Remembering Johnny Yune: Hollywood’s forgotten Asian star
He was not on the list.
In 1973,
Enter the Dragon made Bruce Lee the most popular Asian actor ever to cross over
into Hollywood. In 1982, a full nine years after Lee’s death, another Asian
performer finally followed in his footsteps. It was not Jackie Chan, a huge
star from Hong Kong whose early attempts to crack the American market had
fizzled out, but instead an actor/comedian who could be interpreted as a
repudiation of everything Lee represented. He may not have been the breakout
star that the Asian diaspora might have wanted, but Johnny Yune was the one
they got.
The summit
of Yune’s brief stardom, They Call Me Bruce?, makes its unlikely Blu-ray debut
on 24 October via Kino Studio Classics. Based purely on anecdotal evidence,
everyone of a certain age vaguely remembers it – the posters featuring a
cartoon of Yune with crutches and the tagline ‘With a little practice… anyone
can be as good as Bruce Lee!’, the TV commercials which claimed ‘He walked like
him… he talked like him… he even looked like him!’, and the nonstop airings on
HBO. It’s the kind of movie that’s so ephemeral and context-based that the
Blu-ray should come with annotations.
Yune stars
as an Asian cook of undetermined nationality who everyone insists on calling
Bruce, though he has none of that famous martial artist’s prowess. He caters to
Italian gangsters, who trick him into transporting “flour” (cocaine) across the
country. Shenanigans ensue from Los Angeles to New York, and occasionally we
get flashbacks to his grandfather, a typical Pai Mei-type also played by Yune.
Aping the
rapid-fire Zucker/Abrahams/Zucker style, They Call Me Bruce? is a mishmash of
movie parodies (The Godfather, Saturday Night Fever) and Asian stereotypes
(Yune kneads dough with kung-fu and uses nunchakus as chopsticks), padded with
references to then-current TV commercials (“I was once run over by a Toyota…
Oh, what a feeling”). Primarily it’s a showcase for Yune, who is one of four
credited writers and whose clunky one-liners mostly came from his stand-up act.
His acting is so wooden and his jokes so bad (“I am a sex object. I always ask
women for sex, and they object”) that you may actually find yourself
occasionally chuckling.
Born in 1936
in a small township in South Korea, Yune travelled to the US in 1962 to enroll
at Ohio Wesleyan University. He stuck around, trying his luck as a stand-up
comedian in New York and eventually becoming a citizen in 1978. Yune was
discovered in a Santa Monica comedy club by talent scouts from The Tonight Show
with Johnny Carson, and in a time when Carson’s approval could launch a
comedian overnight, he became America’s most visible Asian comic. The Tonight
Show booked Yune a mind-boggling 14 times between 1978 and 1980. Seen today,
Yune’s these appearances are fragments from a vanished world where American
audiences were assumed to have little-to-no knowledge of Asian culture, and an
Asian comedian in America was assumed to be performing to an entirely white
audience.
Yune
invariably greets the audience with an exaggerated “herro” and tells his leaden
jokes in a deadpan monotone. He picks a lot of low-hanging Asian fruit: Korean
figures like Reverend Moon (the cult leader who later served time for fraud)
and Tongsun Park (the lobbyist accused of bribing Congress members to keep
troops out of South Korea) are namechecked, and Yune delivers such
groan-inducing lines as, “My friends told me if I talk to my plants, they’ll
grow taller and fast. And I’ve been talking to my plants… they turn yellow.”
When Carson asks he has studied kung-fu, Yune replies, “I once stepped in it.”
Other jokes could have been cribbed from any dollar-store joke book: “Lincoln.
I loved Lincoln. I could wait till I come to this country and drive one.
A 1979 appearance saw Yune promoting Sergeant TK Yu, a TV
movie (presumably a failed pilot) about a Korean detective. In his interview
with Carson, Yune reflected on growing up under an oppressive regime: “I
remember my father said – I’ll never forget this – ‘A communist is someone who
has nothing and is willing to share it with you.’” (For the record, it’s North
Korea that claims to be communist, but 1979 did mark the beginning of eight
years of martial law for the south.)
At one point, Yune says, “In communist country, you don’t
watch television because television watch you,” anticipating Yakov Smirnoff,
another immigrant comedian who appealed to Americans by flattered their sense
of superiority. At the end of the segment, Yune reveals he is an accomplished
singer, and delivers a commendable performance of “O sole mio.” The audience
initially laughs, but quickly realise it’s not a joke. Seeing this was the only
time I ever felt like I was seeing the real Yune.
They Call Me Bruce opened on 12 November, 1982 in a modest
165 screens, taking just over $1m from its opening weekend. Its $6,493
per-screen average was higher than the top-growing movie that week, George
Romero’s Creepshow. It hung around theatres for four months, even expanding to
324 theatres in week eight. Its$16.9m gross made it a major success for its
tiny distributor Film Ventures International, an Atlanta-based company best
known for releasing a Jaws rip-off (The Last Shark) so blatant that Universal
sued and won.
But Yune’s career was unsustainable: once you saw him, you
saw him. The Tonight Show invitations dried up, and an in-name-only sequel,
1987’s They Still Call Me Bruce, passed with little notice. In 1984, Pat Morita
– a familiar character actor best known for his role on TV’s Happy Days –
became The Karate Kid’s iconic Mr Miyagi. He parlayed his Academy Award
nomination into a string of Karate Kid sequels and straight-to-video action
movies.
In the ’90s, Jackie Chan – who once acted alongside Yune in
1981’s The Cannonball Run – finally hit it big in the States with Rumble in the
Bronx and Rush Hour. Watch his talk show appearances from 1996 and you’ll see
him somersaulting onto Jay Leno’s couch, performing kung-fu tricks for David
Letterman, and generally playing the part of the happy-go-lucky Asian. Before
America could fully embrace him, even Jackie Chan had to play the role of
Johnny Yune.
Filmography
Year Title Role
Notes
1979 Meteor Siberian
man (as Jon Yune)
1980 The Love Boat Korean Stand-up Comedian Episode:
"Not So Fast, Gopher/Haven't We Met Before?/Foreign Exchange"
1981 The Cannonball Run TV Talk Show Host
1982 They Call Me Bruce? Bruce / Grandfather
1985 Gidget's Summer Reunion Johnny Soon TV movie
1986 Nothing in Common Mr. Yung
1987 They Still Call Me Bruce Bruce
1988 Hamburger Johnny
1989 The Johnny Yune Show TV Talk Show Host KBS
1993 Western
Avenue
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