Legendary Crusaders Sax Man Wilton Felder Passes Away
He was not on the list.
Houston and the world lost a giant today with the passing of Wilton Felder, saxophonist for the fabled Crusaders. Mr. Felder was 75. Word of his passing reached the Internet via longtime collaborator Ray Parker, Jr.’s Facebook page around 2 p.m. today.
Felder’s passing comes only a year after the death of his lifelong friend and fellow Crusader Joe Sample. Crusaders trombonist Wayne Henderson died in April, 2014, which now leaves drummer Nesbert “Stix” Hooper as the only living Crusader from the original four. Felder, Sample, and Hooper met early in life and formed their first band while attending Phillis Wheatley High School in the Fifth War. They added Henderson and took the name Jazz Crusaders while attending Texas Southern University, but they left school without graduating in 1959 and moved to Los Angeles. They quickly made a name for themselves in the West Coast bebop scene and recorded ten albums in the hard bop style of the day..
But the huge success of the band would wait ten years until 1971 when they dropped one of the first jazz-rock records to cross over into popular music culture, Pass the Plate. Pass the Plate put them on everyone’s radar; they received letters from the Beatles — they famously covered "Eleanor Rigby" — and garnered a slot opening for a Rolling Stones tour. They also were one of the headliners at the Rumble in the Jungle heavyweight championship fight in Zaire in 1974 between Muhammad Ali and Houstonian George Foreman.
But by the mid-70s, the individual members of the Crusaders had moved outside the band to work as session musicians and as producers. Felder became a house bass player for Motown’s West Coast studio operation, but he also worked with a number of pop acts like America and Seals & Croft. He was one of three bassists on Randy Newman’s milestone album Sail Away. He also played on Billy Joel’s Piano Man and Streetlife Serenade albums, Joan Baez’s Diamonds and Rust, and John Cale’s Paris 1919.
Felder recorded his debut solo album, Bullitt, in 1970, and followed with We All Have a Star in 1978. He would go on to release seven more albums. His 1985 album Secrets, with Bobby Womack as primary vocalist, made it into the UK Albums chart and the single “No Matter How High I Get (I’ll Always Be Looking Up at You)” became a minor hit.
Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&B musicians, and was one of the in-house bass players for Motown Records, when the record label opened operations in Los Angeles in the early 1970s. He played on recordings by the Jackson 5 such as "I Want You Back", "ABC" and "The Love You Save", as well as recordings by Marvin Gaye including "Let's Get It On" and "I Want You". He also played bass for soft rock groups like Seals and Crofts. Also of note were his contributions to the John Cale album Paris 1919, Steely Dan's Pretzel Logic (1974), and Billy Joel's Piano Man and Streetlife Serenade albums. He was one of three bass players on Randy Newman's Sail Away (1972) and Joan Baez' Diamonds & Rust. Felder also anchored albums from Grant Green, Joni Mitchell and Michael Franks. Felder released the album "Inherit the Wind" with Bobby Womack in 1980.
Discography
As leader/co-leader
Bullitt (Pacific Jazz, 1969)
We All Have a Star (MCA, 1978)
Inherit the Wind (MCA, 1980)
Gentle Fire (MCA, 1983)
Secrets (MCA, 1985)
Love Is a Rush (MCA, 1987)
Nocturnal Moods (PAR, 1991)
Forever, Always (PAR, 1992)
Lets Spend Some Time (BCS, 2005)
With The (Jazz) Crusaders
Freedom Sound (Pacific Jazz, 1961)
Lookin' Ahead (Pacific Jazz, 1962)
The Jazz Crusaders at the Lighthouse (Pacific Jazz, 1962)
Tough Talk (Pacific Jazz, 1963)
Heat Wave (Pacific Jazz, 1963)
Jazz Waltz (Pacific Jazz, 1963) with Les McCann
Stretchin' Out (Pacific Jazz, 1964)
The Thing (Pacific Jazz, 1965)
Chile Con Soul (Pacific Jazz, 1965)
Live at the Lighthouse '66 (Pacific Jazz, 1966)
Talk That Talk (Pacific Jazz, 1966)
The Festival Album (Pacific Jazz, 1966)
Uh Huh (Pacific Jazz, 1967)
Lighthouse '68 (Pacific Jazz, 1968)
Powerhouse (Pacific Jazz, 1969)
Lighthouse '69 (Pacific Jazz, 1969)
As sideman
With Donald Byrd
Ethiopian Knights (Blue Note, 1972)
With Joan Baez
Diamonds & Rust (A&M, 1975)
Blowin' Away (Portrait, 1977)
With John Cale
Paris 1919 (Reprise, 1972)
With Michael Franks
The Art of Tea (Reprise, 1976)
Sleeping Gypsy (Warner Bros., 1977)
With Dizzy Gillespie
Free Ride (Pablo, 1977) composed and arranged by Lalo
Schifrin
With Grant Green
Shades of Green (Blue Note, 1971)
Live at The Lighthouse (Blue Note, 1972)
With Richard "Groove" Holmes
Welcome Home (Pacific Jazz, 1968)
With Harry Nilsson
Flash Harry (Mercury, 1980)
With Marvin Gaye
Let's Get It On (Tamla, 1973)
I Want You (Motown, 1976)
With Matraca Berg
The Speed of Grace (MCA, 1994)
With Paul Anka
The Painter (United Artists, 1976)
With Solomon Burke
Electronic Magnetism (MGM, 1971)
With Donovan
Slow Down World (Epic, 1976)
Lady of the Stars (RCA, 1984)
With Jackson Browne
For Everyman (Asylum, 1973)
With Jennifer Warnes
Jennifer (Reprise, 1972)
With Milt Jackson
Memphis Jackson (Impulse!, 1969)
With Tina Turner
Private Dancer (Capitol, 1984)
With John Klemmer
Constant Throb (Impulse!, 1971)
Waterfalls (Impulse!, 1972)
Magic and Movement (Impulse!, 1974)
With Charles Kynard
Reelin' with the Feelin' (Prestige, 1969)
With Minnie Riperton
Stay in Love (Epic, 1977)
With Ringo Starr
Stop and Smell the Roses (RCA, 1981)
With Carmen McRae
Can't Hide Love (Blue Note, 1976)
With Billy Joel
Piano Man (Columbia, 1973)
Streetlife Serenade (Columbia, 1974)
With Randy Crawford
Now We May Begin (Warner Bros., 1980)
With Joni Mitchell
For the Roses (Asylum, 1972)
Court and Spark (Asylum, 1974)
The Hissing of Summer Lawns (Asylum, 1975)
With B.B. King
Midnight Believer (ABC, 1978)
Take It Home (ABC, 1979)
With Wendy Waldman
Love Has Got Me (Warner Bros., 1973)
With Randy Newman
Sail Away (Reprise, 1972)
With Shuggie Otis
Here Comes Shuggie Otis (Epic, 1970)
Freedom Flight (Epic, 1971)
With Dusty Springfield
Cameo (ABC, 1973)
With Jean-Luc Ponty
King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa
(World Pacific/Liberty, 1970)
With Seals & Crofts
Summer Breeze (Warner Bros., 1972)
Diamond Girl (Warner Bros., 1973)
I'll Play for You (Warner Bros., 1975)
Get Closer (Warner Bros., 1976)
Sudan Village (Warner Bros., 1976)
With Jimmy Smith
Root Down (Verve, 1972)
With Steely Dan
Pretzel Logic (ABC, 1974)
Katy Lied (ABC, 1975)
With Gerald Wilson
California Soul (Pacific Jazz, 1968)
With Hugh Masekela
Reconstruction (Chisa, 1970)
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