Gene Reynolds Dies: ‘M*A*S*H’ Co-Creator, TV Director-Producer & Ex-DGA President Was 96
He was not on the list.
Gene Reynolds, a former child actor who went on to co-create
M*A*S*H and Lou Grant and direct and/or produced multiple other series and was
a two-term DGA president, died Monday at Providence St. Joseph Medical Center
in Burbank. He was 96.
Reynolds won six Emmys — from more than two dozen
nominations — three DGA Awards and a WGA Award during a six-decade showbiz
career that began as a preteen actor. He would continue with onscreen roles
through the 1950s before segueing to producing and directing.
He got his start behind the camera writing the 1958-61 NBC
Western Tales of Wells Fargo and soon began directing episodes of such enduring
TV series as Leave It to Beaver, Alfred Hitchcock Presents, The Andy Griffith
Show — co-starring a young Ron Howard — Father of the Bride, The Munsters and
more than 70- half-hours of the long-running Fred MacMurray sitcom My Three
Sons.
“In directing, I’m always looking for the little humane
touch — something that is real,” Reynolds said in a 2000 interview with the TV
Academy Foundation. “It could be very, very small. It could be a hand on the
shoulder. It could be just an extra lingering look on somebody you care about
and so forth, for just a fraction. It could be a reaction from somebody. … I’m
looking for humanity, really. And that goes with comedy or drama.”
DGA president Thomas Schlamme said today: “Gene’s influence
on the modern Directors Guild of America was significant and lasting, … He was
passionate about this Guild, spirited in his beliefs and dedicated until the
end.”
Reynolds would continue to direct for TV throughout the
1960s, helming and/or producing such shows as Hogan’s Heroes, F Troop, The
Ghost and Mrs. Muir and Room 222 before he and Larry Gelbart co-created one of
the most honored, popular and enduring series in television history.
Alan Alda and Reynolds on the set of ‘M*A*S*H. Barry
Thumma/AP/Shutterstock
Reynolds hired Gelbart to write the pilot for M*A*S*H, which
was based on the 1970 Robert Altman movie — sans asterisks — and debuted on CBS
in September 1972. Starring Alan Alda, Wayne Rogers, Loretta Swit and McLean
Stevenson, the Korean War-set dramedy was not an immediate hit, failing to make
the top 25 among primetime programs that season. But its fortunes soon changed,
and M*A*S*H would go on to be a top 10 program for each of its final 10
seasons.
Watch him talk about casting Alan Alda in M*A*S*H as Capt.
Benjamin Franklin “Hawkeye” Pierce and more in a clip from his 2000 sit-down
with TV Academy Foundation below.
“[Reynolds] was a staff producer at 20th Century Fox
Television when M*A*S*H started, so Gene’s contributions didn’t always get the
credit he deserves,” Dan Harrison, EVP Program Planning & Content Strategy
at Fox, told Deadline. “He believed that if an episode of TV worked well, it
left an ‘after-taste’ that stayed with the viewer long after. He was a talented
broadcaster, a great director and producer, and a wonderful storyteller.”
The 2.5-hour M*A*S*H series finale in February 1983 remains
the most-watched episode of series television in history, with more than 105
million viewers and a still-stunning 60.2 rating/77 share. “We just passed a
Super Bowl,” Harrison said, “but nothing will touch the M*A*S*H finale rating.”
Reynolds also wrote about two dozen M*A*S*H episodes during
its first five years but left the show in 1977.
That was the year he co-created the Mary Tyler Moore spinoff
Lou Grant, starring Ed Asner as the crusty, irascible but for-the-people
newspaper editor in Los Angeles, reprising his character from the earlier
Minneapolis set series. The show won back-to-back Emmys for Outstanding Drama
Series in 1979-80 and was nominated the following two seasons.
The show was not a ratings hit on Tuesdays its first season,
and CBS moved Lou Grant to 10 p.m. Mondays in fall 1978 as East Coast Monday
Night Football counterprogramming. Airing a half-hour of M*A*S*H, the L.A.-set
series did better on the West Coast never finish a season in the 25 during its
five-year run.
