary of Scotland
Soldier (uncredited)
1936 The Great Ziegfeld
Dancer (uncredited)
1935 In Person
Chorus Boy (uncredited)
1935 A Midsummer Night's Dream
Dancer (uncredited)
1935 Broadway Melody of 1936
Specialty Dancer (uncredited)
1935 Dante's Inferno
Dancer (uncredited)
1935 Gold Diggers of 1935
Specialty Dancer (uncredited)
1934 Flirtation Walk
Cadet (uncredited)
1934 The Gay Divorcee
Dancer (uncredited)
1934 Cleopatra
Roman Soldier (uncredited)
1934 Desirable
Party Guest (uncredited)
1934 Murder at the Vanities
Chorus Boy (uncredited)
1934 George White's Scandals
Specialty Dancer (uncredited)
1934 Coming Out Party
Dancer (uncredited)
1934 Wonder Bar
Chorus Boy (uncredited)
1933 Flying Down to Rio
Dancer (uncredited)
1933 College Humor
Student (uncredited)
1933 42nd Street
Chorus Boy (uncredited)
1931 Under Eighteen
Penthouse Party Guest (uncredited)
1928 Ramona
Mexican Boy (uncredited)
1928 The Last Command
Russian Youth (uncredited)
1927 Underworld
Street Kid (uncredited)
Stunts (7 credits)
1969 Hello, Dolly! (stunts - uncredited)
1955 Cult of the Cobra (stunts - uncredited)
1950 King Solomon's Mines (stunt double: Richard Carlson - uncredited)
1948 Joan of Arc (stunts - uncredited)
1944 Lady in the Dark (stunts - uncredited)
1943 This Is the Army (stunts - uncredited)
1940 Boom Town (stunts - uncredited)
Additional Crew (4 credits)
1973 Cleopatra Jones (voice - uncredited)
1969 Smith! (stand-in - uncredited)
1937 Bulldog Drummond Escapes (stand-in: Ray Milland - uncredited)
1936 The Return of Sophie Lang (stand-in: Ray Milland - uncredited)
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