R.I.P. Carlo Rambaldi, Creator of E.T
He was not on the list.
Special effects master Carlo Rambaldi, creator of E.T., died
in Italy on Friday. Rambaldi won Oscars for best visual effects for Alien and
E.T., and a special achievement award for his work on the 1977 King Kong.
Rambaldi’s job was to take the fantastical visions of others
and find a way to bring them to life, and at this he was a virtuoso. His
depictions of mutilated dogs for the Italian film A Lizard in a Woman’s Skin
(1971) were so convincing that they landed director Lucio Fulci in court on
charges of animal cruelty. Fulci was saved from two years in prison when
Rambaldi demonstrated his animatronic creatures in court, showing that no
animals had been harmed.
While Rambaldi made his reputation in the blood-soaked
horror films of Italian directors like Fulci and Dario Argento, his masterpiece
was the title character for E.T. After director Steven Spielberg spent hundreds
of thousands of dollars on an earlier prototype that never measured up,
Spielberg turned to Rambaldi. Rambaldi worked between 15- and 20-hour days to
finish the creature, which—in its various incarnations—was capable of over a
hundred different movements.
Artists are often thought to live on in their creations, but
this may be almost literally true with Rambaldi. Rambaldi created the alien
creatures for David Lynch’s Dune, and in a later interview Lynch said that he
thought that he could see Rambaldi—not just his sensibility, but his
likeness—in his creations:
I have a theory
about Carlo Rambaldi: He always builds himself. And so, somehow, the Navigator
looks to me a bit like Carlo Rambaldi. And E.T. looks exactly like Carlo
Rambaldi!
While Rambaldi certainly also looked outside himself for his
designs—Spielberg suggested that the alien’s face should be a combination of a
newborn baby and the eyes of Albert Einstein, while its butt should waddle like
Donald Duck’s—but looking at the two together I can’t help but see a
resemblance. Similarly, while no one would want to be compared to one of
Rambaldi’s gassy, spongy Navigators, Lynch may have been onto something.
Regardless, there’s no better way to remember Rambaldi than
by watching the magic of his creations. Rambaldi himself even said that, no
matter how aware he was of the strings that pulled his puppets, the illusions
still moved him. Speaking of E.T., he said, “When I finally saw the finished
movie, even I cried a little.”
Select filmography
Title Year Credited as Notes Ref(s)
Special effects Other
Dragon's Blood 1957 Yes Dragon
creator
Goliath and the Dragon 1960
Yes Special make-up effects
The Giants of Thessaly Yes
Fire Monsters Against the Son of Hercules 1962 Yes
Medusa Against the Son of Hercules 1963 Yes
Bloody Pit of Horror 1965
Yes
Danger: Diabolik 1968
Yes Set designer
Lady Frankenstein 1971
Yes
The Night of the Devils 1972
Yes
Frankenstein '80 Yes
Tragic Ceremony Yes
Flesh for Frankenstein 1973
Yes
The Hand That Feeds the Dead 1974 Yes
Blood for Dracula Yes
Deep Red 1975
Yes
King Kong 1976
Yes Kong
design and engineering
The White Buffalo 1977
Yes Consultant on buffalo sequences
Close Encounters of the Third Kind Yes Realization
of "extraterrestrial"
Alien 1979 Yes 'Alien'
head effect
Nightwing Yes
Special visual
effects
The Hand 1981
Yes Special
visual effects
E.T. the Extra-Terrestrial 1982
Yes Creator
of E.T.
Conan the Destroyer 1984
Yes Creator
of Dagoth
Dune Yes Creature creator
Cat's Eye 1985
Yes Creature
creator
Silver Bullet Yes
Creature creator
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