After Lou Grant wrapped in 1982, Reynolds focused mainly on
directing for television. He continued
to rack up helming credits on such series as In the Heat of the Night, Promised
Land and Touched by an Angel into the late 1990s.
Born Eugene Reynolds Blumenthal on April 4, 1923, in
Cleveland, Reynolds began acting in movies by age 11. He worked fairly steadily
in front of the camera before quitting acting at the dawn of the 1960s, having
racked up scores of credits.
Among Reynolds’ most notable other TV producing credits was
Room 222, another socially conscious dramedy that aired from 1969-74 on ABC. It
starred Lloyd Haynes as Pete Dixon, a beloved — and, notably, black — high
school teacher who cared deeply about his students. Filmed in part at Los
Angeles High School, it tackled such then-current-and-still-topical subjects as
race and drugs and won the 1970 Emmy for Outstanding New Series for Reynolds.
It also was nominated for Outstanding Comedy Series that year.
He later was an executive producer on the 1990-91 first
season of NBC’s Blossom, starring future Big Bang Theory regular Mayim Bialik.
Reynolds joined the DGA in 1959. He held several positions
on the National Board, including two terms as DGA president from 1993-97.
During his presidency, he conceived the idea of the DGA Student Film Awards –
an annual competition recognizing outstanding women and minority students at
film schools across the nation – and was chair of the Student Film Awards Committee
since its inception.
He also served on the DGA’s Western Directors Council for
more than two decades, and held several offices on the Directors Guild
Foundation Board of Trustees, chaired of the 1993 Negotiating Committee and
served on several other negotiating committees as well.
He received the DGA’s Robert B. Aldrich Achievement Award in
1993 for his extraordinary service to the guild and its members.
Reynolds is survived by his wife, Ann Reynolds, and son
Andrew Reynolds.
Filmography
Source:[5]
Year Title Role Notes
1934 Babes in
Toyland Boy Uncredited
1935 Transient
Lady Young boy Uncredited
The Calling of Dan Matthews Tommy's
friend Uncredited
1936 Too Many
Parents Cadet Uncredited
Sins of Man Karl
Freyman as a boy
Thank You, Jeeves! Bobby
Smith
1937 Captains
Courageous Boy in print shop Uncredited
The Californian Ramon
as a child
Madame X Raymond
Fleuriot (age 12–14) Uncredited
Heidi Minor Role Uncredited
Thunder Trail Richard
Ames (age 14) Uncredited
1938 In Old
Chicago Dion O'Leary as a boy
Of Human Hearts Jason
Wilkins as a child
Love Finds Andy Hardy Jimmy
McMahon
The Crowd Roars Tommy
McCoy as a boy
Boys Town Tony
Ponessa
1939 The Spirit of
Culver Carruthers
The Flying Irishman Clyde
'Douglas' Corrigan
They Shall Have Music Frankie
Bad Little Angel Tommy
Wilks
1940 The Blue Bird
Studious boy
Edison, the Man Jimmy
Price
The Mortal Storm Rudi
Roth
Gallant Sons Johnny
Davis
Santa Fe Trail Jason
Brown
1941 Andy Hardy's
Private Secretary Jimmy McMahon
The Penalty Roosty
Adventure in Washington Marty
Driscoll
1942 Junior G-Men
of the Air Eddie Holden
The Tuttles of Tahiti Ru
Eagle Squadron The
kid
1948 Jungle Patrol
Lt. Marion Minor
1949 The Big Cat Wid Hawks
Slattery's Hurricane Control
tower operator Uncredited
1953 99 River
Street Chuck
1954 Prisoner of
War Capt. Richard
Collingswood Uncredited
Down Three Dark Streets Vince
Angelino
The Country Girl Larry
The Bridges at Toko-Ri C.I.C.
officer
1955 The McConnell
Story B-17 pilot Uncredited
1956 Diane Montecuculli
The Man in the Gray Flannel Suit Soldier Uncredited
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