Nigel Davenport obituary
He was not on the list.
When the whisky flowed, according to the writer John
Heilpern, the actor Nigel Davenport looked "as if he might knock you
through the wall for sport". However, words such as "imposing"
and "heavyweight", both often applied to his performances on stage
and screen across more than 40 years, do not do sufficient justice to his
lightness of touch and comic energy.
Davenport, who has died aged 85, was a founder member of the
English Stage Company (ESC) at the Royal Court – in the first season, he was in
every production except Look Back in Anger – and a distinguished president of
Equity, the actors' union; he played leads in Restoration comedy and absurdist
drama as well as King Lear.
In a recent rerun of the BBC's Keeping Up Appearances, he
loomed as a lubricious old navy commodore coming on to Patricia Routledge's
Hyacinth Bouquet in the back of a cab driven by a vicar. With his huge bulk,
fruity, growling voice and gleaming left eye, he was as hilarious as he was
genuinely alarming.
The "odd" eye was the result of an operation to
correct a childhood squint gone wrong, but this only added to his raffish
singularity, which made him ideal casting for hirsute, frequently moustachioed,
villains as well as the large roster of high-ranking soldiers, aristocrats and
monarchs – he was a superb King George III in the BBC television series The
Prince Regent (1979) – he embodied with an easy charm and natural entitlement.
He grew up in the village of Great Shelford, near Cambridge,
the son of Arthur Davenport and his wife, Katherine. His father was the bursar
at Sidney Sussex College and was awarded the Military Cross in the first world
war. Davenport was educated at St Peter's school in Seaford, East Sussex, and
at Cheltenham college before studying philosophy, politics and economics
(changing to English) at Trinity College, Oxford. At university, he was a
contemporary of Tony Richardson and William Gaskill, both later colleagues at
the Royal Court, and appeared as Bottom and the Cardinal in The Duchess of
Malfi with the Oxford University Dramatic Society. He had done his national
service in Germany, where he worked as a disc jockey with the British Forces
Network.
Davenport made his London debut in 1952 at the Savoy theatre
in Noël Coward's Relative Values, playing the Hon Peter Ingleton, a role he had
at first understudied. After a season at the Shakespeare Memorial theatre in
Stratford-upon-Avon in 1953, he estimated that he played no fewer than 75 roles
at the Chesterfield Civic theatre company in two years; that constituted his
formal training as an actor.
That experience, and his personal friendship with
Richardson, catapulted him into the Royal Court opening season in 1956, when he
appeared in Angus Wilson's The Mulberry Bush, Arthur Miller's The Crucible (as
Thomas Putnam), two plays by Ronald Duncan, Nigel Dennis's Cards of Identity
and Brecht's The Good Woman of Setzuan (with Peggy Ashcroft), and played Quack
in William Wycherley's The Country Wife.
In the next two years he was in the Sunday night
"without decor" tryouts for two important ESC productions, NF
Simpson's A Resounding Tinkle (directed by Gaskill) and Arnold Wesker's The
Kitchen (directed by John Dexter), as well as appearing in John Osborne's
Epitaph for George Dillon (again directed by Gaskill, with Robert Stephens in
the lead) and John Arden's Live Like Pigs.
Having played Horner in The Country Wife at the Theatre
Royal, Stratford East, in 1955, he returned there to appear in Joan
Littlewood's production of Shelagh Delaney's A Taste of Honey (1958), making
his Broadway debut with that play in 1960. From this hectic few years at the
heart of the new wave of English drama, he turned to television and film; he
had made his first TV appearance in 1952 and was soon in demand on screen as a
character actor of real distinction.
His major films covered 20 years, including Alexander
Mackendrick's A High Wind in Jamaica (1965); Fred Zinnemann's A Man for All
Seasons (1966), with Paul Scofield, in which Davenport played a powerful Duke
of Norfolk; and two directed by Hugh Hudson, Chariots of Fire (1981), in which
he played Lord Birkenhead, and Greystoke (1984), as Major Jack Downing.
