R.I.P. ‘The Godfather’ DP Gordon Willis
He was not on the list.
Iconic cinematographer Gordon Willis died early Sunday at age 82 after a battle with cancer, surrounded by family at his Cape Cod home. Most famous for his distinctive cinematography work on Francis Ford Coppola‘s Godfather series, Willis’s also worked with Woody Allen on some of his great New York-based movies, including Manhattan, Annie Hall, Zelig, Stardust Memories, Broadway Danny Rose, and The Purple Rose Of Cairo. He was a fixture with New York-based directors, also working with the late Alan J. Pakula on the classic All The President’s Men, Klute, and The Parallax View, and worked with Herbert Ross’s Pennies From Heaven; and Malice, The Devil’s Own. Official cause of death has not been disclosed, but expect Monday morning to be Gordon Willis appreciation day around the cinephile set. Phone calls and social media posts about Willis’s passing began trickling in Sunday evening. “This is a momentous loss,” confirmed ASC President Richard Crudo late Sunday night. “He was one of the giants who absolutely changed the way movies looked. Up until the time of The Godfather 1 and 2, nothing previously shot looked that way. He changed the way films looked and the way people looked at films.”
Queens, NY-born Willis cultivated a background in photography and served in the Korean War as an Air Force Photographic and Charting Serviceman before starting his film career as an assistant cameraman, working his way up with commercials and documentaries. He made his debut as a cinematographer with four features in 1970: comedy End of the Road, Irvin Kershner’s Loving, drama The People Next Door, and Hal Ashby’s The Landlord. His deft use of shadows and light for Coppola’s 1972 mafia classic The Godfather was a career-maker for Willis, who came to be known as one of the most influential cinematographers in the field. Despite his landmark contributions, Willis didn’t win either of the Oscar nods earned for films with two of his most frequent collaborators – Woody Allen’s Zelig and Coppola’s The Godfather Part III. He also shot 1986’s The Money Pit, 1988’s Bright Lights, Big City, 1990’s Presumed Innocent, and his own lone directorial effort, the 1980 thriller Windows. In 2009 the Academy awarded him an Honorary Academy Award “for unsurpassed mastery of light, shadow, color and motion.”
Filmography
Year Title Director Notes
1965 The Beatles at
Shea Stadium Bob Precht
1970 End of the Road Aram Avakian
The Landlord Hal
Ashby
Loving Irvin Kershner
The People Next Door David
Greene
1971 Little Murders Alan Arkin
Klute Alan J. Pakula
1972 Bad Company Robert Benton
The Godfather Francis
Ford Coppola
Up the Sandbox Irvin
Kershner
1973 The Paper Chase James Bridges
1974 The Parallax
View Alan J. Pakula
The Godfather Part II Francis
Ford Coppola
1975 The Drowning
Pool Stuart Rosenberg
1976 All the
President's Men Alan J. Pakula
1977 September
30, 1955 James Bridges
Annie Hall Woody
Allen
1978 Interiors
Comes a Horseman Alan
J. Pakula
1979 Manhattan Woody Allen
1980 Windows Himself
Stardust Memories Woody
Allen
1981 Pennies from Heaven Herbert Ross
1982 A Midsummer
Night's Sex Comedy Woody Allen
1983 Zelig
1984 The Lost Honor
of Kathryn Beck Simon Langton TV movie
Broadway Danny Rose Woody
Allen
1985 The Purple Rose
of Cairo
Perfect James Bridges
1986 The Money Pit Richard Benjamin
1987 The Pick-up
Artist James Toback
1988 Bright Lights,
Big City James Bridges
1990 Presumed
Innocent Alan J. Pakula
The Godfather Part III Francis
Ford Coppola
1993 Malice Harold Becker
1997 The Devil's Own Alan J. Pakula
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