Of his later theatre appearances I treasure most his
faultless Vershinin, the dashing army captain, in Jonathan Miller's 1976 revival
of Chekhov's Three Sisters (with Janet Suzman as Masha). He toured in King Lear
in 1986 and in Alan Bennett's The Old Country in 1989, bowing out to live
quietly in the Cotswolds after playing a boorish old sugar daddy to perfection
in Somerset Maugham's Our Betters at the Chichester Festival theatre in 1997.
Davenport was an active member of Equity, forming a
rightwing (though he himself was of middle-ground disposition) and ultimately
successful "Act for Equity" faction in opposition to Corin and
Vanessa Redgrave's Workers Revolutionary party cell within the union in the
1970s. He served as a healing president from 1986 to 1992.
He was twice married and divorced, first to Helena White
(from 1951 to 1960), with whom he had two children, the writer Hugo Davenport
and the actor Laura Davenport; and second to the actor and director Maria
Aitken (from 1972 to 1981), with whom he had a son, the actor Jack Davenport.
He is survived by his children and five grandchildren. His brother, Peter,
predeceased him.
Filmography
Film
Year Title Role Ref.
1959 Look Back in
Anger 1st Commercial Traveller
1960 Peeping Tom Det. Sgt. Miller
The Entertainer Theatre
Manager
1962 Mix Me a
Person Juke's Stepfather
1963 Ladies Who Do
Mr Strang
Bitter Harvest Police
Inspector
1964 The Third
Secret Lew Harding
1965 A High Wind
in Jamaica Mr Thornton
Sands of the Kalahari Sturdevan
1966 A Man for All
Seasons Duke of Norfolk
1968 Play Dirty Captain Cyril Leech
2001: A Space Odyssey HAL
(replaced)
1969 The Virgin
Soldiers Sergeant Driscoll
1970 No Blade of
Grass John Custance
The Mind of Mr. Soames Dr
Maitland
1971 Mary, Queen
of Scots Lord Bothwell
The Last Valley Gruber
1972 Living Free George Adamson
1973 Bram Stoker's
Dracula Van Helsing
The Picture of Dorian Gray Sir
Harry Wotton
1974 Phase IV Dr Ernest D. Hubbs
1975 The Regent's
Wife
1976 Death of a
Snowman Lt. Ben Deel
1977 The Island of
Dr. Moreau Montgomery
Stand Up, Virgin Soldiers Sgt.
Driscoll
1979 The London
Connection / The Omega Connection Arthur
Minton
1979 Zulu Dawn Colonel Hamilton-Brown
1980 Cry of the
Innocent Gray Harrison Hunt
1981 Chariots of
Fire Lord Birkenhead
Nighthawks Peter
Hartman
1984 A Christmas
Carol Silas Scrooge
Greystoke: The Legend of Tarzan, Lord of the Apes Major Jack Downing
1986 Caravaggio Giustiniani
Lord Mountbatten: The Last Viceroy Lord Ismay
1988 Without a
Clue Lord Smithwick
1997 The Opium War
Television
Year Title Role Notes
! Ref.
1957-1958 The
Adventures of Robin Hood St Peter
Marston, Claude the Seneschal, Barty and others 7 episodes [8]
1963 The Edgar
Wallace Mystery Theatre Dino
Stefano 1 episode
1966-68 The
Avengers Lord Barnes / Robertson
1969 The Name of
the Game David Windom 1 episode
1972 The
Edwardians Sir Arthur Conan
Doyle 1 episode
1974 South Riding Robert Carne 11 episodes
1975 Oil Strike
North Jim Fraser 13 episodes
1979 Prince Regent
King George III 8 episodes, TV mini-series
1981 Masada Sen. Mucianus Part 1
A Midsummer Night's Dream Theseus
1982 Bird of Prey Charles Bridgnorth 1982 ‘’minder’’ episode
‘why pay tax’
1982-83 Don't
Rock The Boat Jack Hoxton 12 episodes, TV mini-series
1985-1990 Howards'
Way Sir Edward Frere 29 episodes
1991 Trainer James Brant 13
episodes
1993 Keeping Up
Appearances ("The Commodore") The
Commodore 1 episode
1994 Woof! Mr. Wellesby 1
episode
1996 The Treasure
Seekers Lord Blackstock
2000 David
Copperfield Dan Peggotty TV movie
Midsomer Murders William
Smithers 1 episode
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